A Study Guide for Ron Kovic's "Born on the Fourth of July"
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A Study Guide for Ron Kovic's "Born on the Fourth of July" - Gale
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Born on the Fourth of July
Ron Kovic
1976
Introduction
Born on the Fourth of July is a candid memoir by Ron Kovic published in 1976, the year after the United States pulled out of Vietnam and ended the war. It details Kovic's journey from a stereotypical all-American boy during the 1950s to an eager soldier in Vietnam in the mid-1960s. It also explores his paralysis from the chest down as a result of combat in Vietnam, his later disillusionment with American policy towards Vietnam and the war, and his involvement in the anti-war movement.
Kovic's memoir begins with his birth on the most patriotic of dates, July 4, 1946, and his childhood in the years after World War II, inspired by stories of heroism and bravery from the war. The novel ends with the reclamation of personal power through Kovic's activism and desire for peace and for accountability from the American government. This trend of protest, anti-war sentiment, and the demand for civil rights and human equality, all of which question the authority of American institutions, was a significant one during the 1960s and 1970s. It changed the landscape of American public discussion and its international image.
The violence of Vietnam and the violence associated with repression of widespread student protests was plastered all over American and international television screens. The seeming security and social stability of the 1950s had been replaced by this clamor, and Kovic's memoir contributes to the era in a way that acknowledges that America was looking at itself and questioning its identity. Was America's image that of John Wayne, swaggering and always victorious? Or was America's image that of confusion and violence, full of broken men coming home from a questionable war?
Born on the Fourth of July became the prototypical Vietnam War memoir not from a news correspondent but from a man who had actually been deep in the battle. This memoir moved control of the portrayal of the war away from the political and military administration and placed it in the hands of those who had actually lost life and limb for God and country. In much the same way, the