Henry VI, Part I
3.5/5
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William Shakespeare
William Shakespeare is the world's greatest ever playwright. Born in 1564, he split his time between Stratford-upon-Avon and London, where he worked as a playwright, poet and actor. In 1582 he married Anne Hathaway. Shakespeare died in 1616 at the age of fifty-two, leaving three children—Susanna, Hamnet and Judith. The rest is silence.
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Reviews for Henry VI, Part I
152 ratings4 reviews
- Rating: 3 out of 5 stars3/5This is a confusing play, where BIG Bill follows a principal source, and then fits in some humanizing bits. It seems WS didn't write all of it, and the group of scenarists have some fights before production. Henry V being quite unexpectedly dead, the nobles of England attempt to bring the war in France to a successful conclusion. Joan of Arc, who is seriously defamed in the play, appears and re-animates the French defence. The losing English nobles fall to quarreling with each other, and we are worried about what will happen next. The play ends with Joan's execution, and the proposal of peace by the marriage of Henry VI, to Margaret a French lady the daughter of the Titular King of Jerusalem, a title with no territory to go with it. I think it's a hint that Henry will always go for form over substance, and the land will suffer for it.This play is recorded as being produced in 1592, and it's very early WS. it seems I've been over nine times, looking for good bits.
- Rating: 3 out of 5 stars3/5The text of Henry VI, Part I is easier to interpret than that of most other Shakespearean plays I’ve read. There seems to be academic contention about how many lines of Part I are due to Shakespeare, so it’s tempting to claim the language is easy because William didn’t write very much of it.Be that as it may, Part I is rather dull. Welcome exceptions to the dullness, when excitement fills the stage, include when the nobles are plucking the white and red roses and whenever Joan la Pucelle appears. Joan of Arc must have been quite a historical figure to witness, not that we could count on impartial witness coinciding well with the Joan presented in this play. Concerning her, Part I would have benefited from changes of attitude on the part of the playwright(s). What an interesting play we then could have had. The next Henry VI, called Part II, is, in contrast to Part I, a rouser.
- Rating: 1 out of 5 stars1/5Simply awful. Very much had the feel of being thrown together which, appropriately enough, seems to have been the case. An afterthought prequel to Parts II and III. The caricature of Joan of Arc was outrageous. Even if one believed she was a lunatic, it was a bit over the top.
- Rating: 3 out of 5 stars3/5William Shakespeare's "Henry VI, part one" certainly doesn't live up to the bard's later historical plays. The Henry VI series was apparently one of his first plays and it shows -- the language lacks sparkle and the writing seems a little flat. That said, I enjoyed it more than I expected to, mostly due to Joan of Arc, who is given an interesting yet fiercely anti-French portrayal as you'd expect from an Elizabethan playwright. The story starts with the unexpected death of Henry V, who leaves an infant as his heir. Powerful lords fight in the War of the Roses for control all while England and France remain at war.I'm interested to find out what happens in parts two and three.
Book preview
Henry VI, Part I - William Shakespeare
KING HENRY VI
PART I of III
By
WILLIAM SHAKESPEARE
KING HENRY THE SIXTH
THE FIRST PART
A History
By
WILLIAM SHAKESPEARE
First published in 1623
This edition is published by Classic Books Library
an imprint of Read Books Ltd.
Copyright © 2018 Read Books Ltd.
This book is copyright and may not be
reproduced or copied in any way without
the express permission of the publisher in writing
British Library Cataloguing-in-Publication Data
A catalogue record for this book is available
from the British Library
Contents
William Shakespeare
DRAMATIS PERSONÆ
ACT I.
SCENE I. Westminster Abbey
SCENE II. France. Before Orleans
SCENE III. London. Before the Tower Gates
SCENE IV. France. Before Orleans
SCENE V. Before Orleans
SCENE VI. Orleans
ACT II.
SCENE I. Before Orleans
SCENE II. Orleans. Within the Town
SCENE III. Auvergne. The Castle
SCENE IV. London. The Temple Garden
SCENE V. The Tower of London
ACT III.
SCENE I. London. The Parliament House
SCENE II. France. Before Rouen
SCENE III. The plains near Rouen
SCENE IV. Paris. The Palace
ACT IV.
SCENE I. Park. The Palace
SCENE II. France. Before Bordeaux
SCENE III. Plains in Gascony
SCENE IV. Other plains of Gascony
SCENE V. The English Camp near Bordeaux
SCENE VI. A Field of Battle
SCENE VII. Another part of the Field
ACT V.
