The Madonna in Art
()
About this ebook
Read more from Estelle M. Hurll
Titian Rating: 0 out of 5 stars0 ratingsGreek Sculpture Rating: 0 out of 5 stars0 ratingsGreek Sculpture: A Collection of 16 Pictures of Greek Marbles (Illustrated) Rating: 0 out of 5 stars0 ratingsLandseer: A Collection of 15 Pictures (Illustrated) Rating: 0 out of 5 stars0 ratingsVan Dyke Rating: 0 out of 5 stars0 ratingsRembrandt: A Collection of 15 Pictures and a Portrait of the Painter (Illustrated) Rating: 0 out of 5 stars0 ratingsRaphael Rating: 0 out of 5 stars0 ratingsThe Madonna in Art Rating: 0 out of 5 stars0 ratingsSir Joshua Reynolds Rating: 0 out of 5 stars0 ratingsTuscan Sculpture of the Fifteenth Century Rating: 0 out of 5 stars0 ratingsChild-Life in Art Rating: 0 out of 5 stars0 ratingsLandseer: A collection of fifteen pictures and a portrait of the painter with introduction and interpretation Rating: 0 out of 5 stars0 ratingsCorreggio: A Collection of Fifteen Pictures and a Portrait of the Painter with Introduction and Interpretation Rating: 0 out of 5 stars0 ratingsMichelangelo Rating: 0 out of 5 stars0 ratingsRembrandt: A Collection of Fifteen Pictures and a Portrait of the Painter with Introduction and Interpretation Rating: 0 out of 5 stars0 ratingsThe Madonna in Art Rating: 0 out of 5 stars0 ratingsCorreggio: A Collection of 15 Pictures (Illustrated) Rating: 0 out of 5 stars0 ratingsMichelangelo: A Collection of Fifteen Pictures and a Portrait of the Master, with Introduction and Interpretation Rating: 0 out of 5 stars0 ratingsChild-life in Art Rating: 0 out of 5 stars0 ratingsJohn Francois Millet Rating: 0 out of 5 stars0 ratingsRaphael: A Collection of Fifteen Pictures and a Portrait of the Painter with Introduction and Interpretation Rating: 0 out of 5 stars0 ratingsJean François Millet: A Collection of Fifteen Pictures and a Portrait of the Painter, with Introduction and Interpretation Rating: 0 out of 5 stars0 ratingsSir Joshua Reynolds: A Collection of Fifteen Pictures and a Portrait of the Painter with Introduction and Interpretation Rating: 0 out of 5 stars0 ratings
Related to The Madonna in Art
Related ebooks
The Madonna in Art Rating: 0 out of 5 stars0 ratingsThe Madonna in Art Rating: 0 out of 5 stars0 ratingsThe Art Of Spiritual Harmony Rating: 3 out of 5 stars3/5Concerning the Spiritual in Art Rating: 0 out of 5 stars0 ratingsPicture-Work Rating: 0 out of 5 stars0 ratingsThe Spiritual in Art Rating: 0 out of 5 stars0 ratingsFlowers from Mediæval History Rating: 0 out of 5 stars0 ratingsThe Art of the Moving Picture Rating: 0 out of 5 stars0 ratingsEarly Italian Painting Rating: 0 out of 5 stars0 ratingsThe Spiritual Dynamic in Modern Art: Art History Reconsidered, 1800 to the Present Rating: 0 out of 5 stars0 ratingsConcerning the Spiritual in Art and Painting in Particular Rating: 0 out of 5 stars0 ratingsKandinsky, the Spiritual In Art Rating: 4 out of 5 stars4/5The Virgin in Art Rating: 2 out of 5 stars2/5Michelangelo A Collection Of Fifteen Pictures And A Portrait Of The Master, With Introduction And Interpretation Rating: 0 out of 5 stars0 ratingsThe representation of Roma in major European museum collections: Volume 1: The Louvre Rating: 0 out of 5 stars0 ratingsRaphael: A Collection of Fifteen Pictures and a Portrait of the Painter with Introduction and Interpretation Rating: 0 out of 5 stars0 ratingsRaphael's Sistine Madonna Rating: 0 out of 5 stars0 ratingsHistory of Painting in Three Easy Chapters Rating: 4 out of 5 stars4/5Child-Life in Art Rating: 0 out of 5 stars0 ratingsThe Many Faces of Mary Book II Part III Rating: 0 out of 5 stars0 ratingsMichelangelo Rating: 0 out of 5 stars0 