Everand Logo

Welcome to Everand!

  • Discover millions of ebooks, audiobooks, and so much more with a free trial

    Only $11.99/month after trial. Cancel anytime.

    The Inferno: A New Verse Translation
    The Inferno: A New Verse Translation
    The Inferno: A New Verse Translation
    Ebook438 pages6 hours

    The Inferno: A New Verse Translation

    By Dante Alighieri and Peter Thornton

    4/5

    ()

    Read preview

    About this ebook

    This enthralling new translation of Dante’s Inferno immediately joins ranks with the very best” (Richard Lansing).

    One of the world’s transcendent literary masterpieces, the Inferno tells the timeless story of Dante’s journey through the nine circles of hell, guided by the poet Virgil, when in midlife he strays from his path in a dark wood. In this vivid verse translation into contemporary English, Peter Thornton makes the classic work fresh again for a new generation of readers. Recognizing that the Inferno was, for Dante and his peers, not simply an allegory but the most realistic work of fiction to date, he points out that hell was a lot like Italy of Dante's time. Thornton's translation captures the individuals represented, landscapes, and psychological immediacy of the dialogues as well as Dante's poetic effects.

    The product of decades of passionate dedication and research, his translation has been hailed by the leading Dante scholars on both sides of the Atlantic as exceptional in its accuracy, spontaneity, and vividness. Those qualities and its detailed notes explaining Dante's world and references make it both accessible for individual readers and perfect for class adoption.
    LanguageEnglish
    PublisherArcade
    Release dateApr 11, 2017
    ISBN9781628727487
    The Inferno: A New Verse Translation
    Author

    Dante Alighieri

    Dante Alighieri (1265-1321) was an Italian poet. Born in Florence, Dante was raised in a family loyal to the Guelphs, a political faction in support of the Pope and embroiled in violent conflict with the opposing Ghibellines, who supported the Holy Roman Emperor. Promised in marriage to Gemma di Manetto Donati at the age of 12, Dante had already fallen in love with Beatrice Portinari, whom he would represent as a divine figure and muse in much of his poetry. After fighting with the Guelph cavalry at the Battle of Campaldino in 1289, Dante returned to Florence to serve as a public figure while raising his four young children. By this time, Dante had met the poets Guido Cavalcanti, Lapo Gianni, Cino da Pistoia, and Brunetto Latini, all of whom contributed to the burgeoning aesthetic movement known as the dolce stil novo, or “sweet new style.” The New Life (1294) is a book composed of prose and verse in which Dante explores the relationship between romantic love and divine love through the lens of his own infatuation with Beatrice. Written in the Tuscan vernacular rather than Latin, The New Life was influential in establishing a standardized Italian language. In 1302, following the violent fragmentation of the Guelph faction into the White and Black Guelphs, Dante was permanently exiled from Florence. Over the next two decades, he composed The Divine Comedy (1320), a lengthy narrative poem that would bring him enduring fame as Italy’s most important literary figure.

    Read more from Dante Alighieri

    Related to The Inferno

    Related ebooks

    Classics For You

    View More
    View More

    Related podcast episodes

    Related articles

    • Article

      Chinese Rhymes

      Mar 28, 2018

      Everybody who cares anything for old poetry in English knows how it feels—knows how awful it feels—when a poem is rhyming away and then suddenly the rhyme goes off the rails for a second because English pronunciation has changed since the time the po

      6 min read

    • Article

      Formal Poetry Is Not a Museum Piece: The Millions Interviews Aaron Poochigian

      Apr 19, 2021

      There was some tension at Columbia over my formalism. I was at one point told not to write that way. Because formal poetry is what lights up my synapses, gets me high, I could not accommodate that suggestion. The post Formal Poetry Is Not a Museum Pi

      11 min read

    • Article

      How The Sonnet Turns

      May 1, 2020

      This essay is adapted from a lecture delivered at the MFA Program for Writers at Warren Wilson College, on January 10, 2010, at the winter residency. My thanks to The American Poetry Review for their graceful and gracious assistance in the adaptation

      30 min read

    • Article

      Regarding the Em Dash

      Jan 4, 2018

      Punctuation, largely invisible and insignificant for normal people, as it should be, is a highly personal matter for writers.  Periods, commas, colons, semi-colons:  in their use or non-use and in their order and placement, can represent elaboration,

