The Best American Short Stories 2: Audio Edition : Selected American Short Stories
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About this ebook
Finding time for reading can often be a difficult task for many people with hectic and busy schedules. Committing oneself to a novel often involves a major investment of time and daily distractions, and tasks interfere with the ability to complete a novel in a timely fashion. Short stories are designed to be read in one sitting. As such, short stories can be easily read on the morning commute, on a lunch break or in the evening. Reading short stories helps to establish a reading schedule or routine. Short stories provide ample opportunities to increase your knowledge about different cultures and different lifestyles.
1. THE CASK OF AMONTILLADO by Edgar Allan Poe
2. THE CELEBRATED JUMPING FROG OF CALAVERAS COUNTY by Mark Twain
3. THE DEVIL AND TOM WALKER by Washington Irving
4. THE DIAMOND LENS by Fitz-James O'Brien
5. THE EXACT SCIENCE OF MATRIMONY by O. Henry
6. THE GIFT OF THE MAGI by O. Henry
7. THE GOD OF HIS FATHERS by Jack London
8. THE LADY OR THE TIGER by Frank R. Stockton
9. THE LAST LEAF by O. Henry
10. THE LAW OF LIFE by Jack London
11. THE LEGEND OF SLEEPY HOLLOW by Washington Irving
12. THE LINE OF LEAST RESISTANCE by Edith Wharton
13. THE OPEN BOAT by Stephen Crane
14. THE PURLOINED LETTER by Edgar Allan Poe
15. THE RANSOM OF RED CHIEF by O. Henry
16. THE RETURN OF A PRIVATE by Hamlin Garland
17. THE STORY OF AN EYEWITNESS by Jack London
18. THE TELL-TALE HEART by Edgar Allan Poe
19. THE WHIRLIGIG OF LIFE by O. Henry
20. TO BUILD A FIRE by Jack London
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The Best American Short Stories 2 - Oldiees Publishing
Title
The Best American Short Stories 2
Timeless Collection of American Short Stories
Preface
Finding time for reading can often be a difficult task for many people with hectic and busy schedules. Committing oneself to a novel often involves a major investment of time and daily distractions, and tasks interfere with the ability to complete a novel in a timely fashion. Short stories are designed to be read in one sitting. As such, short stories can be easily read on the morning commute, on a lunch break or in the evening. Reading short stories helps to establish a reading schedule or routine. Short stories provide ample opportunities to increase your knowledge about different cultures and different lifestyles.
AMERICAN SHORT STORY
The rise of the short story goes back to early 19th century American literature. The term short story
was not used before 1885 when Brander Matthews used it in his Philosophy of the Short Story. Since then, Matthews' definition of the short story has been retrospectively applied to all short prose tales in American fiction since the early 19th century.
First examples bearing the typical features of the genre were called tales
. Mostly they were stories of incident
focusing on the course and outcome of events. Most tales were written with the aim of being published in periodicals and were later often collected in book form.
The leading proponents in the development of the American short story were Washington Irving (1783-1859), Nathaniel Hawthorne (1804-64), and Edgar Allan Poe (1809-49). Brander Matthews’s definition of the short story is based on Poe´s (who is often said to be the originator) literary theory on the short prose tale. In the second half of the 19th century, stories of realism was brought forth by Mark Twain (1835-1910), Jack London (1876-1916), Stephen Crane (1871-1900) and Amborse Bierce (1842-1914).
Learn English as you read and listen to the short stories by famous American authors. Adaptations are written at the intermediate and upper-beginner level and are read one-third slower than regular English.
1. THE CASK OF AMONTILLADO by Edgar Allan Poe
PLAY AUDIO ▶
Narrated by Larry West
Fortunato and I both were members of very old and important Italian families. We used to play together when we were children.
Fortunato was bigger, richer and more handsome than I was. And he enjoyed making me look like a fool. He hurt my feelings a thousand times during the years of my childhood. I never showed my anger, however. So, he thought we were good friends. But I promised myself that one day I would punish Fortunato for his insults to me.
Many years passed. Fortunato married a rich and beautiful woman who gave him sons. Deep in my heart I hated him, but I never said or did anything that showed him how I really felt. When I smiled at him, he thought it was because we were friends.
He did not know it was the thought of his death that made me smile.
Everyone in our town respected Fortunato. Some men were afraid of him because he was so rich and powerful. He had a weak spot, however. He thought he was an excellent judge of wine. I also was an expert on wine. I spent a lot of money buying rare and costly wines. I stored the wines in the dark rooms under my family's palace.
