A Study Guide for Ezra Pound's "Hugh Selwyn Mauberly"
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A Study Guide for Ezra Pound's "Hugh Selwyn Mauberly" - Gale
1
Hugh Selwyn Mauberley
Ezra Pound
1920
Introduction
Ezra Pound’s 1920 poem Hugh Selwyn Mauberley
is a landmark in the career of the great American modernist poet. In the poem, Pound uses two alter egos to discuss the first twelve years of his career, a period during which aesthetic and literary concerns fully engaged Pound’s attention. The poem reconstructs literary London of the Edwardian period, recreating the dominant feeling about what literature should be and also describing Pound’s own rebellious aesthetic beliefs. The poem also takes us to the catastrophe of the early twentieth century, World War I, and bluntly illustrates its effects on the literary world. The poem then proceeds to an envoi,
or a send-off, and then to five poems told through the eyes of a second alter ego.
In the first section of the poem, Pound portrays himself as E. P.,
a typical turn-of-the-century aesthete, and then in the second he becomes Mauberley,
an aesthete of a different kind. Both E. P. and Mauberley are facets of Pound’s own character that, in a sense, the poem is meant to exorcise. After composing this poem, Pound left London for Paris and, soon after, for Italy, where his view of his role as a poet changed dramatically. No longer would his work be primarily concerned with aesthetics; after 1920, he started to concentrate on writing The Cantos and on studying politics and economics. Hugh Selwyn Mauberley
is not just Pound’s farewell to London; it is Pound’s definitive good-bye to his earlier selves.
Author Biography
Ezra Pound was born October 30, 1885, in Hailey, Idaho. When he was two years old, his parents moved to Wyncote, a suburb of Philadelphia, Pennsylvania, where Ezra’s father Homer worked for the U.S. Mint. While in high school, Pound studied Latin, and this study moved him to concentrate on poetry and literary history. He enrolled at the University of Pennsylvania, where he met William Carlos Williams and Hilda Doolittle (both later to become, with Pound, prominent modernist poets). Pound transferred to Hamilton College in New York, graduated from there in 1905, and then returned to the University of Pennsylvania to pursue graduate study in languages, including old English, old French, Provençal, Italian, and Latin. He received his master’s degree from the University of Pennsylvania in 1906 and took a job teaching at Wabash College in Indiana. This teaching experience, however, was a disaster for the bohemian Pound, for Indiana society was deeply conservative. He was fired before the school year ended for having a woman in his room without a chaperone.
Disgusted by America’s conservatism,