      6 min read

    • Article

      Poem Of The Week: Poetry For Supper By RS Thomas

      Oct 31, 2022

      ‘Listen, now, verse should be as naturalAs the small tuber that feeds on muck And grows slowly from obtuse soil To the white flower of immortal beauty.’ ‘Natural, hell! What was it Chaucer Said once about the long toil That goes like blood to the poe

      3 min read

    • Article

      Five Italian Classical Writers For You To Read

      Sep 3, 2020

      1 Dante Alighieri was born in Florence and is pretty much the undisputed king of Italian literature, known by Italians as the ‘Supreme Poet’. He is also often referred to as the ‘father of the Italian language’ for writing his masterwork, The Divine

      1 min read

    • Article

      Meet Your New Favorite Poet

      Feb 20, 2019

      Meet Your New Favorite Poet
      6 min read

    • Article

      Best Translated Book Awards Spotlight: The Millions Interviews Linda Coverdale

      Jun 13, 2019

      As a translator, I’m responsible for providing information encoded in the text that's more easily accessible to a native reader, as discreetly as possible. The post Best Translated Book Awards Spotlight: The Millions Interviews Linda Coverdale appear

      11 min read

    • Article

      Three Times Rhyme

      Sep 7, 2023

      The terza rima is a particularly charming Italian verse form that sits neatly in any poet’s repertoire of styles, and is the form required for our next Writing Magazine competition. Meaning third rhyme, this chain-rhymed piece interweaves its chiming

      3 min read

    • Article

      The Cult Of The Imperfect

      Oct 28, 2019

      The Cult Of The Imperfect
      11 min read

    • Article

      Time And Place

      Jan 5, 2023

      Time And Place
      4 min read

    • Article

      A History And Theory Of The Line In English Language Poetry

      Jul 1, 2022

      For me, and for generations of US readers before me, poetry has been defined by the appearance of the line break on the page, that ragged righthand margin signaling that something is at work in the arrangement of the words on paper beyond mere transc

      59 min read

    • Article

      German Lessons

      Nov 14, 2019

      German Lessons
      9 min read

    • Article

      Long Exposure

      Feb 6, 2020

      Long Exposure
      4 min read

    • Article

      Poem Of The Week: Break, Break, Break By Alfred Tennyson

      Jul 18, 2022

      Break, Break, Break Break, break, break,On thy cold gray stones, O Sea!And I would that my tongue could utterThe thoughts that arise in me. O, well for the fisherman’s boy,That he shouts with his sister at play!O, well for the sailor lad,That he sing

      2 min read

    Related categories

    Reviews for The Inferno

    4/5

    2,970 ratings86 reviews

    What did you think?

    Tap to rate

    Review must be at least 10 words

    • 4/5
      A handsome book, but a clunky and awkward translation.
    • 5/5
      Dante's journey through Hell ranks in my top 5 favorite books. I especially like this translation, as it keeps the language modern enough to be readable, but is still beautiful. Also, there are plenty of foot and end notes to explain middle age-phrases and historical references many people may not be familiar with.
    • 5/5
      Poetry like this touches your soul Dante was a lot like Mozart a daring rebel and a genius
    • 4/5
      The first time I read this was in high school. At the time, it was a 2½ star book...nothing special, the teacher didn't do as much with it as she might have done, I got through it and moved on.The second time I read this was in college in a course I was auditing (therefore, no grade pressure) from a professor who not only was a well-known authority but...more important...lived, breathed, ate and slept Dante. It made a world of difference. The book becomes much more alive if you understand the political situation of the day, the personal relationships in Dante's life, the references to other things going on in the world at that time.I recommend reading this to anyone with any interest. However, if you can't do it under the tutelage of someone who knows this stuff, I would recommend a well-annotated edition.
    • 4/5
      Despite its deserved reputation as being a bit hard to follow, if you stick with it, this is really worth reading.
    • 4/5
      This is my first exposure to Dante's writing. I was looking for poetry by a different author when I came across this translation. When I saw the narrator, I decided it was time to read/hear some Dante :)

      Dante sure thought a lot of himself! Good grief, even when he's singing the praises of some denizen of limbo, he's doing so in the context of being the vehicle of their remembrance among the living. You've probably heard the idiom, "damning with faint praise." Over and over, Dante praises himself with faint condemnation. No, Dante, it's not actually all that terrible that you trembled with fear while faced with the horrors of the pit.

