The Touchstone
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Edith Wharton
Edith Wharton was born in 1862 to a prominent and wealthy New York family. In 1885 she married Boston socialite 'Teddy' Wharton but the marriage was unhappy and they divorced in 1913. The couple travelled frequently to Europe and settled in France, where Wharton stayed until her death in 1937. Her first major novel was The House of Mirth (1905); many short stories, travel books, memoirs and novels followed, including Ethan Frome (1911) and The Reef (1912). She was the first woman to win the Pulitzer Prize for Literature with The Age of Innocence (1920) and she was thrice nominated for the Nobel Prize in Literature. She was also decorated for her humanitarian work during the First World War.
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The Touchstone - Edith Wharton
THE TOUCHSTONE
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Edith Wharton
KYPROS PRESS
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This book is a work of fiction; its contents are wholly imagined.
All rights reserved. Aside from brief quotations for media coverage and reviews, no part of this book may be reproduced or distributed in any form without the author’s permission. Thank you for supporting authors and a diverse, creative culture by purchasing this book and complying with copyright laws.
Copyright © 2015 by Edith Wharton
Interior design by Pronoun
Distribution by Pronoun
TABLE OF CONTENTS
The Touchstone
I
II
III
IV
V
VI
VII
VIII
IX
X
XI
XII
XIV
THE TOUCHSTONE
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I
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PROFESSOR JOSLIN, WHO, AS OUR readers are doubtless aware, is engaged in writing the life of Mrs. Aubyn, asks us to state that he will be greatly indebted to any of the famous novelist’s friends who will furnish him with information concerning the period previous to her coming to England. Mrs. Aubyn had so few intimate friends, and consequently so few regular correspondents, that letters will be of special value. Professor Joslin’s address is 10 Augusta Gardens, Kensington, and he begs us to say that he will promptly return any documents entrusted to him.
Glennard dropped the Spectator and sat looking into the fire. The club was filling up, but he still had to himself the small inner room, with its darkening outlook down the rain-streaked prospect of Fifth Avenue. It was all dull and dismal enough, yet a moment earlier his boredom had been perversely tinged by a sense of resentment at the thought that, as things were going, he might in time have to surrender even the despised privilege of boring himself within those particular four walls. It was not that he cared much for the club, but that the remote contingency of having to give it up stood to him, just then, perhaps by very reason of its insignificance and remoteness, for the symbol of his increasing abnegations; of that perpetual paring-off that was gradually reducing existence to the naked business of keeping himself alive. It was the futility of his multiplied shifts and privations that made them seem unworthy of a high attitude; the sense that, however rapidly he eliminated the superfluous, his cleared horizon was likely to offer no nearer view of the one prospect toward which he strained. To give up things in order to marry the woman one loves is easier than to give them up without being brought appreciably nearer to such a conclusion.
Through the open door he saw young Hollingsworth rise with a yawn from the ineffectual solace of a brandy-and-soda and transport his purposeless person to the window. Glennard measured his course with a contemptuous eye. It was so like Hollingsworth to get up and look out of the window just as it was growing too dark to see anything! There was a man rich enough to do what he pleased—had he been capable of being pleased—yet barred from all conceivable achievement by his own impervious dulness; while, a few feet off, Glennard, who wanted only enough to keep a decent coat on his back and a roof over the head of the woman he loved, Glennard, who had sweated, toiled, denied himself for the scant measure of opportunity that his zeal would have converted into a kingdom—sat wretchedly calculating that, even when he had resigned from the club, and knocked off his cigars, and given up his Sundays out of town, he would still be no nearer attainment.
The Spectator had slipped to his feet and as he picked it up his eye fell again on the paragraph addressed to the friends of Mrs. Aubyn. He had read it for the first time with a scarcely perceptible quickening of attention: her name had so long been public property that his eye passed it unseeingly, as the crowd in the street hurries without a glance by some familiar monument.
Information concerning the period previous to her coming to England....
The words were an evocation. He saw her again as she had looked at their first meeting, the poor woman of genius with her long pale face and short-sighted eyes, softened a little by the grace of youth and inexperience, but so incapable even then of any hold upon the pulses. When she spoke, indeed, she was wonderful, more wonderful, perhaps, than when later, to Glennard’s fancy at least, the conscious of memorable things uttered seemed to take from even her most intimate speech the perfect bloom of privacy. It was in those earliest days, if ever, that he had come near loving her; though even then his sentiment had lived only in the intervals of its expression. Later, when to be loved by her had been a state to touch any man’s imagination, the physical reluctance had, inexplicably, so overborne the intellectual attraction, that the last years had been, to both of them, an agony of conflicting impulses. Even now, if, in turning over old papers, his hand lit on her letters, the touch filled him with inarticulate misery....
She had so few intimate friends... that letters will be of special value.
So few intimate friends! For years she had had but one; one who in the last years had requited her wonderful pages, her tragic outpourings of love, humility, and pardon, with the scant phrases by which a man evades the vulgarest of sentimental importunities. He had been a brute in spite of himself, and sometimes, now that the remembrance of her face had faded, and only her voice and words remained with him, he chafed at his own inadequacy, his stupid inability to rise to the height of her passion. His egoism was not of a kind to mirror its complacency in the adventure. To have been loved by the most brilliant woman of her day, and to have been incapable of loving her, seemed to him, in looking back, the most derisive evidence of his limitations; and his remorseful tenderness for her memory was complicated with a sense of irritation against her for having given him once for all the measure of his emotional capacity. It was not often, however, that he thus probed the past. The public, in taking possession of Mrs. Aubyn, had eased his shoulders of their burden. There was something fatuous in an attitude of sentimental apology toward a memory already classic: to reproach one’s self for not having loved Margaret Aubyn was a good deal like being disturbed by an inability to admire the Venus of Milo. From her cold niche of fame she looked down ironically enough on his self-flagellations.... It was only when he came on something that belonged to her that he felt a sudden renewal of the old feeling, the strange dual impulse that drew him to her voice but drove him from her hand, so that even now, at sight of anything she had touched, his heart contracted painfully. It happened seldom nowadays. Her little presents, one by one, had disappeared from his rooms, and her letters, kept from some unacknowledged puerile vanity in the possession of such treasures, seldom came beneath his hand....
Her letters will be of special value—
Her letters! Why, he must have hundreds of them—enough to fill a volume. Sometimes it used to seem to him that they came with every post—he used to avoid looking in his letter-box when he came home to his rooms—but her writing seemed to spring out at him as he put his key in the door—.
He stood up and strolled into the other room. Hollingsworth, lounging away from the window, had joined himself to a languidly convivial group of men to whom, in phrases as halting as though they struggled to define an ultimate idea,