The Rose and the Ring
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William Makepeace Thackeray
William Makepeace Thackeray was a nineteenth century English novelist who was most famous for his classic novel, Vanity Fair, a satirical portrait of English society. With an early career as a satirist and parodist, Thackeray shared a fondness for roguish characters that is evident in his early works such as Vanity Fair, The Luck of Barry Lyndon, and Catherine, and was ranked second only to Charles Dickens during the height of his career. In his later work, Thackeray transitioned from the satirical tone for which he was known to a more traditional Victorian narrative, the most notable of which is The History of Henry Esmond. Thackeray died in 1863.
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The Rose and the Ring - William Makepeace Thackeray
THE ROSE AND THE RING
..................
William Makepeace Thackeray
MYTHIK PRESS
Thank you for reading. In the event that you appreciate this book, please consider sharing the good word(s) by leaving a review, or connect with the author.
This book is a work of nonfiction and is intended to be factually accurate.
All rights reserved. Aside from brief quotations for media coverage and reviews, no part of this book may be reproduced or distributed in any form without the author’s permission. Thank you for supporting authors and a diverse, creative culture by purchasing this book and complying with copyright laws.
Copyright © 2015 by William Makepeace Thackeray
Interior design by Pronoun
Distribution by Pronoun
TABLE OF CONTENTS
PRELUDE
I. SHOWS HOW THE ROYAL FAMILY SATE DOWN TO BREAKFAST
II. HOW KING VALOROSO GOT THE CROWN, AND PRINCE GIGLIO WENT WITHOUT
III. TELLS WHO THE FAIRY BLACKSTICK WAS, AND WHO WERE EVER SO MANY GRAND PERSONAGES BESIDES
IV. HOW BLACKSTICK WAS NOT ASKED TO THE PRINCESS ANGELICA’S CHRISTENING
V. HOW PRINCESS ANGELICA TOOK A LITTLE MAID
VI. HOW PRINCE GIGLIO BEHAVED HIMSELF
VII. HOW GIGLIO AND ANGELICA HAD A QUARREL
VIII. HOW GRUFFANUFF PICKED THE FAIRY RING UP, AND PRINCE BULBO CAME TO COURT
IX. HOW BETSINDA GOT THE WARMING PAN
X. HOW KING VALOROSO WAS IN A DREADFUL PASSION
XI. WHAT GRUFFANUFF DID TO GIGLIO AND BETSINDA
XII. HOW BETSINDA FLED, AND WHAT BECAME OF HER
XIII. HOW QUEEN ROSALBA CAME TO THE CASTLE OF THE BOLD COUNT HOGGINARMO
XIV. WHAT BECAME OF GIGLIO
XV. WE RETURN TO ROSALBA
XVI. HOW HEDZOFF RODE BACK AGAIN TO KING GIGLIO
XVII. HOW A TREMENDOUS BATTLE TOOK PLACE, AND WHO WON IT
XVIII. HOW THEY ALL JOURNEYED BACK TO THE CAPITAL
XIX. AND NOW WE COME TO THE LAST SCENE IN THE PANTOMIME
The Rose and the Ring
By
William Makepeace Thackeray
The Rose and the Ring
Published by Mythik Press
New York City, NY
First published circa 1863
Copyright © Mythik Press, 2015
All rights reserved
Except in the United States of America, this book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out, or otherwise circulated without the publisher’s prior consent in any form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser.
About Mythik Press
From the moment people first began practicing rituals, they have been creating folk tales and legends to celebrate their past and create a unique cultural identity. Mythik Press carries these legacies forward by publishing the greatest stories ever concocted, from King Arthur to the fairy tales of the Brothers Grimm.
PRELUDE
..................
IT HAPPENED THAT THE UNDERSIGNED spent the last Christmas season in a foreign city where there were many English children.
In that city, if you wanted to give a child’s party, you could not even get a magic-lantern or buy Twelfth-Night characters—those funny painted pictures of the King, the Queen, the Lover, the Lady, the Dandy, the Captain, and so on—with which our young ones are wont to recreate themselves at this festive time.
My friend Miss Bunch, who was governess of a large family that lived in the Piano Nobile of the house inhabited by myself and my young charges (it was the Palazzo Poniatowski at Rome, and Messrs. Spillmann, two of the best pastrycooks in Christendom, have their shop on the ground floor): Miss Bunch, I say, begged me to draw a set of Twelfth-Night characters for the amusement of our young people.
She is a lady of great fancy and droll imagination, and having looked at the characters, she and I composed a history about them, which was recited to the little folks at night, and served as our FIRESIDE PANTOMIME.