      I want to read an annotated translation of The Inferno. I could be wrong, but I'm pretty sure he was mocking and calling out some of his contemporaries, as well as commenting on figures from the past.

      Most of the work came from describing and talking to the denizens of the various neighborhood of perdition, but he didn't stint on describing the environs. He readily sketched the horrific backdrops to his interactions, giving just enough detail to be clear, but leaving space for the imagination to fill in the unmentioned horrors. This is not at all bedtime listening.

      I seemed to sense some negative commentary on Church doctrine, but I'm not sure if that was in the text, or if that came from my 20th/21st century perspective. For instance, he lamented the number of people, even great and good people, condemned to Limbo simply because they lived before the establishment of Christianity. To my ear, that's a reason to question the church - but to Dante it may have been just another thing that was and didn't need to be questioned.
    • 5/5
      I find The Divine Comedy among the most amazing works I've ever read--despite that the work is essentially Christian Allegory and I'm an atheist. First and foremost for its structure. Recently I read Moby Dick and though it had powerful passages I found it self-indulgent and bloated and devoutly wished an editor had taken a hatchet to the numerous digressions. There is no such thing as digressions in Dante. I don't think I've ever read a more carefully crafted work. We visit three realms in three Canticas (Hell, Purgatory and Heaven) each of 33 cantos and in a terza rima verse in a triple rhyme scheme. Nothing is incidental or left to chance . That's not where the structure ends either. Hell has nine levels, it is an imaginary landscape worthy of Tolkien or Pratchett, both in large ways and small details. I found it fitting how Dante tied both sins and virtues to love--a sin was love misdirected or applied, and the lower you go in hell, the less love there is involved, until at the lowest reaches you find Satan and traitors encased in a lake of ice. Then there are all the striking phrases, plays of ideas and gorgeous imagery that comes through despite translations. This might be Christian Allegory, but unlike say John Bunyan's Pilgrim's Progress it's far from dry or tedious and is full of real life contemporaries of Dante and historical figures. There are also Dante's guides here. His Virgil is wonderful--and the perfect choice. The great Latin poet of the Aeneid leading the great Italian poet who made his Tuscan dialect the standard with his poetry. I've read the entire Divine Comedy but certainly Hell is what stays most vividly in my mind. I remember the people of Hell best. There's Virgil of course, who must remain in limbo for eternity because he wasn't a Christian. There's Francesca di Rimini and her lover, for their adultery forever condemned to be flung about in an eternal wind so that even Dante pities them. And that, of course, is the flip side of this. Dante's poem embodies the orthodox Roman Catholic Christianity of the 1300s and might give even Christians today pause. Even though I don't count myself a Christian, I get the appeal of hell. In fact, I can remember exactly when I understood it. When once upon a time I felt betrayed, and knew there was no recourse. The person involved would never get their comeuppance upon this Earth. How nice I thought, if there really was a God and a Hell to redress the balance. The virtue of any Hell therefore is justice. These are the words Dante tells us are at hell's entrance.THROUGH ME THE WAY INTO THE SUFFERING CITY,THROUGH ME THE WAY TO THE ETERNAL PAIN,THROUGH ME THE WAY THAT RUNS AMONG THE LOST. JUSTICE URGED ON MY HIGH ARTIFICER;MY MAKER WAS DIVINE AUTHORITY,THE HIGHEST WISDOM, AND THE PRIMAL LOVE. BEFORE ME NOTHING BUT ETERNAL THINGSWERE MADE, AND I ENDURE ETERNALLY.ABANDON EVERY HOPE, WHO ENTER HERE.It's hard to see Dante's vision matching the orthodox doctrine as just however, even when I might agree a particular transgression deserves punishment. Never mind the virtuous and good in limbo because they weren't Christians or unbaptized or in hell because they committed suicide or were homosexual. And poor Cassio and Brutus, condemned to the lowest circle because they conspired to kill a tyrant who was destroying their republic. My biggest problem with hell is that it is eternal. Take all the worst tyrants who murdered millions, make them suffer not only the length of the lifetimes of their victims but all the years they might have had, I doubt if you add it up it comes to the age of the Earth--never mind eternity. Justice taken to extremes is not justice--it's vindictiveness and sadism. Something impossible for me to equate with "the primal love." Yet I loved this work so much upon my first read (I read the Dorothy Sayers translation) I went out and bought two other versions. One by Allen Mandelbaum (primarily because it was a dual language book with the Italian on one page facing the English translation) and a hardcover version translated by Charles Eliot Norton. Finally, before writing up my review and inspired by Matthew Pearl's The Dante Club, I got reacquainted by finding Longfellow's translation online. Of all of them, I greatly prefer Mandelbaum's translation. The others try to keep the rhyming and rhythm of the original and this means a sometimes tortured syntax and use of archaic words and the result is forced and often obscure, making the work much harder to read than it should be.
    • 3/5
      On my trip to Italy I was able to re-read Dante's Inferno. I was struck by how he cleverly inserts his enemies and contemporary villains into the epic. Also, I cannot help but wonder if the ingenious torments he comes up for each sin are original with Dante. Of course, I love it that Dante doesn't hesitate to place Popes in various circles of Hell. The way he and Virgil have to dodge demons makes the trip an exciting adventure. I must admit I fully enjoyed this version by Charles Eliot Norton with the explanatory notes. I did want to add ...Fierce rivalries often split the dominant faction. So in 1302 the “Black” Guelfs, in alliance with Pope Boniface VIII, succeeded in expelling the “Whites.” Among the White Guelfs at this time was Dante (1265–1321), who had held public office. Doomed to spend the rest of his life in exile, he wrote the Divine Comedy while in exile. So, Dante puts Popes Nicholas, Boniface and Clement in the 8th and 9th circles of hell for fraud. Boniface is Dante's number one foe.
    • 2/5
      This translation replaced names- so many names! Added modern phrases.

