Timon of Athens
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Timon of Athens is a man who enjoys to please his friends and he does this by lavishing gifts on them. His 'friends' rush to gain his favour. They buy him small gifts and he repays them with big gifts. He ignores the warnings about false friends from the philosopher Apemantus and his extravagance catches up with him in the end and he is faced with unpaid bills. His 'friends' ignore his requests for help. He sends invitations to the Athenians to a 'banquet' and uses the occasion to berate them for being false and he then leaves Athens. Timon then discovers gold and becomes rich once again and befriends General Alcibiades who has also been treated badly by the Athenians. He provides the money for the General to wage war against the Athenians and seek revenge for their falseness.
William Shakespeare
William Shakespeare is widely regarded as the greatest playwright the world has seen. He produced an astonishing amount of work; 37 plays, 154 sonnets, and 5 poems. He died on 23rd April 1616, aged 52, and was buried in the Holy Trinity Church, Stratford.
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Timon of Athens - William Shakespeare
TIMON OF ATHENS
William Shakespeare
Dramatis Personae
TIMON, a noble Athenian
LUCIUS
LUCULLUS flattering Lords.
SEMPRONIUS
VENTIDIUS, one of Timon's false Friends.
APEMANTUS, a churlish Philosopher.
ALCIBIADES, an Athenian Captain.
FLAVIUS, Steward to Timon.
FLAMINIUS
LUCILIUS Servants to Timon.
SERVILIUS
CAPHIS
PHILOTUS Servants to Timon's Creditors.
TITUS
HORTENSIUS
Servants of Ventidius, and of Varro and Isidore (two of Timon's Creditor's).
THREE STRANGERS.
AN OLD ATHENIAN.
A PAGE.
A FOOL.
Poet, Painter, Jeweller, and Merchant.
PHRYNIA Mistresses to Alcibiades.
TIMANDRA
Lords, Senators, Officers, Soldiers, Servants, Thieves, and
Attendants
CUPID and Amazons in the Masque.
Scene.—Athens, and the neighbouring Woods.
ACT 1
Scene 1
Athens. A hall in Timon's house.
Enter Poet, Painter, Jeweller, Merchant, and others, at several doors
Poet
Good day, sir.
Painter
I am glad you're well.
Poet
I have not seen you long: how goes the world?
Painter
It wears, sir, as it grows.
Poet
Ay, that's well known:
But what particular rarity? what strange,
Which manifold record not matches? See,
Magic of bounty! all these spirits thy power
Hath conjured to attend. I know the merchant.
Painter
I know them both; th' other's a jeweller.
Merchant
O, 'tis a worthy lord.
Jeweller
Nay, that's most fix'd.
Merchant
A most incomparable man, breathed, as it were,
To an untirable and continuate goodness:
He passes.
Jeweller: I have a jewel here--
Merchant
O, pray, let's see't: for the Lord Timon, sir?
Jeweller: If he will touch the estimate: but, for that--
Poet
[Reciting to himself] 'When we for recompense have
praised the vile,
It stains the glory in that happy verse
Which aptly sings the good.'
Merchant
'Tis a good form.
Looking at the jewel
Jeweller
And rich: here is a water, look ye.
Painter
You are rapt, sir, in some work, some dedication
To the great lord.
Poet
A thing slipp'd idly from me.
Our poesy is as a gum, which oozes
From whence 'tis nourish'd: the fire i' the flint
Shows not till it be struck; our gentle flame
Provokes itself and like the current flies
Each bound it chafes. What have you there?
Painter
A picture, sir. When comes your book forth?
Poet
Upon the heels of my presentment, sir.
Let's see your piece.
Painter
'Tis a good piece.
Poet
So 'tis: this comes off well and excellent.
Painter
Indifferent.
Poet
Admirable: how this grace
Speaks his own standing! what a mental power
This eye shoots forth! how big imagination
Moves in this lip! to the dumbness of the gesture
One might interpret.
Painter
It is a pretty mocking of the life.
Here is a touch; is't good?
Poet
I will say of it,
It tutors nature: artificial strife
Lives in these touches, livelier than life.
Enter certain Senators, and pass over
Painter
How this lord is follow'd!
Poet
The senators of Athens: happy man!
Painter
Look, more!
Poet
You see this confluence, this great flood
of visitors.
I have, in this rough work, shaped out a man,
Whom this beneath world doth embrace and hug
With amplest entertainment: my free drift
Halts not particularly, but moves itself
In a wide sea of wax: no levell'd malice
Infects one comma in the course I hold;
But flies an eagle flight, bold and forth on,
Leaving no tract behind.
Painter
How shall I understand you?
Poet
I will unbolt to you.
You see how all conditions, how all minds,
As well of glib and slippery creatures as
Of grave and austere quality, tender down
Their services to Lord Timon: his large fortune
Upon his good and gracious nature hanging
Subdues and properties to his love and tendance
All sorts of hearts; yea, from the glass-faced flatterer
To Apemantus, that few things loves better
Than to abhor himself: even he drops down
The knee before him, and returns in peace
Most rich in Timon's nod.
Painter
I saw them speak together.
Poet
Sir, I have upon a high and pleasant hill
Feign'd Fortune to be throned: the base o' the mount
Is rank'd with all deserts, all kind of natures,
That labour on the bosom of this sphere
To propagate their states: amongst them all,
Whose eyes are on this sovereign lady fix'd,
One do I personate of Lord Timon's frame,
Whom Fortune with her ivory hand wafts to her;
Whose present grace to present slaves and servants
Translates his rivals.
Painter
'Tis conceived to scope.
This throne, this Fortune, and this hill, methinks,
With one man beckon'd from the rest below,
Bowing his head against the sleepy mount
To climb his happiness, would be well express'd
In our condition.
Poet
Nay, sir, but hear me on.
All those which were his fellows but of late,
Some better than his value, on the moment
Follow his strides, his lobbies fill with tendance,
Rain sacrificial whisperings in his ear,
Make sacred even his stirrup, and through him
Drink the free air.
Painter
Ay, marry, what of these?
Poet
When Fortune in her shift and change of mood
Spurns down her late beloved, all his dependants
Which labour'd after him to the mountain's top
Even on their knees and hands, let him slip down,
Not one accompanying his declining foot.
Painter
'Tis common:
A thousand moral paintings I can show
That shall demonstrate these quick blows of Fortune's
More pregnantly than words. Yet you do well
To show Lord Timon that mean eyes have seen
The foot above the head.
Trumpets sound. Enter TIMON, addressing himself courteously to every suitor; a Messenger from VENTIDIUS talking with him; LUCILIUS and other servants following
TIMON
Imprison'd is he, say you?
Messenger
Ay, my good lord: five talents is his debt,
His means most short, his creditors most strait:
Your honourable letter he desires
To those have shut him up; which failing,
Periods his comfort.
TIMON
Noble Ventidius! Well;
I am not of that feather to shake off
My friend when he must need me. I do