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    Sense and Sensibility
    Sense and Sensibility
    Sense and Sensibility
    Ebook459 pages10 hours

    Sense and Sensibility

    By Jane Austen

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    The classic novel. According to Wikipedia: "Jane Austen (1775 – 1817) was an English novelist whose realism, biting social commentary and masterful use of free indirect speech, burlesque and irony have earned her a place as one of the most widely read and most beloved writers in English literature. Austen lived her entire life as part of a small and close-knit family located on the lower fringes of English gentry. She was educated primarily by her father and older brothers as well as through her own reading. The steadfast support of her family was critical to Austen's development as a professional writer. Austen's artistic apprenticeship lasted from her teenage years until she was about thirty-five years old. During this period, she experimented with various literary forms, including the epistolary novel which she tried and then abandoned, and wrote and extensively revised three major novels and began a fourth.From 1811 until 1815, with the release of Sense and Sensibility (1811), Pride and Prejudice (1813), Mansfield Park (1814) and Emma (1815), she achieved success as a published writer. She wrote two additional novels, Northanger Abbey and Persuasion, both published after her death in 1817, and began a third, which was eventually titled Sanditon, but died before completing it."
    LanguageEnglish
    PublisherSeltzer Books
    Release dateMar 1, 2018
    ISBN9781455389179
    Author

    Jane Austen

    Jane Austen (1775-1817) was an English novelist whose works are among the most popular novels ever written. Her keen eye for social tension, and ear for taut, witty dialogue have delighted readers for centuries, while her novels have maintained historical importance through their analysis of the dependence of women on marriage to gain social standing and security. She has been widely adapted for both stage and screen, and continues to be among the most widely-read of late-18th-/early 19th-century writers.

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    Reviews for Sense and Sensibility

    4/5

    8,252 ratings209 reviews

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    • 2/5
      Review of the Audible Audio edition narrated by Rosamund PikeI'm not the audience for Jane Austen, but as this was offered in an Audible Daily Deal it was an easy pick to cross off my 1001 Books list and to try to hear what all the fuss is about.This isn't an ideal book for long travel commutes as I found my mind wandering constantly and it would only snap back to attention when Pike affected an especially entertaining upper-class voice for Mrs. Jennings or during the drama of the confrontations between Elinor and Willoughby. The scoundrel Willoughby was probably the only character of any dramatic interest.One main distraction was my constantly thinking about how these people knew each other's incomes on an annual basis? It seemed like a regular refrain throughout but the source of the information is never discussed. It is almost as if there was some sort of public domain registry for this sort of information. I began to wonder if there is any sort of annotated Jane Austen that explains these sorts of cultural nuances that will become even more inexplicable as the years pass.These are only reactions based on listening to an audio version under less than ideal circumstances. I should still try to give it a read in hardcopy format.
    • 5/5
      Two sisters find love and are heartbroken by the lies and deciet that are made. Society forbids them to marry above while another is engaged.
    • 4/5
      The quiet pleasure of a rereading of a well-known work.
    • 4/5
      With Jane Austen, I think there’s always a lot that I don’t understand but that hasn’t stopped me from enjoying her books.Unlike when I read Pride and Prejudice, I had no idea what happened in Sense and Sensibility or even what it was about. I’m glad this was the case – knowing that happy endings weren’t assured for the characters made it more suspenseful.“Suspenseful?” I hear you say, “How can a book about the marriage prospects of two Regency era women be suspenseful?”The answer: It’s all about the characters. Jane Austen does characters fabulously. Marianne and Elinor Dashwood, the two sisters at the heart of the novel, are fully developed characters who could walk right off the page. And what’s more, they’re likable.I became deeply involved in these characters lives even if their concerns and problems are so utterly different from my life in the 21st century.Oh, and did I mention that Jane Austen’s funny? It’s a subtle sort of wit that’s more likely to make you grin than laugh out loud, but it makes her books wonderfully enjoyable.I’m not going to bother recommending Sense and Sensibility to anyone in particular; chances are, if you live in the Western world, you’re bound to read Jane Austen at some point in your education.Originally posted on The Illustrated Page.
    • 4/5
      Originally titled Elinor and Marianne, in a way the book was still named after it’s two main characters. Elinor is eminently sensible, always putting her own feelings second to looking out for her mother and sister. Elinor is the exact opposite, entirely focused on her own sensibility and feelings with a complete lack of concern for the practical. Despite their dissimilarity, both sisters will face similar challenges as they navigate society trying to find love.

