Rivers to the Sea
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About this ebook
Although the early twentieth century saw the blossoming of the "new" poetry, Teasdale stuck to more formal prose: "The fountain shivers lightly in the rain/the laurels drip, the fading roses fall/the marble satyr plays a mournful strain/That leaves the rainy fragrance musical." Not terribly original in HOW it's written, but the rich language is all the more striking.
While Teasdale experimented late in her life, "Rivers to the Sea" mostly sticks to formal styles. Sometimes she did dense, intense, longer poems that seemed to have been written a long time ago. "Ah, Love there is no fleeing from thy might,/No lonely place where thou hast never trod,/No desert thou hast left uncarpeted/With flowers that spring beneath thy perfect feet."
Clever imagery and timeless emotion and at a great price.
Depending on where you are in your life you will seize the positive or accentuate the negative or just bask in the melancholy.
Sara Teasdale
Sara Teasdale (1884-1933) was an American poet. Born in St. Louis, Missouri, Teasdale suffered from poor health as a child before entering school at the age of ten. In 1904, after graduating from Hosmer Hall, Teasdale joined the group of female artists known as The Potters, who published The Potter’s Wheel, a monthly literary and visual arts magazine, from 1904 to 1907. With her first two collections—Sonnets to Duse and Other Poems (1907) and Helen of Troy and Other Poems (1911)—Teasdale earned a reputation as a gifted lyric poet from critics and readers alike. In 1916, following the publication of her bestselling Rivers to the Sea (1915), she moved to New York City with her husband Ernst Filsinger. There, she won the 1918 Pulitzer Prize for Love Songs (1917), her fourth collection. Frustrated with Filsinger’s prolonged absences while traveling for work, she divorced him in 1929 and moved to another apartment in the Upper West Side. Renewing her friendship with poet Vachel Lindsay, she continued to write and publish poems until her death by suicide in 1933.
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