Chimneysmoke
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Christopher Morley
Christopher Morley (1890-1957) was an American journalist, poet, and novelist. Born in Bryn Mawr, Pennsylvania, he was the son of mathematics professor Frank Morley and violinist Lillian Janet Bird. In 1900, Christopher moved with his parents to Baltimore, returning to Pennsylvania in 1906 to attend Haverford College. Upon graduating as valedictorian in 1910, he went to Oxford on a Rhodes scholarship to study modern history. While in England, he published The Eighth Sin (1912), a volume of poems. After three years, he moved to New York, found work as a publicist and publisher’s reader at Doubleday, and married Helen Booth Fairchild. After moving his family to Philadelphia, Morley worked as an editor for Ladies’ Home Journal and then as a reporter for the Philadelphia Evening Public Ledger. In 1920, Morley moved one final time to Roslyn Estates in Nassau County, Long Island, commuting to the city for work as an editor of the Saturday Review of Literature. A gifted humorist, poet, and storyteller, Morley wrote over one hundred novels and collections of essays and poetry in his lifetime. Kitty Foyle (1939), a controversial novel exploring the intersection of class and marriage, was adapted into a 1940 film starring Ginger Rogers, who won the Academy Award for Best Actress for her role.
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Chimneysmoke - Christopher Morley
Christopher Morley
Chimneysmoke
Published by Good Press, 2022
goodpress@okpublishing.info
EAN 4064066206185
Table of Contents
TO THE LITTLE HOUSE
A GRACE BEFORE WRITING
TAKING TITLE
THE SECRET
ONLY A MATTER OF TIME
AT THE MERMAID CAFETERIA
OUR HOUSE
ON NAMING A HOUSE
A HALLOWE'EN MEMORY
REFUSING YOU IMMORTALITY
BAYBERRY CANDLES
SECRET LAUGHTER
SIX WEEKS OLD
A CHARM
MY PIPE
THE 5:42
PETER PAN
IN HONOR OF TAFFY TOPAZ
THE CEDAR CHEST
READING ALOUD
ANIMAL CRACKERS
THE MILKMAN
LIGHT VERSE
THE FURNACE
WASHING THE DISHES
THE CHURCH OF UNBENT KNEES
ELEGY WRITTEN IN A COUNTRY COAL-BIN
THE OLD SWIMMER
THE MOON-SHEEP
SMELLS
SMELLS (JUNIOR)
MAR QUONG, CHINESE LAUNDRYMAN
THE FAT LITTLE PURSE
THE REFLECTION (To N. B. D.)
THE BALLOON PEDDLER
LINES FOR AN ECCENTRIC'S BOOK PLATE
TO A POST-OFFICE INKWELL
THE CRIB
THE POET
TO A DISCARDED MIRROR
TO A CHILD
TO A VERY YOUNG GENTLEMAN
TO AN OLD-FASHIONED POET
BURNING LEAVES IN SPRING
BURNING LEAVES, NOVEMBER
A VALENTINE GAME
FOR A BIRTHDAY
KEATS
TO H. F. M. a sonnet in sunlight
QUICKENING
AT A WINDOW SILL
THE RIVER OF LIGHT
OF HER GLORIOUS MADNESS
IN AN AUCTION ROOM
EPITAPH FOR A POET WHO WROTE NO POETRY
SONNET BY A GEOMETER
TO A VAUDEVILLE TERRIER SEEN ON A LEASH, IN THE PARK
TO AN OLD FRIEND
TO A BURLESQUE SOUBRETTE
THOUGHTS WHILE PACKING A TRUNK
STREETS
TO THE ONLY BEGETTER
PEDOMETER
HOSTAGES
ARS DURA
O. HENRY—APOTHECARY
FOR THE CENTENARY OF KEATS'S SONNET
TWO O'CLOCK
THE COMMERCIAL TRAVELLER
THE WEDDED LOVER
TO YOU, REMEMBERING THE PAST
CHARLES AND MARY
TO A GRANDMOTHER
DIARISTS
THE LAST SONNET
THE SAVAGE
ST. PAUL'S AND WOOLWORTH
ADVICE TO A CITY
THE TELEPHONE DIRECTORY
GREEN ESCAPE
VESPER SONG FOR COMMUTERS
THE ICE WAGON
AT A MOVIE THEATRE
SONNETS IN A LODGING HOUSE
THE MAN WITH THE HOE (PRESS)
DO YOU EVER FEEL LIKE GOD?
