No Gathering In of this Incense: Poems
By Mark Rhoads
()
About this ebook
No gathering in of the incense of our past can reveal a precise picture or bring back the past in such a way that we can lay hold of it. It inevitably slips through our fingers. But the wisps of memory that surround us--like the smell of brewing coffee or a pungent perfume--have the power to delight or disgust, to influence our present and shape our future.
These poems uncover scraps of an ordinary story told with as much truth and substance as the incense of memory can evoke; ordinary in that the struggle between discontentment and serenity, fear and confidence, gravity and humor, conflict and reconciliation, disappointment and fulfillment, sadness and joy, death and life, is the natural topography of our humanity.
Mark Rhoads
Mark Rhoads is Professor of Music at Bethel University in St. Paul, MN.
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No Gathering In of this Incense - Mark Rhoads
No Gathering In of this Incense
Poems
Mark Rhoads
resource.jpgAcknowledgments
Short Block,
Singing Dylan,
and Fishing
first appeared in The Christian Science Monitor.
Our Old Chevy,
Plantain,
and The Occasional Fire
were first published in The Deronda Review.
Telecom’s Bequest,
Vital Meaning,
Legacy,
and Action Still
first appeared in Contemporary Rhyme.
Main Street
first appeared in Ballard Street Poetry Journal.
No Gathering In of this Incense
Poems
Copyright © 2015 Mark Rhoads. All rights reserved. Except for brief quotations in critical publications or reviews, no part of this book may be reproduced in any manner without prior written permission from the publisher. Write: Permissions. Wipf and Stock Publishers, 199 W. 8th Ave., Suite 3, Eugene, OR 97401.
Resource Publications
An Imprint of Wipf and Stock Publishers
199 W. 8th Ave., Suite 3
Eugene, OR 97401
www.wipfandstock.com
ISBN 13: 978-1-4982-0298-5
EISBN 13: 978-1-4982-0299-2
Manufactured in the U.S.A.
Part One: Iconic Virtue
Daily I search those eyes, the windows
through which I see their future, my past, all at once.
Our Old Chevy Had No Radio
Our old Chevy had no radio,
no conditioned air, no seatbelts
to tie you down; so I would spread my arms
to rise out over the treeless hills,
top the pungent sage and rippling wheat,
then swoop back over the rocketing hood,
glance back into the divided glass
to see my determined mother,
my father commanding the wheel,
hell-bent for Ritzville.
My music in those generous days
was the drone of the straight six below me
the flutter of hot wind in my boyish ears,
a clattering escort of grasshoppers,
a meadowlark singing out a claim
to a fencepost.
The Seed of Me
My father sits on the edge of his bed in a t-shirt
angling a blue-veined foot into a leg of his pajamas.
His loins are exposed, the loins
from which the seed of me burst out
on a pleasant April night in Canyon Crest,
and afterwards he swung these feet
to the floor to sit for a moment, palms
on the mattress, his toes kneading
the cool linoleum, then looked back at my mother
to exchange a commemorative smile.
But now these pajamas claim his full attention,
one leg, then the other leg, a forced rest;
and once over his knees he labors to stand
to pull them up over his wilted buttocks;
he falls to the bed, lays his head in dry fingers,
looks down at the floor for a long, long time
as if to ponder the history of the old brown carpet.
Iconic Virtue
The way my father grips those two dead squirrels
by their tails and how his left hand extends
to the barrel-end of a rifle, butt at his feet; and those
dungarees and the work shirt he is wearing, the