Historic Photos of Atlanta
By Michael Rose
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About this ebook
Michael Rose
Michael Rose was raised on a small family dairy farm in Upstate New York. He retired after serving in executive positions for several global multinational enterprises. He has been a non-executive director for three public companies headquartered in the US. He lives and writes in San Francisco.
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Historic Photos of Atlanta - Michael Rose
HISTORIC PHOTOS OF
ATLANTA
MICHAEL ROSE
ATLANTA HISTORY CENTER
Crowds line Peachtree Street during the Heroes Day
parade to celebrate the end of World War II. The city was an important military center during the war, with establishments at Fort McPherson, Camp Gordon, Lawson General Hospital, and the present Fort Gillem. Together with the local military industries and the city’s traditional role as a transportation center, World War II transformed Atlanta into the South’s unrivaled leading metropolitan area.
HISTORIC PHOTOS OF
ATLANTA
Turner Publishing Company
www.turnerpublishing.com
Historic Photos of Atlanta
Copyright © 2007 Turner Publishing Company
All rights reserved.
This book or any part thereof may not be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system, without permission in writing from the publisher.
Library of Congress Control Number: 2007929605
ISBN: 978-1-59652-404-0
ISBN 978-1-68336-985-1 (hc)
CONTENTS
ACKNOWLEDGMENTS
PREFACE
A STAKE IN THE WILDERNESS: FROM BIRTH TO DESTRUCTION (1837–1864)
THE PHOENIX RISES: FROM ASHES TO NEW SOUTH CAPITAL (1865–1899)
FORWARD ATLANTA: FROM BOOMTOWN TO SOUTHERN SYMBOL (1900–1939)
CENTENNIAL CITY: FROM SOUTHERN METROPOLIS TO OLYMPIC VILLAGE (1940–1996)
NOTES ON THE PHOTOGRAPHS
Dr. and Mrs. Martin Luther King, Jr., and the Reverend and Mrs. Ralph David Abernathy tour Markham Street in one of the city’s most impoverished areas in January 1966. Residents in the Vine City neighborhood were protesting poor housing conditions, which Dr. King deemed a shame on the community.
After Dr. King was awarded the Nobel Peace Prize in 1964, the city honored him with the first officially integrated dinner in the city’s history.
ACKNOWLEDGMENTS
All of the photographs included in Historic Photos of Atlanta are from the collection of the Kenan Research Center at the
Atlanta History Center.
I would like to acknowledge the individuals and institutions who have generously donated photographs and acquisition funds to the Kenan Research Center and who have made possible the quality and quantity of visual collections that made this book possible.
Thanks, as always, to the staff of the Kenan Research Center for their advice, patience, and understanding. And thanks to Franklin M. Garrett, who led the way.
Above all, thanks go to Betsy Rix, for her understanding of graphic excellence, magic with digital imaging, unlimited patience and perseverance, and unfailing good humor.
—Michael Rose
PREFACE
A picture is worth a thousand words, as the saying goes. The idea being that a photograph in itself can express what may require many paragraphs of a book’s text to explain. The images collected here offer a glimpse of time through Atlanta’s history. Though not a history of the city, they are arranged chronologically from the earliest-known existing photograph taken in the city to those from the later twentieth century. Some images may be familiar, but the collection presented here provides many scenes of Atlanta never seen or never published before.
These photographs are both representational and symbolic. Some present street scenes or views of the city throughout time, others may provide a sense of time and place, evoking a feeling or sentiment from the viewer. Some images are iconic—many photographs of Dr. Martin Luther King, Jr., convey the concepts of justice and equality for which he stood, of the civil rights movement and the struggle for racial equality.
Photographers for many of the photographs are known, ranging from George N. Barnard, who traveled with General William T. Sherman’s army, to modern photojournalists such as Kenneth G. Rogers, Bill Wilson, and Floyd Jillson of the city’s large newspapers, or Boyd Lewis, who worked in Atlanta’s counterculture alternative press. The earliest image is a daguerreotype of an Atlanta home in 1850. For the next number of years, the images in the book are the work of professional studio photographers and most of the building views and street scenes are commercial work executed by them. It is not until the early twentieth century that amateur photography appears, presenting Atlantans in informal poses, riding in cars, and smiling. As the twentieth century progresses, the photojournalism of professional news photographers appears as newspapers document a changing city.
Although the image presents the visual record, some words contain a visual legend that in them brings photographs and images to mind. Peachtree, Scarlett, and Sherman are three words that in many ways defined the public’s perception of Atlanta for decades—a timeless reflection of Civil War Atlanta reinforced by the novel Gone With the Wind. Add to them Coca-Cola, CNN, Delta, and the Olympic Games, and the impression that comes to mind is the emerging Atlanta of the twentieth century—the home of the Atlanta Spirit,
in which business and promotion characterize the city.
Atlanta is a city of words and images, presented here to give the viewer a sketch of time, both distant and close. The city has lost much of its physical past—it is missing the first City Hall and all of the antebellum town, each of its four historic passenger train depots (all of them razed), as well as many of the homes and businesses that once lined the streets throughout the city. Historic Photos of Atlanta remembers many of these places as well as the people who have lived, worked, and played in a city born in a southern forest, founded by a train engineer who one day drove a stake in the ground where he thought it should be.
In 1847, Richard Peters purchased this house and its two-acre lot at the corner of Mitchell and Forsyth streets from Samuel G. Jones for $1,400. This half-plate daguerreotype of the house, made around 1850, is the earliest-known