Our juvenile audience was amused by the adventures of Giglio and Bulbo, Rosalba and Angelica. I am bound to say the fate of the Hall Porter created a considerable sensation; and the wrath of Countess Gruffanuff was received with extreme pleasure.
If these children are pleased, thought I, why should not others be amused also? In a few days Dr. Birch’s young friends will be expected to reassemble at Rodwell Regis, where they will learn everything that is useful, and under the eyes of careful ushers continue the business of their little lives.
But, in the meanwhile, and for a brief holiday, let us laugh and be as pleasant as we can. And you elder folk—a little joking, and dancing, and fooling will do even you no harm. The author wishes you a merry Christmas, and welcomes you to the Fireside Pantomime.
W. M. THACKERAY. December 1854.
I. SHOWS HOW THE ROYAL FAMILY SATE DOWN TO BREAKFAST
..................
THIS IS VALOROSO XXIV., KING of Paflagonia, seated with his Queen and only child at their royal breakfast-table, and receiving the letter which announces to His Majesty a proposed visit from Prince Bulbo, heir of Padella, reigning King of Crim Tartary. Remark the delight upon the monarch’s royal features. He is so absorbed in the perusal of the King of Crim Tartary’s letter, that he allows his eggs to get cold, and leaves his august muffins untasted.
‘What! that wicked, brave, delightful Prince Bulbo!’ cries Princess Angelica; ‘so handsome, so accomplished, so witty—the conqueror of Rimbombamento, where he slew ten thousand giants!’
‘Who told you of him, my dear?’ asks His Majesty.
‘A little bird,’ says Angelica.
‘Poor Giglio!’ says mamma, pouring out the tea.
‘Bother Giglio!’ cries Angelica, tossing up her head, which rustled with a thousand curl-papers.
‘I wish,’ growls the King—’I wish Giglio was. . .’
‘Was better? Yes, dear, he is better,’ says the Queen. ‘Angelica’s little maid, Betsinda, told me so when she came to my room this morning with my early tea.’
‘You are always drinking tea,’ said the monarch, with a scowl.
‘It is better than drinking port or brandy and water;’ replies Her Majesty.
‘Well, well, my dear, I only said you were fond of drinking tea,’ said the King of Paflagonia, with an effort as if to command his temper. ‘Angelica! I hope you have plenty of new dresses; your milliners’ bills are long enough. My dear Queen, you must see and have some parties. I prefer dinners, but of course you will be for balls. Your everlasting blue velvet quite tires me: and, my love, I should like you to have a new necklace. Order one. Not more than a hundred or a hundred and fifty thousand pounds.’
‘And Giglio, dear?’ says the Queen.
‘GIGLIO MAY GO TO THE—’
‘Oh, sir,’ screams Her Majesty. ‘Your own nephew! our late King’s only son.’
‘Giglio may go to the tailor’s, and order the bills to be sent in to Glumboso to pay. Confound him! I mean bless his dear heart. He need want for nothing; give him a couple of guineas for pocket-money, my dear; and you may as well order yourself bracelets while you are about the necklace, Mrs. V.’
Her Majesty, or MRS. V., as the monarch facetiously called her (for even royalty will have its sport, and this august family were very much attached), embraced her husband, and, twining her arm round her daughter’s waist, they quitted the breakfast-room in order to make all things ready for the princely stranger.
When they were gone, the smile that had lighted up the eyes of the HUSBAND and FATHER fled—the pride of the KING fled—the MAN was alone. Had I the pen of a G. P. R. James, I would describe Valoroso’s torments in the choicest language; in which I would also depict his flashing eye, his distended nostril—his dressing-gown, pocket-handkerchief, and boots. But I need not say I have NOT the pen of that novelist; suffice it to say, Valoroso was alone.
He rushed to the cupboard, seizing from the table one of the many egg-cups with which his princely board was served for the matin meal, drew out a bottle of right Nantz or Cognac, filled and emptied the cup several times, and laid it down with a hoarse ‘Ha, ha, ha! now Valoroso is a man again!’
‘But oh!’ he went on (still sipping, I am sorry to say), ‘ere I was a king, I needed not this intoxicating draught; once I detested the hot brandy wine, and quaffed no other fount but nature’s rill. It dashes not more quickly o’er the rocks than I did, as, with blunderbuss in hand, I brushed away the early morning dew, and shot the partridge, snipe, or antlered deer! Ah! well may England’s dramatist remark, Uneasy lies the head that wears a crown!
Why did I steal my nephew’s, my young Giglio’s—? Steal! said I? no, no, no, not steal, not