      This was a reread for me and the first thing I noticed was that I didn’t remember just how funny Jane Austen can be. The humor is very dry and understated, but I thought that made it even better. She rarely outright tells you anything about a character, instead giving you snapshots of their lives that show their personality. As one of the critics quoted in the book pointed out, although the book isn’t overly predictable, the characters always act self-consistently enough that their actions don’t surprise you.

      Although I personally relate much more to Elinor than to Marianne, I liked that the two heroines were so different. It added interest and should give everyone a character to empathize with. The plot was strangely engaging. Events move fairly slowly and what happens is all gossip and romance; not a description that I would expect for such an enthralling book! Despite the apparently unexciting contents, I couldn’t put the book down and always wanted to know what happened next.

      In addition to liking the story, I also liked the edition I picked up. It was a Barnes & Noble classics edition and it included the best extras. The introduction was less spoiler-y than many but still thought-provoking. I also liked that at the end of the book there was some extra discussion, some book club discussion questions, and a few quotes from critics across the ages. It gave some great context to the story and I’ll definitely be picking up more classics from this series.

      This review first published on Doing Dewey.
    • 4/5
      3.75 stars. This feels like a trial-run for later books.
    • 5/5
      Sense and Sensibility was my first Jane Austen novel, for the simple reason that it leads off the one-volume edition of her works that I was able to snag for about 30 cents at a library booksale. I had no idea it would be the gateway to an immersive new world I had not previously imagined (and when I say immersive, I mean it; I finished this one-volume edition of Austen's six novels plus Lady Susan over the course of the following two weeks). The plot is well known and tells the story of the Dashwood family, a mother and three daughters left nearly destitute by the death of Mr. Dashwood and the laws that precluded their inheriting any significant portion of his fortune. The two elder Miss Dashwoods, Elinor and Marianne, must find a way to live in a world that afforded women very few options. The two sisters could not be more different: Elinor orders her life and behavior according to common sense, while Marianne is ruled by her sensibilities and emotions. Their adventures and misadventures in love and the world of fashion during the Regency is beautifully rendered, with layers of meaning and thought and humor under even the smallest interactions and conversations. I never knew someone could write like this. Pride and Prejudice seems the obligatory favorite of Austen's novels and I do love it very much, but Sense and Sensibility will always vie for first place in my Austenian affections. Imagine reading Austen with no background knowledge, no movie versions in your head, no knowing what the characters are going to do or where the plot is going to go. It was an amazing literary experience and one that cannot be manufactured. Five stars isn't enough to express my love for this novel. I will simply say: thank you, Jane Austen.
    • 5/5
      Better than I expected!

      I am completely in love with the movie version. It is one of my all-time favorites and was worried that in reading the book, it would ruin the movie for me. This was not the case at all.

      While it was not exactly an easy read, it was not tedious as I assumed it would be. Even though the language is not as modern as I am used to, it wasn't so difficult that I found myself confused by what I was reading. I only had to look up a few words that I was unsure of their meaning/usage.

