A Study Guide for Thomas Middleton's "The Changeling"
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A Study Guide for Thomas Middleton's "The Changeling" - Gale
1
The Changeling
Thomas Middleton and William Rowley
1622
Introduction
The Changeling, by English dramatists Thomas Middleton and William Rowley, was first performed at London's Phoenix Theatre in 1622, during the period known as the Jacobean age. The play was first printed in London in 1652 or 1653. A dark story of lust, murder, and adultery, with a comic subplot set in a lunatic asylum, The Changeling was a popular play in its own day, but then fell into neglect. The last performance before modern times was in 1668. Interest in the play renewed in the twentieth century, and since 1930, there have been numerous successful productions in Britain and the United States.
The Changeling is considered to be Middleton's finest tragedy. It was common at the time for dramatists to collaborate, and Middleton and Rowley collaborated on five plays over a period of five years. For The Changeling, scholars believe that Rowley wrote the first and last scenes and the subplot, while Middleton was responsible for the main plot and the characterization of the major characters.
The Changeling takes its title from the fact that several characters go through changes that make them unrecognizable from what they formerly were or appeared to be—such is the power of love and lust.
Author Biography
Thomas Middleton was born in 1580 in London, England; his exact date of birth is unknown, but he was baptized on April 18. His father was a prosperous bricklayer who died when Middleton was five. Middleton attended grammar school and in 1598 he matriculated at Queen's College, Oxford, where he studied from 1598 to 1601. There are no records indicating whether he ever received a degree.
Middleton married Magdalen Marbeck in 1602, and returned to London the following year. By this time, he was writing plays for the prominent theatre manager, Philip Henslowe. His earliest surviving independent play is Blurt, Master Constable (1602). From 1602 to 1607, he penned many plays for boy's companies, especially the Boys of St. Paul's. Many of these plays were citizen comedies (also called city comedies), which were set in London, featured mostly lower- and middle-class characters, were moral in tone,