Faking a Murderer
By Kathy Reichs and Lee Child
4/5
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About this ebook
In this short story from the thrilling anthology MatchUp, bestselling authors Kathy Reichs and Lee Child—along with their popular series characters Temperance Brennan and Jack Reacher—team up for the first time ever.
Kathy Reichs
Kathy Reichs’s first novel Déjà Dead, published in 1997, won the Ellis Award for Best First Novel and was an international bestseller. Fire and Bones is Reichs’s twenty-third novel featuring forensic anthropologist Temperance Brennan. Reichs was also a producer of Fox Television’s longest running scripted drama, Bones, which was based on her work and her novels. One of very few forensic anthropologists certified by the American Board of Forensic Anthropology, Reichs divides her time between Charlotte, North Carolina, and Charleston, South Carolina. Visit her at KathyReichs.com or follow her on Twitter @KathyReichs, Instagram @KathyReichs, or Facebook @KathyReichsBooks.
Read more from Kathy Reichs
MatchUp Rating: 4 out of 5 stars4/5The Dark Side: A Collection of Mysteries & Thrillers Rating: 4 out of 5 stars4/5
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Reviews for Faking a Murderer
44 ratings1 review
- Rating: 5 out of 5 stars5/5Great collaboration of the authors, enjoyable short read, you can see both styles shine through
Book preview
Faking a Murderer - Kathy Reichs
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Faking a Murderer, by Kathy Reichs and Lee Child, Simon & SchusterKATHY REICHS AND LEE CHILD
I WAS FIRST PUBLISHED IN 1997 when Killing Floor introduced the world to a quiet wanderer named Jack Reacher. Kathy Reichs also came along in 1997 when Déjà Dead brought us forensic anthropologist Temperance Brennan.
Kathy freely admits that both she and Temperance have the same curriculum vitae. Getting the science right is important to Kathy, and she routinely turns to her own real-life experiences as a forensic anthropologist when writing a Temperance Brennan adventure. With Reacher I’m constantly asked if he’s based on me. Truth be told, there’s a lot of me inside him. It’s almost unavoidable that a character created by a writer not be a little autobiographical. Reacher is pretty much a wish fulfillment for both me and the reader. What I (or they) would be, if we could all get away with it. How he acquired his name is simple. Both I and Reacher are tall. So back in the 1990s, while writing Killing Floor and grocery shopping, my wife remarked that if the writing didn’t work out I could always be a reacher in a supermarket.
Talk about fortuitous.
In creating our story, Kathy and I both agreed on the rough outline, then we wrote in turns. She likes things all planned out. I prefer to wander. But we found a happy medium in which to work. I must confess to being a little nervous working with her, given her reputation for thoroughness, but we discovered that our actual writing styles are somewhat similar. This sometimes happens with collaborations. It helped that we’ve both written screenplays. Kathy with the television series Bones, which is based on her characters, and myself with my daughter. There’s a process to fashioning a screenplay that’s different from crafting a novel. Much more give-and-take is there between the various contributors, since rarely is a screenplay written by only one person. Luckily, we were both comfortable with that process.
And the result is an intriguing adventure that involves—
Faking a Murderer.
FAKING A MURDERER
WEDNESDAY, FEBRUARY 22, 0940 EST
OVER THE PAST DECADE, THIS academy has taken a good hard look at itself. We have evaluated the theory and methodology underlying each of our disciplines. Formalized statements on ethics. Developed clear and open paths toward board certification.
The hall was dim, the stage blazing like a Hollywood set. She could see little from the podium. Rows of shadowy heads. Here and there, a triangle of white bisected by a tie. A wink of reflection off a plastic-sheathed badge.
No longer can unqualified individuals hang out their shingles, call themselves experts, and practice without oversight. Without adherence to rigorously verified standards.
The other speakers sat behind her in well-behaved silence. To either side of them, screens displayed projected images of the logos of the American Academy of Forensic Sciences and the Marriott Wardman Park Hotel. Flanking the screens were stairs to ground level.
This year’s conference is titled ‘Reliable Relevant and Real Forensic Science.’ Anthropology. Pathology. Toxicology. It doesn’t matter the section. That trifecta is the goal of everyone here.
At the base of each set of steps, an electrified sign indicated an exit. In her peripheral vision, she noticed two men shape up in the red radiance shed by the one to her right.
"As each presenter in this plenary session has so