      I appreciate that I may not have been able to real the original(or earlier translation) so easily (well, I'm not sure, but this is the only translation I've read) but I could not accept the replacement of the names. South Park's Cartman? Please. I prefer purer translations. The the addition of modern phrases and names stuck out like a sore thumb. I would be reading easily, then get so thrown off that I had to stop.

      Now, I've read this, and I don't know how much of it was from the original, and how much the translator replaced. Now I feel like I have to re-read it, with a different translation.

      It wasn't written in 2013, so don't translate it like it was. Please.

      What was intact, the messages and the stories, all that makes this a classic, earns my four stars. Since I'm rating this particular translation, however, I'm giving it two. If I find out later that earlier translations are written in a way that I can easily read, then I'll come back and only give it one star.

    • 3/5
      Basically, Dante made a list of people he didn't like and put them all in Hell. Disturbing imagery abounds and there are loads of interesting references to mythology. But it's not exactly summer reading. Glad I read it from an academic perspective, but to be honest it was a little bit of a slog. Perhaps if I knew more about Italian history I would have appreciated it a little more.
    • 4/5
      A nicely done translation, but at times I sensed the author tried to impose his voice over Dante's, and while he is good, he is no Dante. I still prefer Wordsworth.
    • 5/5
      One needs to read this just so that can fully realize the abundance of references there are to this book in modern media - really, it's ridiculous how many nods Dante gets but it is understandable. I refer to frequently, usually in the form of "you're going to the sixth circle of Hell for that!" Great way of feeling smart. Oh, and it's a good read too.
    • 3/5
      Mildly amusing, though this ostensibly pure Christian author clearly has a perverse streak running through him. (As does the Christian God, so not surprising.)
    • 4/5
      The primary virtue of the Oxford / Sinclair edition is the parallel text, which means that you can both appreciate the beauty of Dante's original, and make sure that you miss none of the finer points by following the English translation. Each canto has its own introduction and endnotes, which means that important contextual information is always at hand. Inferno is for me by far the most engaging cantica, as Dante creates ever more imaginative tortures for the souls condemned to each circle of Hell. An absolute classic.
    • 4/5
      Dante's Inferno is the first part of an epic poem that rivals other greats like Ovid's Metamorphosis and Homer's Illiad and Odyssey. As one reads Dante, they must keep in mind that he was stifled politically. It has been said that without a proper avenue to voice his political distaste, Dante constructed his seven levels of Hell. Each level represents an action and it's subsequent punishment. At times the poem can become tedious and hard to follow, but there's a large amount of very memorable sequences that make this one of the greatest pieces of writing constructed.
    • 2/5
      Almost totally pointless to read without an extensive grounding in 13th century Italian political history. I'm not surprised that Dante took the narrative of exploring hell as an opportunity to portray the supposedly deserved suffering of various recent historical figures he hated but I was not prepared for the extent to which he single-mindedly devoted the Inferno to this purpose and nothing else, just one long catalog of medieval Italians I'd never heard of and what a just God would posthumously wreak on them. Also Simon told me there's a cute fan-fictioney current to the relationship with Virgil, and I thought he was exaggerating but no, it's definitely there - there's one point where Dante talks about how one of his slams on these dead Italian assholes was so on target that Virgil decided to show how happy he was with it by carrying Dante around in his big strong poet arms for a while. Anyway this is cute and gay but it's not enough to carry my interest through the book.
    • 2/5
      I have finally read the Inferno and if I am going to be honest, I'm not sure what all the fuss is about. Not being a student of Italian literature and having read Clive James' English translation there was probably a lot I was missing, in the original, but I found that it was really just a horror story with the added s pice of the author being able to denigrate persons he didn't like. All this would have been extremely entertaining at the time when the names were topical, but I do not understand why it is considered such a classic. It was just a litany of various types of physical torture with no overarching point that I could see, except to list all that horror.
    • 5/5
      This is an amazing achievement. I spent so much time and energy researching this book during undergrad. So many hidden meanings, so many codes and metaphors. This translation is superior to anything else I've seen and is well bound. Its nice to have Italian right next to the English. The notes are excellent, not the penguin edition is bad, its you can tell that the Hollanders have done their homework with a passion. I can't wait to read again, but first I think some more thorough reading on the popes first.
