Still Life 1931
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About this ebook
Years ago, Lurleen helped the NAACP investigate lynchings. She stopped when she met her husband, but never forgot the work…or the caution it required. After his death, Lurleen finds herself struggling to find purpose.
She travels to New York without a plan. But what she finds there might help her face her past—and finally chart her future.
A powerful story about justice, courage, and facing one's true self.
"'Still Life 1931' by Kris Nelscott (Kristine Kathryn Rusch), based on Hotel Room (1931) [a painting by Edward Hopper], was perhaps the best story in the collection [In Sunlight or in Shadow, edited by Lawrence Block], telling the story of Lurleen, a white volunteer/informant for the NAACP at the beginning of the Great Depression."
—New York Journal of Books
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Still Life 1931 - Kris Nelscott
Still Life 1931
Kris Nelscott
WMG PublishingContents
Still Life 1931
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Also by Kris Nelscott
About the Author
Still Life 1931
She first noticed outside Memphis: they didn’t ride segregated in the boxcars. At the time, she was standing outside yet another closed bank. The line of aggrieved customers wrapped around the block—men in their dusty pants, stained work shirts, caps on their heads; women wearing low heels, day dresses, and battered hats.
Lurleen looked just different enough to attract attention. Her green cloche hat was a bit too new, her coat a little too heavy. Her shoes were scuffed just like everyone else’s, but hers were scuffed from too much travel, not age and wear.
She clutched the double handles of her brown duffel, and stared at the missed opportunity. The sign in the window had a desperate scrawl: Out Of Cash. Come Back Tomorrow. There was no date and no signature. She couldn’t tell if tomorrow
was yesterday, three days ago, or truly, the next day.
And she didn’t want to ask the dusty, discouraged folks who stood in line like there was a chance there would be cash. She’d seen this in six other towns in the past two months, and each time, she was startled they weren’t smashing the glass windows, opening the doors themselves and taking what was left.
Maybe everyone in the crowd knew there was nothing left. Nothing left at all.
She sighed, wrapping her gloved fingers tight around the duffel’s thick handles, trying to act like the duffel was empty, waiting for cash instead of lined with it. She knew better than to travel with so much money, but she had no choice now.
She wasn’t sure which banks to trust, considering how many she’d seen shuttered and forlorn on her trip here. She worried that if she trusted all of her savings to one of these institutions, she’d never see another dime.
She understood why people were buying safes and putting them in their homes.
But she no longer had a home. Not any more.
She hadn’t sold the house. In the end, she’d seen no point. It had become little more than a shack. On bad days, wind blew through the cracks in the wall, filling the four rooms with more dirt than she could clean off in an afternoon.
By the time Frank had passed, she’d had enough of that place. After she’d buried him in the family plot, and packed up using the two bags from her travels before Frank, still clean and sturdy