SCENE I. London. The Palace
SCENE II. France. Plains in Anjou
SCENE III. Before Angiers
SCENE IV. Camp of the Duke of York in Anjou
SCENE V. London. The Palace
TO THE MEMORY OF MY BELOVED THE AUTHOR, MR. WILLIAM SHAKESPEARE
By BEN JONSON
William Shakespeare
William Shakespeare, as any reader of this book will presumably know, was an English poet, playwright and actor, widely regarded as the greatest writer in the English language - and the world's pre-eminent dramatist. His plays have been translated into every major living language and are performed more often than those of any other playwright. Referred to as England's national poet, and the 'Bard of Avon', his extant works, including some collaborations, consist of about 38 plays, 154 sonnets, two long narrative poems, and a few other verses, (some with unconfirmed authorship). Few records of Shakespeare's private life survive, and there has been considerable speculation about matters as wide ranging as his physical appearance, sexuality and religious beliefs.
William Shakespeare was the son of John Shakespeare, an alderman and a successful glover originally from Snitterfield, and Mary Arden, the daughter of an affluent landowning farmer. He was born in Stratford-upon-Avon and baptised there on 26th April 1564. His actual date of birth remains unknown, but is traditionally observed on 23rd April, Saint George's Day. Although no attendance records for the period survive, biographers agree that Shakespeare was probably educated at the King's New School in Stratford, a free school chartered in 1553, about a quarter-mile from his home. Grammar schools varied in quality during the Elizabethan era, but grammar school curricula were largely similar. Basic Latin education had been standardised by royal decree, and the school would have provided an intensive education in grammar based upon Latin classical authors.
At the age of eighteen, Shakespeare married the twenty-six year old Anne Hathaway (who was pregnant at the time), with whom he had three children: Susanna, and twins, Hamnet and Judith. After the birth of the twins, Shakespeare left few historical traces until he is mentioned as part of the London theatre scene in 1592. The exception is the appearance of his name in the 'complaints bill' of a law case before the Queen's Bench court at Westminster, dated Michaelmas Term 1588 and 9th October 1589. Between 1585 and 1592, he began a successful career in London as an actor, writer, and part-owner of a playing company called the Lord Chamberlain's Men, later known as the King's Men. By 1598, his name had become enough of a selling point to appear on the title pages.
Shakespeare continued to act in his own and in other plays after his success as a playwright. The 1616 edition of Ben Jonson's Works names him on the cast lists for Every Man in His Humour (1598) and Sejanus His Fall (1603). During this time, Shakespeare divided his time between London and Stratford, and in 1596 bought ‘New Place’ as his family home in Stratford, whilst retaining a property in Bishopsgate, North of the river Thames. He moved across the river to Southwark by 1599, the year his company constructed the Globe Theatre there. By 1604, Shakespeare had moved north of the river again, to an area north of St Paul's Cathedral with many fine houses. He appears to have retired to Stratford around 1613 at the age of forty-nine, where he died three years later.
Shakespeare produced most of his known work between 1589 and 1613. His early plays were mainly comedies and histories, genres he raised to the peak of sophistication and artistry by the end of the sixteenth century. The first recorded works of Shakespeare are Richard III and the three parts of Henry VI, written in the early 1590s during a vogue for historical drama. Shakespeare's plays are difficult to date however, and studies of the texts suggest that Titus Andronicus, The Comedy of Errors, The Taming of the Shrew and The Two Gentlemen of Verona may also belong to Shakespeare's earliest period. Shakespeare's early classical and Italianate comedies, containing tight double plots and precise comic sequences, give way in the mid-1590s to the romantic atmosphere of his greatest comedies. A Midsummer Night's Dream, one of his earliest comedies, is a witty mixture of romance, fairy magic, and comic lowlife scenes. The wit and wordplay of Much Ado About Nothing, the charming rural setting of As You Like It, and the lively merrymaking of Twelfth Night complete the sequence of great comedies.
Shakespeare then wrote mainly tragedies until about 1608. Many critics believe that his greatest tragedies represent the peak of his art. The titular hero of one of Shakespeare's most famous tragedies, Hamlet, has probably been discussed more than any other character, especially for his famous soliloquy beginning; ‘To be or not to be; that is the question.’ Unlike the introverted Hamlet, whose fatal flaw is hesitation, the heroes of the tragedies that followed, Othello and King Lear, are undone by hasty errors of judgement. In Othello, the villain Iago stokes Othello's sexual jealousy to the point where he murders the innocent wife who loves him. In King Lear, the old king commits the tragic error of giving up his powers, initiating the events which lead to the torture and blinding of the Earl of Gloucester and the murder of Lear's youngest daughter Cordelia. According to the critic Frank Kermode, ‘the play-offers neither its good characters nor its audience any relief from its cruelty.’ In Macbeth, the shortest and most compressed of Shakespeare's tragedies, uncontrollable ambition incites Macbeth and his wife, Lady Macbeth, to murder the rightful king and usurp the throne, until their own guilt destroys them in turn. His last major tragedies, Antony and Cleopatra and Coriolanus, contain some of Shakespeare's finest poetry.
Many of Shakespeare’s plays were published in editions of varying quality and accuracy during his lifetime. His sonnets were published as a collection in 1609. Scholars are not certain when each of the 154 sonnets was composed, but