Confessions of a Mask by Yukio Mishima (Book Analysis): Detailed Summary, Analysis and Reading Guide
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This engaging summary presents an analysis of Confessions of a Mask by Yukio Mishima, a daring novel which explores the boundaries and connections between desire, beauty and death. It tells the story of Kochan, a young gay man who is constantly torn between his desire for social acceptance and his vivid inner world of sexual imagery and morbid fantasies, and struggles to reconcile these warring sides of his own personality. Yukio Mishima was one of the foremost Japanese authors of the 20th century, and was considered for the Nobel Prize in Literature on multiple occasions. He was also an ardent Japanese nationalist, and even founded a right-wing militia known as the Tatenokai. In 1970, he led an attempted coup, supported by other members of the militia, in an attempt to restore imperial rule to Japan, and committed ritual suicide when their plan failed.
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Confessions of a Mask by Yukio Mishima (Book Analysis) - Bright Summaries
JAPANESE NOVELIST, POET AND PLAYWRIGHT
Born in Tokyo in 1925.
Died in Tokyo in 1970.
Literary awards:
Shincho Prize, 1954 (for The Sound of Waves)
Yomiuri Prize for Best Novel, 1956 (for The Temple of the Golden Pavilion)
Notable works:
The Temple of the Golden Pavilion (1956), novel
The Sailor Who Fell from Grace with the Sea (1963), novel
The Sea of Fertility (1969-1971), tetralogy
Yukio Mishima was the pen name of Kimitake Hiraoka, who one of the most significant Japanese writers of the 20th century. His work was highly varied, ranging from plays in the classical Japanese Noh style and romance novels to literary fiction and screenplays. Furthermore, his career was not limited to writing: he was also an actor, model, practitioner of karate and kendo, composer, conductor, political activist and the founder of a private militia.
The most important figure in Mishima’s childhood was his grandmother Natsuko, who separated him from his immediate family for several years during his early childhood and raised him in near-total isolation, leaving him alone to play with his dolls for hours at a time. Natsuko was obsessed with death and her connections to the aristocracy, and both of these traits had a marked influence on the