      The story itself is a beautiful one of love, family, relationships and propriety. The title makes so much sense now (duh)! This was just lovely and reading it not only made me love the movie all the more, it has given me confidence that I will enjoy other works by Ms. Austen, such as Emma, which may be next on my classics to-do list.
    • 5/5
      I never did add this! This is one of my favorite's of Jane Austen's. Everyone loves P&P, but I think this one is just a strong a contender. I love the girls in this one, the dynamic relationship of the two opposite sisters and their struggles both against each other in small ways and with their situations. If the book itself is intimidating this is one I would highly recommend the adaptation of with Kate Winslet and Alan Rickman. I adore the movie and having recently just rewatched it while ill I have to say it's done the best so far for me of adapting a novel. It cut and trim in just the right way and does the story justice.
    • 4/5
      Gelesen bisher nur auf Deutsch bzw. als Hörbuch auf Englisch (ungekürzt). All time favourite.
    • 3/5
      Vroeg werk van Austen. Nog vol onvolkomendheden: weinig actie, eerder confrontatie van personen, geen humor.De personages zijn eerder karikaturen, maar wel subliem, en een heel aantal van hen ondergaan een behoorlijke evolutie. Gevoelens staan centraal: tussen containment en spontaniteitMilieu: burgerlijk, bezit en vast inkomen zijn centrale referenties, alleen vriendschap en liefde als tegengif. Religie afwezig.
    • 3/5
      Given what I'm sure is below, my review's wholly unnecessary, although I'd like to complain about the precipitous marriage of Lucy Steele to Robert Ferrars. If she was going to go this way with the central conflict of the second half of the book, Austen could have resolved it even more suddenly: why not knock Lucy down with a carriage? Why not drown her in the Thames? Why not let loose a localized horde of zombies?

      I'll say this to complainers about Mr Edward Ferrars: his woodenness is simply Elinor's, seen from the outside. Had we watched the novel from within Marianne's head, Edward and Elinor would have been indistinguishable.
    • 4/5
      It's been quite a while since I last read Sense and Sensibility and this is the first time I've listened to it on audiobook. As I listened to Nadia May's excellent narration, I realised that there was much I'd forgotten about the book since I last read it.

      I had certainly forgotten the flashes of humour and the sharpness of the satire. For example, Austen is particularly pointed in her descriptions of the indulgence with which the less satisfactory mothers amongst her characters (Fanny Dashwood, Lady Middleton) treat the misbehaviour of their offspring. These scenes are laugh-out-loud funny. However, they also made me think how often Austen must have been exposed to the ill-disciplined children of her acquaintances!

      There is arguably more social commentary in Sense and Sensibility than in Austen's other novels. While the dependence of single women and the devastating potential effect of inheritance laws is also central to the plot of Pride and Prejudice, it is in Sense and Sensibility that the actual effect is felt most keenly in the situation of the Mrs Dashwood and her daughters.

      Primarily, though, Sense and Sensibility is about relationships - relationships between sisters, between mothers and children, between friends. It is these relationships, good and bad, positive and negative which form the core of the novel. They are more important than the ultimate romantic pairings and just as important as the theme suggested by the title, that is, the different approaches to life of those with contrasting temperaments.

      Indeed, in my view, the romantic pairings form the least satisfactory element of the novel. The resolution of the relationship between Elinor and Edward is brought about by the somewhat unsatisfactory deus ex machina of Lucy Steele's decision to exchange one brother for another. And to my mind the union of Marianne and Colonel Brandon is problematic, notwithstanding Austen's explanation that Marianne grew to love her husband. . While expected in such a novel, the romantic relationships do not have the same impact as those of Elizabeth Bennet and Mr Darcy, of Anne Elliot and Captain Wentworth or even of Emma Woodhouse and Mr Knightley.