ratingsTuscan Sculpture of the Fifteenth Century Rating: 0 out of 5 stars0 ratingsHollow Men: Writing, Objects, and Public Image in Renaissance Italy Rating: 0 out of 5 stars0 ratingsJean François Millet: A Collection of Fifteen Pictures and a Portrait of the Painter, with Introduction and Interpretation Rating: 0 out of 5 stars0 ratingsMichelangelo Rating: 0 out of 5 stars0 ratingsMondrian Rating: 0 out of 5 stars0 ratingsThe Art of New Creation: Trajectories in Theology and the Arts Rating: 0 out of 5 stars0 ratingsReligious Art in France of the Thirteenth Century Rating: 4 out of 5 stars4/5Incomprehensible Certainty: Metaphysics and Hermeneutics of the Image Rating: 0 out of 5 stars0 ratingsThe Magdalene in the Reformation Rating: 0 out of 5 stars0 ratings
Art For You
How to Draw and Paint Anatomy, All New 2nd Edition: Creating Lifelike Humans and Realistic Animals Rating: 4 out of 5 stars4/5The Subtle Art of Not Giving a F*ck: A Counterintuitive Approach to Living a Good Life Rating: 4 out of 5 stars4/5Erotic Photography 120 illustrations Rating: 4 out of 5 stars4/5Botanical Drawing: A Step-By-Step Guide to Drawing Flowers, Vegetables, Fruit and Other Plant Life Rating: 5 out of 5 stars5/5How to Make Love Like a Porn Star: A Cautionary Tale Rating: 3 out of 5 stars3/5Super Graphic: A Visual Guide to the Comic Book Universe Rating: 4 out of 5 stars4/5Art 101: From Vincent van Gogh to Andy Warhol, Key People, Ideas, and Moments in the History of Art Rating: 4 out of 5 stars4/5Everything Is F*cked: A Book About Hope Rating: 4 out of 5 stars4/5Story: Style, Structure, Substance, and the Principles of Screenwriting Rating: 4 out of 5 stars4/5Flow: The Psychology of Optimal Experience Rating: 4 out of 5 stars4/5Anatomy for Fantasy Artists: An Essential Guide to Creating Action Figures & Fantastical Forms Rating: 4 out of 5 stars4/5The Designer's Dictionary of Color Rating: 5 out of 5 stars5/5Drawing: Flowers: Learn to Draw Step-by-Step Rating: 5 out of 5 stars5/5Make Your Art No Matter What: Moving Beyond Creative Hurdles Rating: 4 out of 5 stars4/5Drawing School: Fundamentals for the Beginner Rating: 4 out of 5 stars4/5Find Your Artistic Voice: The Essential Guide to Working Your Creative Magic Rating: 4 out of 5 stars4/5The Creature Garden: An Illustrator's Guide to Beautiful Beasts & Fictional Fauna Rating: 4 out of 5 stars4/5The Art of Living: The Classical Mannual on Virtue, Happiness, and Effectiveness Rating: 4 out of 5 stars4/5The Electric State Rating: 4 out of 5 stars4/5Bad Girls Throughout History: 100 Remarkable Women Who Changed the World Rating: 4 out of 5 stars4/5The Shape of Ideas: An Illustrated Exploration of Creativity Rating: 4 out of 5 stars4/5Draw Like an Artist: 100 Flowers and Plants Rating: 4 out of 5 stars4/5The Egyptian Book of the Dead: The Complete Papyrus of Ani Rating: 5 out of 5 stars5/5Picture This: How Pictures Work Rating: 4 out of 5 stars4/5Bibliophile: An Illustrated Miscellany Rating: 4 out of 5 stars4/5Art & Fear: Observations on the Perils (and Rewards) of Artmaking Rating: 4 out of 5 stars4/5
Related categories
Reviews for The Madonna in Art
0 ratings0 reviews
Book preview
The Madonna in Art - Estelle M. Hurll
Estelle M. Hurll
The Madonna in Art
Published by Good Press, 2022
goodpress@okpublishing.info
EAN 4057664628619
Table of Contents
PREFACE.
INTRODUCTION.
Part I.
MADONNAS CLASSED BY THE STYLE OF COMPOSITION.
CHAPTER I.
THE PORTRAIT MADONNA.
CHAPTER II.
THE MADONNA ENTHRONED.
CHAPTER III.
THE MADONNA IN THE SKY.
CHAPTER IV.
THE PASTORAL MADONNA.
CHAPTER V.
THE MADONNA IN A HOME ENVIRONMENT.
Part II.
MADONNAS CLASSED ACCORDING TO THEIR SIGNIFICANCE AS TYPES OF MOTHERHOOD.