    • 5/5
      I had a collected copy of The Divine Comedy which I gave up for these three volumes. Inferno was excellent. I felt that it lived up to the translation that I read, and surpassed it in some ways. With the addition of contemporary pop-culture references throughout, we have a Hell in a very faithful to the original work. I definitely recommend these books to anyone who’s interested in The Divine Comedy.
    • 5/5
      This is an amazing translation of the Inferno. It is by far the best translation of the text that I have encountered, and it is far superior to the version included in the World Literature textbook that I use. I always share some of this translation with my students particularly when we are discussing Dante's terza rima. Translations are never ideal, but this translation is the best available.
    • 2/5
      Without understanding who all these people are and why Dante wanted to see them suffer, this books is a very painful, difficult read. It really requires a companion book to make sense of the scenes.
    • 3/5
      I kinda didn't love this as much as I wanted to. The fault might be Pinsky's; he uses a lot of enjambment, which makes the poem a more graceful, flowing thing than Dante's apparently was. It might also be Dante's fault; there are a ton of allusions to contemporary politics, none of which I got at all, so I did a lot of flipping to the end notes. And, y'know, it's a little...religious. I know, who woulda thought?

      I liked it okay, I guess, but I've been reading a ton of epic poetry over the last year, and this hasn't been one of my favorites.
    • 5/5
      It took me forever to get through this book. However it contains great imagery, and the notes were indispensable.
    • 4/5
      This particular version of the Inferno is a particularly great read. The Italian is translated on the opposing page and at the end of each section there's a explanation of what you've just read. I didn't use the notes to explain anything, but rather they referred me to ideas that I missed on the first read through. I've read this book 3 times and each time I find something new.
    • 4/5
      Obviously an amazing work. I just got bogged down in the middle, and it took me forever to finish. I think I would have gotten far more out of it in the context of a class that dealt with the many layers of references, or if I had simply taken more time to read the notes...but as it was, I just didn't really commit to it on a level that could remotely do it justice. I still look forward to reading Purgatorio and Paradiso, though.
    • 3/5
      Dieser Klassiker birgt so einige schöne, vielfältige und wundervolle Zitate, doch es ist kein einfaches Lesen. Oft fehlt dem modernen Leser das Wissen, um alle genannten Personen einordnen zu können. Dieser Mangel ist vermutlich dafür verantwortlich dafür, dass das Buch zwischen den Zitaten eher als Probe dient, wie gewillt man ist, sich durch seitenweise Verse durchzukämpfen. Leider geht darin die Schönheit und die Metaphorik des Textes für mich verloren. Vermutlich müsste man sich jeden Vers einzeln vornehmen, um das Werk wirklich zu verstehen.
    • 5/5
      Fantastic, even though the Sayers translation may give up too much in the battle to stick to the terza rima scheme. It's not a fatal flaw by any means, but the tendency is particularly noticeable in some of the classic lines: "I could never have believed death had undone so many" becomes "It never would have entered my head / There were so many men whom death had slain" in order to cram the square English into the round Italian.
    • 4/5
      I read this book/Poem because I had always heard about it but had never read it. So I challenged myself to read this book. I chose the Pinsky translation for my read. The story was very thought provoking, and disturbing as to whether any of it could true. As a born and raised Catholic, I chose the time of the read for the Lenten season since this is not the type of literature that I normally appreciate and I'm not sure that I do appreciate it. I do, however, acknowledge the talent of the writer and his imagination but I was disappointed by the amount of politics involved in the story.
    • 5/5
      It should not be surprising to hear me refer to Dante's Commedia as the greatest piece of literature ever written. This is a work that can never be read too many times and should never be read only once. Inferno is the first and most iconic piece of Dante's trilogy since it is set in Hell (which is surprisingly appealing to many people...). However, its depth far succeeds Hell's reaches and calls for a very conscientious approach to be grasped in any significant way. The Hollanders' translation I highly recommend when reading the book for a second or third time, otherwise one might easily become lost in Robert Hollander's lengthy (but interesting!) commentary.
    • 5/5
      The Inferno is a classic among classics. Dante's vision, along with Milton's "Paradise Lost", form the very basis for society's concept of HELL. A must read for any literary buff.