RAPID TRANSIT
CAUGHT IN THE UNDERTOW
TO HIS BROWN-EYED MISTRESS
PEACE
SONG, IN DEPRECATION OF PULCHRITUDE
MOUNTED POLICE
TO HIS MISTRESS, DEPLORING THAT HE IS NOT AN ELIZABETHAN GALAXY
THE INTRUDER
TIT FOR TAT
SONG FOR A LITTLE HOUSE
THE PLUMPUPPETS
DANDY DANDELION
THE HIGH CHAIR
LOVE AT FIRST SIGHT
AUTUMN COLORS
THE LAST CRICKET
TO LOUISE
CHRISTMAS EVE
EPITAPH ON THE PROOFREADER OF THE ENCYCLOPEDIA BRITANNICA
THE MUSIC BOX
TO LUATH
THOUGHTS ON REACHING LAND
A SYMPOSIUM
TO A TELEPHONE OPERATOR WHO HAS A BAD COLD
NURSERY RHYMES FOR THE TENDER-HEARTED
THE TWINS
A PRINTER'S MADRIGAL
THE POET ON THE HEARTH
O PRAISE ME NOT THE COUNTRY
A STONE IN ST. PAUL'S GRAVEYARD
THE MADONNA OF THE CURB
THE ISLAND
SUNDAY NIGHT
ENGLAND, JULY 1913
CASUALTY
A GRUB STREET RECESSIONAL
PRELIMINARY INSTRUCTIONS FOR A FUNERAL SERVICE: BEING A POEM IN FOUR STANZAS
TO THE LITTLE HOUSE
Table of Contents
D
ear
little house, dear shabby street,
Dear books and beds and food to eat!
How feeble words are to express
The facets of your tenderness.
How white the sun comes through the pane!
In tinkling music drips the rain!
How burning bright the furnace glows!
What paths to shovel when it snows!
O dearly loved Long Island trains!
O well remembered joys and pains....
How near the housetops Beauty leans
Along that little street in Queens!
Let these poor rhymes abide for proof
Joy dwells beneath a humble roof;
Heaven is not built of country seats
But little queer suburban streets!
March, 1917.
A GRACE BEFORE WRITING
Table of Contents
T
his
is a sacrament, I think!
Holding the bottle toward the light,
As blue as lupin gleams the ink;
May Truth be with me as I write!
That small dark cistern may afford
Reunion with some vanished friend,—
And with this ink I have just poured
May none but honest words be penned!
DEDICATION FOR A FIREPLACE
Table of Contents
T
his
hearth was built for thy delight,
For thee the logs were sawn,
For thee the largest chair, at night,
Is to the chimney drawn.
For thee, dear lass, the match was lit
To yield the ruddy blaze—
May Jack Frost give us joy of it
For many, many days
TAKING TITLE
Table of Contents
T
o
make this house my very own
Could not be done by law alone.
Though covenant and deed convey
Absolute fee, as lawyers say,
There are domestic rites beside
By which this house is sanctified.
By kindled fire upon the hearth,
By planted pansies in the garth,
By food, and by the quiet rest
Of those brown eyes that I love best,
And by a friend's bright gift of wine,
I dedicate this house of mine.
When all but I are soft abed
I trail about my quiet stead
A wreath of blue tobacco smoke
(A charm that evil never broke)
And bring my ritual to an end
By giving shelter to a friend.
These done, O dwelling, you become
Not just a house, but truly Home!
And by a friend's bright gift of wine,And by a friend's bright gift of wine,
I dedicate this house of mine
THE SECRET
Table of Contents
I
t
was the House of Quietness
To which I