      Overall, I've appreciated Sense and Sensibility much more this time around than I have on previous readings. While it does not have the same emotional effect on me as my favourite Austen novel - Persuasion - it remains a masterpiece.
    • 3/5
      I'm sorry Jane, it's not you it's me. You're really very witty and you're great with the twists but blimey I find your prose a drag. It seems to push my eyes away, deliberately through sub-clause and deviation make me think about the commute and the shopping list and everything except the romantic intrigue actually being discussed. This is my noble confession, disinherit me if you must.
    • 4/5
      I'm familiar with many Jane Austen stories, but this is the first time I've successfully read one of her novels. Years ago, surely eight or nine years now, I made a very lackluster attempt to read Mansfield Park, but I gave up within a mere ten pages. My heart just wasn't in it at the time. More so than that of many of her contemporaries, the language Austen uses can be a chore to get through and I struggled to understand what I was reading (and why). The time has come, however, to give Austen another try.Judging by the stories that have survived and remain in our hearts—from Shakespeare to Austen to Dickens to...—there really wasn't much difference in British drama for three hundreds years. Through the quirky interactions of memorable characters, these authors provide entertaining romps through sentimentality with a satirical edge. And yet, I would argue that Austen's stories were more realistic than those of her contemporaries. Certainly, Austen dwelt a bit heavily on the “woes” of the higher class, but the characters' wants and needs transcend status. Unlike many of the two-dimensional characters in the stories of the time, Austen's primary characters are individuals with ever-changing perspectives (secondary characters, not so much). Of course realism from a much more humble point-of-view was just a generation away with authors such as Anne Bronte being born in this era, but clearly Austen had her finger on the pulse of humanity.And yet these stories lack realism. How anyone can be so oblivious is beyond me. Can two people carry on a conversation for so long without realizing they're talking about two very different things? Sure, it's humorous, but it's not believable. So are these stories meant to be believable, or not? Does love ever come so easily in the end? How is it that the destitute daughters of these tales always find the one descent human in the aristocracy? I think that's the magic of Austen and it certainly works well in Sense and Sensibility. These are characters that are human and though their situations may be very different from our own, they are very much like us. Through struggles and the embrace of all that is “good” and “right,” they enter the fairy tale that so many of us envy. These are the stories that capture the heart of the romantic.Sense and Sensibility is double the romance. The characters are engaging. The wit is on point. The story is entertaining. And it's all so clever—there's an excellent word for the work of Jane Austen: clever.
    • 4/5
      Seems cooler than P&P, but I've read P&P so many times that I may attribute to it more because I love it so. I think I should read the books before I watch the movies. I love the movie too much and the book suffered. But still-- sly humor, sneaky social commentary, great characters.
    • 5/5
      This is always one of my favorite book.
    • 5/5
      I found myself disliking Marianne. She was a bit of a selfish brat.
    • 5/5
      This is the story of two very different sisters: Elinor is a sensible (yet secretly passionate) young woman who must continuously reign in the wild passions of her mother and sisters - especially Marianne whose head is filled with romantic notions of one-true-love and tragedy. When their father suddenly dies with their newly-acquired estate entailed away to their half-brother John, the sisters are left destitute. John and his wife Fanny descend upon the mourning family within a fortnight and make the sisters and mother feel like unwelcome guests in their beloved home. Elinor soon forms an attachment with Fanny's brother Edward, but Fanny doesn't approve of Elinor's lack-of-fortune-or-name. So the family moves away to a cottage, leaving Edward behind. Poor Elinor must struggle with her own worries about Edward while at the same time monitoring the expensive of the house and trying to reign in the wild, all-consuming attachment of Marianne to the dashing young Willoughby. The romantic hopes of both girls spiral downwards as more and more obstacles appear. I love this story because I've always admired Elinor for both her passion and her ability to handle all problems that come her way. I also admire Colonel Brandon for his devotion to Marianne despite her ecstatic preference for the younger, handsomer, and less reserved Willoughby. This time around, I also really appreciated Marianne's character. Her youthful ideas about love were cute - and realistic for many girls of 16. :) Her development throughout the story was extraordinary. I loved the way she slowly, cluelessly, began to understand the world around her. I don't admire her, but I think she's cute and very funny. And, frankly, a more interesting character than Elinor (due to her development-of-character).To be honest, this book is just as much a favorite as Pride and Prejudice. Yes. That is right. I ADMIT that I like this book just as much (possibly a little more) than the beloved P&P.
    • 4/5
      This book would have been perfect for my M.A. research on sensibility, and I wish that I had read it then. I don't know what I can say that would do Austen justice. This novel has the social commentary we are used to in Austen novels, plus an exploration of the inner life of the mind and its manifestions in the body. I also like what she does with gender in the novel. Men, we see, are less physically affected by a degenerate mind than are women. Fascinating. You have to read this book!
    • 3/5
      I found the characters to somewhat self-absorbed and a bit silly. I couldn't empathise or feel any real emotion for their situations nor did I really care what happened to them.