    Book preview

    The Inferno - Dante Alighieri

    /abook_preview_excerpt.html}ɒ#Gx)SDbɌdRX\+JI1)}4c8@_O}i~dd=U375"E2.OWlwgng~cP}W~+.;|w5U]M5|M*n8U6y7*i!7n+y4vSrUc?q]/Mz[TxBt*UѷmuܹQ~9AkhEi\Ta𝗷嫰||}܅z'y O~o6Iwe5ݰ O;B0lv{pUfpJ#m:BPs0 (bUb?ʭ|RsiHvh[v{Z,ɷxjU\ IH|P&m ~0!4>:sױS;.C>Ka?rR^{,U{' ~ f> tJ&)nDJpSuEZP]Ha{Kj m" 'l訣;0`ʹ ||)_%+ݺ?DgTbEv mD %(Dr[Ga!*,ɱyF!JŎm<A (Uk(,#_ioeU4[P,R\>LM;v !Ba ”\c8D4]y(# B({EyCǬPCy֖4` CBJH߆uAnvOD=jۏMDUgx].jܱ! 1M8-u?m1 فwjGYz'ul#n̛^NlEq& T^{x%r5,bcV,45Alk\WcN6+n])_ Lw[(ѩ gh;2pב_(Mj]˂,"4ZD, P #ZS}?FwWA%T> O?~g9)/uDΑ2'5C>@] a#&Dʙg& HC3pW] _.&tf^q".{=*#Ξ׃c6_0+nQJ9>[ghDDF?Om .t(|׋ܓ~h`ήr2vv( ԃ\)Ӝ2<&UpzXpB كYST׌_<  D8ں&݌UC"aI`p(5czr@X!I'ѫ{: &>TN͖~E ?E)h9沉-gei؄д 9.=6m7A(h zVym0u  6B^yݙnb0'u@S/z7/.p N@K|ك5XPq'].#O0f:Xt{P-e8wJT*) PJr;>B[= OiDv[rH a+t08۽]Xc˒cT ПaofDDZ'A{,upQQ5B ͣ8%{)b[E^/V7EE tG4v |.'! j[jW"XmN6"~Ls-+E;0F7hbJ2†P V-)M%WY-[EJ.p%ulѰrccO?7P:2H^+ɏb.lq6ILDb8Y1շcE&O1 R FHl="+y*-!=iqبe'!<?e]J)dl3ԴS偲|5B''!rQDEʿ^/Wkaۏ\\7m<;v+G cjuˆאh Z*OzyOꇡwc3tfh셼/w";H~|(e\B_F#fyZV_.d'˝k`xQ{YbMM_~/9:SJƇ|+z{YM$.QlVo_P=N"?qSh\))cTjax! #U*d{mkáUxg%iCC3]Ȅ:ȱʽ|>Ӏ\L'q¨ɽ JC !?282,ߋ f&b@WS_EôzȃGpw}p\}WzrW>p@Q䋩;-ELol}ӧQ002K -ȚM% --MaU{n?]Xhhask1%j`xtQOsd oW؋Ip}p&MU"HuªkF|G/5KZu}W6x 2xN)| *+Rwֽs(C9Qo3*n|:P *HTc8 8 ^R(P،p LĈ7LC@hz"CTCgd쓠F\%׽IxVƽ$#ֱ%r͝)? ZX²6e.E=Ĕq}W:jz&铍 cJ^ɥk`K&րF!'f-)|z!&jo_lu1g A .UXQȽ.-{k>ebOW=tZ!8d1跺Zb'IG!N==kQ{8oI:%]^ߊ[zA{قPH&^݆_R!52Θ\ fF"0%琻L|tRжFU\Qp^ׯ/DԪdMJQ? iVFnУpſ7X3V-G*ffj&[k# tfZA-]z^ؙ1bLl۰?X!7+pj~Mak, f0EYӿ%R7C“+"gF98NkOаo LtALTj׎*ɪOXԹh b׿§5dyC*9fS\bڧK_Q{u_}`z'u^\^E%)#>}aڊG"p Ȅѐaj1)q}Mv3!