CHAPTER VI.
THE MADONNA OF LOVE.
CHAPTER VII.
THE MADONNA IN ADORATION.
CHAPTER VIII.
THE MADONNA AS WITNESS.
BIBLIOGRAPHY.
INDEX OF ARTISTS.
PREFACE.
Table of Contents
This little book is intended as a companion volume to Child-Life in Art,
and is a study of Madonna art as a revelation of motherhood. With the historical and legendary incidents in the life of the Virgin it has nothing to do. These subjects have been discussed comprehensively and finally in Mrs. Jameson's splendid work on the Legends of the Madonna.
Out of the great mass of Madonna subjects are selected, here, only the idealized and devotional pictures of the Mother and Babe. The methods of classifying such works are explained in the Introduction.
Great pains have been taken to choose as illustrations, not only the pictures which are universal favorites, but others which are less widely known and not easily accessible.
The cover was designed by Miss Isabelle A. Sinclair, in the various colors appropriate to the Virgin Mary. The lily is the Virgin's flower, la fleur de Marie, the highest symbol of her purity. The gold border surrounding the panel is copied from the ornamentation of the mantle worn by Botticelli's Dresden Madonna.
Estelle M. Hurll.
New Bedford, Mass., May, 1897.
INTRODUCTION.
Table of Contents
It is now about fifteen centuries since the Madonna with her Babe was first introduced into art, and it is safe to say that, throughout all this time, the subject has been unrivalled in popularity. It requires no very profound philosophy to discover the reason for this. The Madonna is the universal type of motherhood, a subject which, in its very nature, appeals to all classes and conditions of people. No one is too ignorant to understand it, and none too wise to be superior to its charm. The little child appreciates it as readily as the old man, and both, alike, are drawn to it by an irresistible attraction. Thus, century after century, the artist has poured out his soul in this all-prevailing theme of mother love until we have an accumulation of Madonna pictures so great that no one would dare to estimate their number. It would seem that every conceivable type was long since exhausted; but the end is not yet. So long as we have mothers, art will continue to produce Madonnas.
With so much available material, the student of Madonna art would be discouraged at the outset were it not possible to approach the subject systematically. Even the vast number of Madonna pictures becomes manageable when studied by some method of classification. Several plans are possible. The historical student is naturally guided in his grouping by the periods in which the pictures were produced; the critic, by the technical schools which they represent. Besides these more scholarly methods, are others, founded on simpler and more obvious dividing lines. Such are the two proposed in the following pages, forming, respectively, Part I. and Part II. of our little volume.
The first is based on the style of composition in which the picture is painted; the second, on the subject which it treats. The first examines the mechanical arrangement of the figures; the second asks, what is the real relation between them? The first deals with external characteristics; the second, with the inner significance.
Proceeding by the first, we ask, what are the general styles of treatment in which Madonna pictures have been rendered? The answer names the following five classes:
1. The Portrait Madonna, the figures in half-length against an indefinite background.
2. The Madonna Enthroned, where the setting is some sort of a throne or dais.
3. The Madonna in the Sky or the Madonna in Gloria,
where the figures are set in the heavens, as represented by a glory of light, by clouds, by a company of cherubs, or by simple elevation above the earth's surface.
4. The Pastoral Madonna, with a landscape background.
5. The Madonna in a Home Environment, where the setting is an interior.
The foregoing subjects are arranged in the order of historical development, so far as is possible. The first and last of the classes enumerated are so small, compared with the others, that they are somewhat insignificant in the whole number of Madonna pictures. Yet, in all probability, it is along these lines that future art is most likely to develop the subject, choosing the portrait Madonna because of its universal adaptability, and representing the Madonna in her home, in an effort to realize, historically, the New Testament scenes. Of the remaining three, the enthroned Madonna is, doubtless, the largest class, historically considered, because of the long period through which it has been represented. The pastoral and enskied Madonnas were in high favor in the first period of their perfection.
Our next question is concerned with the aspects of motherhood displayed in Madonna pictures: in what relation to her child has the Madonna been represented? The answer includes the following three subjects:
1. The Madonna of Love (The Mater Amabilis), in which the relation is purely maternal. The emphasis is upon a mother's natural affection as displayed towards her child.
2. The Madonna in Adoration (The Madre Pia), in which the mother's attitude is one of humility, contemplating her child with awe.
3. The Madonna as Witness, in which the Mother is preëminently the Christ-bearer, wearing the honors of her proud position as witness to her son's great destiny.
These subjects are mentioned in the order of philosophical climax, and as we go from the first to