A Nice Place to Visit
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About this ebook
Follow an iconoclastic, if not eccentric, young psychiatrist as he confronts modern-day obstacles to the treatment of his patients, in the context of a deteriorati ng marriage.
He is self-absorbed (imagine a physician being self-absorbed) and unable to support his wifes literary ambition.
She goes away, against his wishes, to a small town in Virginia (Litt le Washington) to create and critique with a group of fellow poets and is raped and murdered..
Guilt-ridden and impulsive, against the wishes of friends and family, he goes to that town to find out what happened. In the process, he becomes a different person. He finds the murderer, and starts a new life..
Charles Goldberg M.D.
In High School, Chuck Goldberg was Editor of the Yearbook. In College, he wrote AThe Political History of Allentown. After Medical School, a Psychiatric Residency, and Army Service, he started a private practice in Adult and Adolescent Psychiatry, and became Board-Certified in both. He published a journal article on Adolescent School Phobia, and he presented a paper to a national meeting of adolescent psychiatrists on The Similarities between the Twelve Steps of AA and Dynamic Psychiatry. The characters in this novella were crafted with insights from forty years of Psychiatric practice. The story in this novella is loosely based on real events. The names have been changed to protect the innocent.
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A Nice Place to Visit - Charles Goldberg M.D.
A
Nice
Place
To Visit
Charles Goldberg, M.D.
iUniverse, Inc.
New York Bloomington
A Nice Place To Visit
Copyright © 2010, 2011 by Charles Goldberg, M.D.
All rights reserved. No part of this book may be used or reproduced by any means, graphic, electronic, or mechanical, including photocopying, recording, taping or by any information storage retrieval system without the written permission of the publisher except in the case of brief quotations embodied in critical articles and reviews.
This is a work of fiction. All of the characters, names, incidents, organizations, and dialogue in this novel are either the products of the author’s imagination or are used fictitiously.
iUniverse books may be ordered through booksellers or by contacting:
iUniverse
1663 Liberty Drive
Bloomington, IN 47403
www.iuniverse.com
1-800-Authors (1-800-288-4677)
Because of the dynamic nature of the Internet, any Web addresses or links contained in this book may have changed since publication and may no longer be valid. The views expressed in this work are solely those of the author and do not necessarily reflect the views of the publisher, and the publisher hereby disclaims any responsibility for them.
ISBN: 978-1-4502-7588-0 (sc)
ISBN: 978-1-4502-7589-7 (ebk)
Printed in the United States of America
iUniverse rev. date: 05/23/2011
This book is lovingly dedicated to my fiancé, Rina.
I would like to gratefully acknowledge the contributions of my sons, Benjamin and Jesse, and the tireless work of my secretary,
Tami White.
Contents
The Poetry Reading
The Office
The Home
The Emergency Room
Group Therapy
Beverly
The Cafeteria and a Friend
Freedom
The Phone Call
The Decision
Rappahannock County
The Investigation
Feathers
The Pub
The Hospital
Jan
Darren Mixley
The Plan
A New Life
About the Author
The Poetry Reading
The Salon was founded in 1976 as the first multipurpose literary center focused on providing support for writers at all stages of their development in the Washington DC suburbs. Workshops were based on the apprenticeship model. At first, the Salon was located in an abandoned school. Then in an old amusement park next to a merry-go-round and pottery and craft shops. Then in an office on top of a lighting store. And finally in a building that had been used by Montgomery County’s Rec Department. Aside from drunks coming in for a drink and occasional upper middle-class housewives coming in for a cut and blow-dry,
visitors to the Salon were expected to write. Poets, novelists, biographers, and short-story writers came in from their real lives as housewives, computer programmers, rehab techs, teachers, and waiters.
Chuck Goldbug usually could not go to his wife’s poetry readings. They were mostly on Sunday afternoons and conflicted with Eagles games. This particular Sunday the Eagles were not playing, a fact that Goldbug had concealed.
They arrived early so Beverly could plan the reading with her sister poets. Goldbug hovered around the entrance, watching the people come in. The women wore colorful outfits, a lot of purple and silver and orange, and stones—shiny stones, odd-shaped stones, big purple stones, little yellow stones, big turquoise stone—on necklaces and bracelets and sometimes just hanging by themselves. They also were adorned with scarves and capes and pashminas and boots, high and shiny and dark.
So the typical poetess showed up wearing a long, dark skirt, black boots, a lot of the requisite stones and a light blouse, incompletely wrapped in a purple cape. The uniform resembled that of a social worker.
The reading was called to order by a man wearing glasses and a short beard who was dressed like a truck driver. He wore old, dirty work shoes, dungarees, and a Mets jersey. He had the look of a man searching for the kind of easy masculinity that had always eluded him. His name was Sheldon Paskevitz. He and his wife, Audry—who looked just like him— had founded the Salon twenty-five years ago. They were refugees from New York and wanted to incorporate many of the ideas behind the 92nd Street Y
. Both of them were frustrated writers. Sheldon was around more beautiful women after organizing the Salon than ever before, which, of course, ultimately led to their divorce. The final irony was that after a lifetime of their upholding literary standards, the best seller that their son wrote was a biography of the Monkees.
There is a tradition in poetry readings at the Salon—usually three poets read from their works. The first reader was a tall, zaftig woman with wide-spaced eyes, long, dark hair, and a tendency not to look at people in the eye. When she was introduced, she was applauded and one could hear all the stones clicking. She was the divorced wife of a psychoanalyst. When she would say something in a particularly artful way, the audience would respond with a collective ooh
and then ahh.
While she was speaking, the audience was silent, paying rapt attention, which made the oohs and