*Hmv-ӱnHE+e`!គS #|r=B7!b!z2Ecǽo4^kUû嫴 M:FCv>QL䪦SjKcjQIv[9նAH% 2LIe˜뫊hkgVTBdM[ (84]N a/B>'ش(A<yWWoks^- s`Z U շeW,eE2ǀ48 &)L nSH؞4'G˂ʙ4k:ZKf4)B1kƒ61tH@.q'^>L\y*9QmZ**-8 ]~Px,OU.)jAC[͆ z}? aGu7kߋniy,4P&Pp i sL-V @9(ʋGb}i`a(e6"]ojS?Ck4lh=KUTx͖gDT&lVŜ:xZTàX|G~.d0%MUhCsH󯯠 gYnmg&ZnM|}=k-R!,iH>w{+^u]@8}Px*QH~GqΦQ8"CN6B=Jwԙ5#96N,?+#5MU3ۡfh V#OJ:CZ9kT&(qS6GJWrԃP4,u',pU~ ^#'FW= Yy/1e %UsJq|$ǚFgd9kfV }5lq X($z&Ya.1(\^វ0 O߹0 dH @)`Gܓ8.d7Dz < i)>*,=ЗU8N.S&b`k dS0xMBWЋ"nCF4MP,h) tލ`rgL|~EyO4A)7`קxE!u-߷O(^z<G+MjY}5m=J;ǻj;g4X;eQݼ~ni"dO%mn)sP'%/ 1P=&C`ۤ zum"㠫pcM;",*d׌K䃅L{0ڒfplA(.!ga|h>V&|7 W2!wC3Vt-Nm}5/7I;0LGXlY{WqD/5T_SGQ|WMs#h.~n˭5!X&PI ~$#oAKS6Qʮp4ve3"{,UVZ>A+f[qJYز'v0/΋/tIA2n ͎ɋ`Tdk\tv ]R-ҢzK&^T+mzFm-wjoQ F̚gY=?#_huz Уԏ;mr|(l ߶cmѲ& ?8+895K|jUSqm{V<}O ](5ܯWb߷b'ۢ2/ߏXqh8/NAb{"ҎR(^9+_Rr7|%a7{nn yG^-5*xӝLU|w3xv+!A ?~ypg-bB jKև'6C!Q4_~].߈כTYf= ⯦Cף8,mOnn ,QUC?"Bu4-4nKe +ƿ'`Cb68WUwhֈlOwirTֺ՛7htޅm}w]YVZ_\N_1ZZ~@F^1:T7{g7M!v +q  q9nh!Ch^(lEY8cGC?DLGU6#RWӊD{1 d4jjr w_o6r(s?E4GEk.c;'ю9 ባŢɦF#TsqC^NHύC.Y1޹uE.e= 5hܶ6 F [$b/xiL+kℤgrdZI5\Du63aFmg&l@ZKVfF@<.%cׁ2갲lsD(U Uc#U]e)s';A4̗J[|Ĥ4=g߁_5ǥbudAst'(1\™Ӂt!O* :-z,U}KJnPнirXep|#*ء1e5s3! Y(h1F\[G|O5BX:.h'5 a]VҀgeRgU5C)&XcIFc p[HƳ~HX5QSJ mK*]qh6n$9#,~yvV@++RB9  nlЗ,|JQP m¹Eu~ڱ&\C ǖVVC^QRFE|Hk}2/C zF7Ebja]V\\41aZImCiCWzcD BN@K%hFp+ӌϘ1(,tC(I8 g\qO 3ϮЖ$"X 6(#RQ(Üm¿ aSpѭ# W JGXNU|VEVU:{P$F;߄eӺ)eo܉M1 