The Yellow Wallpaper

By Charlotte Perkins Gilman

"The Yellow Wallpaper" is a 6,000-word short story by American writer Charlotte Perkins Gilman, first published in January 1892 in New England Magazine. It is regarded as an important early work of American feminist literature, illustrating attitudes in the 19th century toward women's physical and mental health.

The story is written in the first person as a series of journal entries. The narrator is a woman whose husband — a physician — has confined her to the upstairs bedroom of a house he has rented for the summer. She is forbidden from working and has to hide her journal entries from him so that she can recuperate from what he has diagnosed as a "temporary nervous depression — a slight hysterical tendency;" a diagnosis common to women in that period. The windows of the room are barred, and there is a gate across the top of the stairs, allowing her husband to control her access to the rest of the house.

• Language: English
• Publisher: Flip
• Release date: Apr 9, 2018
• ISBN: 9782291011019

Charlotte Perkins Gilman

Charlotte Perkins Gilman was born in 1860 in Connecticut. Her father left when she was young and Gilman spent the rest of her childhood in poverty. As an adult she took classes at the Rhode Island School of Design and supported herself financially as a tutor, painter and artist. She had a short marriage with an artist and suffered serious postnatal depression after the birth of their daughter. In 1888 Gilman moved to California, where she became involved in feminist organizations. In California, she was inspired to write and she published The Yellow Wallpaper in The New England Magazine in 1892. In later life she was diagnosed with breast cancer and died by suicide in 1935.

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The Yellow Wallpaper

The Yellow Wallpaper

Charlotte Perkins Gilman

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About Gilman:

Charlotte Perkins Gilman (July 3, 1860 – August 17, 1935) was a prominent American sociologist, novelist, writer of short stories, poetry, and non fiction, and a lecturer for social reform. She was a utopian feminist during a time when her accomplishments were exceptional for women, and she served as a role model for future generations of feminists because of her unorthodox concepts and lifestyle. Her best remembered work today is her semi-autobiographical short story, The Yellow Wallpaper, which she wrote after a severe bout of post-partum depression.

It is very seldom that mere ordinary people like John and myself secure ancestral halls for the summer.

A colonial mansion, a hereditary estate, I would say a haunted house, and reach the height of romantic felicity—but that would be asking too much of fate!

Still I will proudly declare that there is something queer about it.

Else, why should it be let so cheaply? And why have stood so long untenanted?

John laughs at me, of course, but one expects that in marriage.

John is practical in the extreme. He has no patience with faith, an intense horror of superstition, and he scoffs openly at any talk of things not to be felt and seen and put down in figures.

John is a physician, and PERHAPS—(I would not say it to a living soul, of course, but this is dead paper and a great relief to my mind)—PERHAPS that