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No Gathering In of this Incense: Poems
No Gathering In of this Incense: Poems
No Gathering In of this Incense: Poems
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No Gathering In of this Incense: Poems

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Memory is like incense: as the censor passes, so does the intensity of the aroma, leaving only faint wisps. The substance is ephemeral, becoming vague and imprecise with the passing of time.

No gathering in of the incense of our past can reveal a precise picture or bring back the past in such a way that we can lay hold of it. It inevitably slips through our fingers. But the wisps of memory that surround us--like the smell of brewing coffee or a pungent perfume--have the power to delight or disgust, to influence our present and shape our future.

These poems uncover scraps of an ordinary story told with as much truth and substance as the incense of memory can evoke; ordinary in that the struggle between discontentment and serenity, fear and confidence, gravity and humor, conflict and reconciliation, disappointment and fulfillment, sadness and joy, death and life, is the natural topography of our humanity.
LanguageEnglish
Release dateJan 21, 2015
ISBN9781498202992
No Gathering In of this Incense: Poems
Author

Mark Rhoads

Mark Rhoads is Professor of Music at Bethel University in St. Paul, MN.

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    Book preview

    No Gathering In of this Incense - Mark Rhoads

    9781498202985.kindle.jpg

    No Gathering In of this Incense

    Poems

    Mark Rhoads

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    Acknowledgments

    Short Block, Singing Dylan, and Fishing first appeared in The Christian Science Monitor.

    Our Old Chevy, Plantain, and The Occasional Fire were first published in The Deronda Review.

    Telecom’s Bequest, Vital Meaning, Legacy, and Action Still first appeared in Contemporary Rhyme.

    Main Street first appeared in Ballard Street Poetry Journal.

    No Gathering In of this Incense

    Poems

    Copyright © 2015 Mark Rhoads. All rights reserved. Except for brief quotations in critical publications or reviews, no part of this book may be reproduced in any manner without prior written permission from the publisher. Write: Permissions. Wipf and Stock Publishers, 199 W. 8th Ave., Suite 3, Eugene, OR 97401.

    Resource Publications

    An Imprint of Wipf and Stock Publishers

    199 W. 8th Ave., Suite 3

    Eugene, OR 97401

    www.wipfandstock.com

    ISBN 13: 978-1-4982-0298-5

    EISBN 13: 978-1-4982-0299-2

    Manufactured in the U.S.A.

    Part One: Iconic Virtue

    Daily I search those eyes, the windows

    through which I see their future, my past, all at once.

    Our Old Chevy Had No Radio

    Our old Chevy had no radio,

    no conditioned air, no seatbelts

    to tie you down; so I would spread my arms

    to rise out over the treeless hills,

    top the pungent sage and rippling wheat,

    then swoop back over the rocketing hood,

    glance back into the divided glass

    to see my determined mother,

    my father commanding the wheel,

    hell-bent for Ritzville.

    My music in those generous days

    was the drone of the straight six below me

    the flutter of hot wind in my boyish ears,

    a clattering escort of grasshoppers,

    a meadowlark singing out a claim

    to a fencepost.

    The Seed of Me

    My father sits on the edge of his bed in a t-shirt

    angling a blue-veined foot into a leg of his pajamas.

    His loins are exposed, the loins

    from which the seed of me burst out

    on a pleasant April night in Canyon Crest,

    and afterwards he swung these feet

    to the floor to sit for a moment, palms

    on the mattress, his toes kneading

    the cool linoleum, then looked back at my mother

    to exchange a commemorative smile.

    But now these pajamas claim his full attention,

    one leg, then the other leg, a forced rest;

    and once over his knees he labors to stand

    to pull them up over his wilted buttocks;

    he falls to the bed, lays his head in dry fingers,

    looks down at the floor for a long, long time

    as if to ponder the history of the old brown carpet.

    Iconic Virtue

    The way my father grips those two dead squirrels

    by their tails and how his left hand extends

    to the barrel-end of a rifle, butt at his feet; and those

    dungarees and the work shirt he is wearing, the

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