      And not even the gentlemen could sway me on this one! Just a bit disappointing.
    • 3/5
      I listened to this one simultaneously with Sense and Sensibility and Sea Monsters. Although the Sea Monsters version definitely highlighted the satire and humor behind the original book, I think I might have enjoyed this more without wondering how the Sea Monster version would change things up. Not my favorite Austen novel, but still enjoyable - a good classic.
    • 4/5
      This was the first Jane Austen book I ever read, and I was really surprised by how much I liked it. It definitely had a dated sense to it, but it was a portrayal of that era, and it was a spectacular portrayal at that. And considering its age, I found it remarkably easy to identify with. There were plot twists I didn't see coming, thoughts and actions I sympathized with, decisions I yelled at the characters for. It was wonderful, plain and simple. Two thumbs up.
    • 5/5
      Re-reading. My reread was inspired by the recent Masterpiece Classic adaptation.
    • 5/5
      Today (May 2, 1965) I have just finished this book an I have much the same feeling of enjoyment I rememer so distinctly feeling in 1954--to my then surprise--after reading Pride and Prejudice. I found Sense and sensibility so deft, so well-done, so believeable, that my admiration is extreme. Of what moment? True, but nevertheless the craft of the author: that she can create such interest with such non-melodramatic effort seems fantastic. Elinor and Marianne Dashwood are sisters, and the book is merely an account of their progress to matrimony. Yet how absorbing it all seems. And the delicious humor! E.g.: "Many were the tears shed by them in their last adieux to a place so much beloved. 'Dear, dear Norland!" said Marianne, as she wandered alone before the house, on the last evening of their being there; 'when shall I cease to regret you? when learn to feel at home elsewhwere? O happy house! could you know what I suffer in now viewing you from this spot, from whence perhaps I may view you no more! and you, ye well-known trees! but you will continue the same. No leaf will decay because we are removed, nor any branch become motionless although we can observe you no longer! No; you will continue the same..."'
    • 5/5
      I have to admit to having almost forgotten what a joy it is to read Austen.

      Having read a couple of her other novels, somehow I'd always overlooked Sense & Sensibility. It turns out to be just as sparking and cutting as the others and i'm so glad I picked it up.

      The one negative is it has made me want to pick up her other books to read/reread!
    • 2/5
      I read this book for a library discussion group and it is, admittedly, somewhat outside of my normal genres. Keeping in mind the age of the work, I found the extended, paragraph length sentences tolerable and well crafted. There are lessons to be learned here, and the narration remained interesting with exemplary prose. I realize this is a classic work by a highly respected author, but at the end, I couldn't help feeling that I had just read a Victorian soap opera.
    • 3/5
      An interesting story, and I still like Jane Austen... but maybe I like the movies better...
    • 4/5
      Much better than Emma. It was really funny and I loved the sisters. All of the characters were much more likeable and I really liked this book.
    • 5/5
      Love this book, love the author, even loved the movie. Austen has such a way with worlds and her descriptions that I can see it like a movie in my mind. I have read this book no less thn 5 times and I still get the same rush each time I read it.

    Book preview

    Sense and Sensibility - Jane Austen

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