Our palace was one of the oldest buildings in the town. The Montresor family had lived in it for hundreds of years. We had buried our dead in the rooms under the palace. These tombs were quiet, dark places that no one but myself ever visited.
Late one evening during carnival season, I happened to meet Fortunato on the street. He was going home alone from a party. Fortunato was beautiful in his silk suit made of many colors: yellow, green, purple and red. On his head he wore an orange cap, covered with little silver bells. I could see he had been drinking too much wine. He threw his arms around me. He said he was glad to see me.
I said I was glad to see him, too because I had a little problem.
What is it?
he asked, putting his large hand on my shoulder.
My dear Fortunato,
I said, I'm afraid I have been very stupid. The man who sells me wine said he had a rare barrel of Amontillado wine. I believed him and I bought it from him. But now, I am not so sure that the wine is really Amontillado.
What!
he said, A cask of Amontillado at this time of year. An entire barrel? Impossible!
Yes, I was very stupid. I paid the wine man the full price he wanted without asking you to taste the wine first. But I couldn't find you and I was afraid he would sell the cask of Amontillado to someone else. So I bought it.
A cask of Amontillado!
Fortunato repeated. Where is it?
I pretended I didn't hear his question. Instead I told him I was going to visit our friend Lucresi. He will be able to tell me if the wine is really Amontillado,
I said.
Fortunato laughed in my face. Lucresi cannot tell Amontillado from vinegar.
I smiled to myself and said But some people say that he is as good a judge of wine as you are.
Fortunato grabbed my arm. Take me to it,
he said. I'll taste the Amontillado for you.
But my friend,
I protested, it is late. The wine is in my wine cellar, underneath the palace. Those rooms are very damp and cold and the walls drip with water.
I don't care,
he said. I am the only person who can tell you if your wine man has cheated you. Lucresi cannot!
Fortunato turned, and still holding me by the arm, pulled me down the street to my home. The building was empty. My servants were enjoying carnival. I knew they would be gone all night.
I took two large candles, lit them and gave one to Fortunato. I started down the dark, twisting stairway with Fortunato close behind me. At the bottom of the stairs, the damp air wrapped itself around our bodies.
Where are we?
Fortunato asked. I thought you said the cask of Amontillado was in your wine cellar.
It is,
I said. "The wine cellar is just beyond these tombs where the dead of my family are kept. Surely, you are not afraid of walking through the tombs.
He turned and looked into my eyes. Tombs?
he said. He began to cough. The silver bells on his cap jingled.
My poor friend,
I said, how long have you had that cough?
It's nothing,
he said, but he couldn't stop coughing.
Come,
I said firmly, we will go back upstairs. Your health is important.You are rich, respected, admired, and loved. You have a wife and children. Many people would miss you if you died. We will go back before you get seriously ill. I can go to Lucresi for help with the wine.
No!
he cried. This cough is nothing. It will not kill me. I won't die from a cough.
That is true,
I said, but you must be careful.
He took my arm and we began to walk through the cold, dark rooms. We went deeper and deeper into the cellar.
Finally, we arrived in a small room. Bones were pushed high against one wall.
A doorway in another wall opened to an even smaller room, about one meter wide and two meters high. Its walls were solid rock.
Here we are,
I said. I hid the cask of Amontillado in there.
I pointed to the smaller room. Fortunato lifted his candle and stepped into the tiny room. I immediately followed him. He stood stupidly staring at two iron handcuffs chained to a wall of the tiny room. I grabbed his arms and locked them into the metal handcuffs. It took only a moment. He was too surprised to fight me.
I stepped outside the small room.
Where is the Amontillado?
he cried.
Ah yes,
I said, the cask of Amontillado.
I leaned over and began pushing aside the pile of bones against the wall. Under the bones was a basket of stone blocks, some cement and a small shovel. I had hidden the materials there earlier. I began to fill the doorway of the tiny room with stones and cement.
By the time I laid the first row of stones Fortunato was no longer drunk. I heard him moaning inside the tiny room for ten minutes. Then there was a long silence.
I finished the second and third rows of stone blocks. As I began the fourth row, I heard Fortunato begin to shake the chains that held him to the wall. He was trying to pull them out of the granite wall.
I smiled to myself and stopped working so that I could better enjoy listening to the noise.
After a few minutes, he stopped. I finished the fifth, the sixth and the seventh rows of stones. The wall I was building in the doorway was now almost up to my shoulders.
Suddenly, loud screams burst from the throat of the chained man.
For a moment I worried. What if someone heard him? Then I placed my hand on the solid rock of the walls