ϼ]_7nɟ@LAdUyc:Ʃ4ފ|}oڗf4Tkt6 ሯktf'}F}aeW1XAqt? nj-J2h ؾL0 >Ty79cMX@V?5Boh"0y4W*Ztj[6v|&oߕ`ZF$4a8OLԟ@p0 :#LiNܙi|4[% } g_P̥fhQfP.BKiޱj,EE*gnhQx eM(fL̈إ+uBwFYQ10ZѢ?lYc]Bb'kÞ Q "~Eg7, fdc8xŧB,(CȥT1 p2L7ߟ/MՄ(1VpN}h>;mMA/A!WIz{F:b߲T3I~ajp jT,ǔMCn.Lp- )p!P4McPVB~f|ˀ-;z-L5ԌAvU+ٍV'*0wJ?Ii͝&Dlcww|J@}־VQHM/[ޔIBmEi f'*1P:OEk -г^6j@Nޓ<5QOn53 d jpH_'BjB~[PPs!|?e-EO6+mƧh9* kZ6UÅ2/e_/*=3\CeWq?X-Ic/?P%7Z՟RUuL~1TLJsNˆ3+R1oywN&&'20vp(6Tuugn꾜Y` ɑAc1@{$p=k/+9¡-Lx]n^G>y4X]bK+-9eeӢh] ~kYN^|e?6P ''Q&O̻S.L=\(vJf˩s Lnݢ7z`:Np`Ty'H(g(:cʡ3WZA:Y(sM{.$b&y :/g&)F^Kw_t*w |^߼\@NSђ 6!EQDvD鎟G;^*@YL=vʩ ^]֜;n +`"}1vGضة0r?-@=@9i+gv727F7yy?}w5oK\,4vePD)qC<˖Cȧ-*[V?C{ u{z<{\{}녫r1GlՉi!VlZW; 8 u-,8JeϻATVi^qoj9ppEjmQcGvMruТ㵃St+eTt؀n9^\?(u;x$?+퀉J7 Kk&85`LgZ]gtr*O"uӥ]g h^dMOΣCէVi_1b8و4 0C[S{ѻv!׷#fP킩;Nѱ &_:૛5bi2*%]յ(x}ou*PHԡ`%(#rP#[iPt<5>^$4.gF;n٬):=x#FmNM>?eatÙ`gnK YQs >"r~'(|3q3n L^[?nO4zj49<.F K*Y-QvF]&yN +?;KOҒ&tOCUYNܵRS!m Cj3ptSN@9SPT9|'*4PNFPC=jf% ;"'3ɲa~S>xΞ2F-$KA=K=#@M8veiZ21 (Ovr| =.1o cM'8؀\bb4 /һ9(45gP 7 dv8lbfC=ymigNH2"T=sѷܕ0(!NR4|Raž84g&79gIu ]k斓byp)VX `!4,bu-#jCād$!7K]{\"@˲_iL ͠gw( U$O(<|yLjkk|N a鐿E.5 Y3rԁi^٫8m&neg 9c+ WۺHS.cǸF۳S(Ń"ᡚHqx_/cxYpfkas/K<3,(NS)jSxs/Mtt`b>kճm;+iy⻩V>~6 2~C<*liOq 'UxʽlU` csL 1kġ0>p#])<@TeuQ|ՖPCG`*(>8#Q9M=4o)a$Izt\.6G{E(ZSX:cxTyU3Y:(yj\l›d@bdaI&!HꝆaAtcPDFd- Wy(ݕ,&kJsء(+pɬFE#<^X~I-ҬUJ=:dn{6%LJ|GsJE:GC%&㼽 qϒ 3<;p旀8:MiԄN{CAqee D3wdOy!KY;\>|vI 'Lsu:yeHH1{/vn?'IQGXrF=fS٫M]c my>ss MKvWP:jis9q PaMU=O`mOZqimE:3֏
    Enjoying the preview?
    Page 1 of 1