A Study Guide for Seamus Heaney's "Digging"
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A Study Guide for Seamus Heaney's "Digging" - Gale
2
Digging
Seamus Heaney
1964
Introduction
Written in the summer of 1964, Digging
is the first poem of Seamus Heaney’s debut collection, Death of a Naturalist. In it, the speaker tries to reconcile his poetic vocation with the Irish, rural tradition from which he comes, a tradition embodied initially by the poet’s father, who is heard digging outside the window as the poet writes. The sight of his father stooped over his spade triggers in the poet childhood memories of his father digging potatoes and his grandfather cutting peat. The poet describes both activities with great care and admiration, focusing not only on the earthy smells, sounds, and rhythms of digging, but also on the refined technique with which both men practiced their occupation. By God,
the poet reflects, the old man could handle a spade. / Just like his old man.
In a romantic fashion, then, digging represents both an art form and a means of identification with his native people and land—his own living roots.
And though he feels briefly alienated from his forebears’ tradition (I’ve not spade to follow men like them
), he quickly realizes that poetry itself is a form of digging, of going down and down
into memory to express the experience of his father and grandfather. Thus, while his poetic career is in one way an emancipation from the rustic Irish past— Heaney is, after all, writing in English, a language once foreign to rural Ireland—it is also a way in which he, too, can help carry on his family’s