All's Well That Ends Well
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William Shakespeare
William Shakespeare (1564–1616) is arguably the most famous playwright to ever live. Born in England, he attended grammar school but did not study at a university. In the 1590s, Shakespeare worked as partner and performer at the London-based acting company, the King’s Men. His earliest plays were Henry VI and Richard III, both based on the historical figures. During his career, Shakespeare produced nearly 40 plays that reached multiple countries and cultures. Some of his most notable titles include Hamlet, Romeo and Juliet and Julius Caesar. His acclaimed catalog earned him the title of the world’s greatest dramatist.
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All's Well That Ends Well - William Shakespeare
All's Well That Ends Well
William Shakespeare
Biography of Shakespeare
Since William Shakespeare lived more than 400 years ago, and many records from that time are lost or never existed in the first place, we don't know everything about his life. For example, we know that he was baptized in Stratford-upon-Avon, 100 miles northwest of London, on April 26, 1564. But we don't know his exact birthdate, which must have been a few days earlier.
We do know that Shakespeare's life revolved around two locations: Stratford and London. He grew up, had a family, and bought property in Stratford, but he worked in London, the center of English theater. As an actor, a playwright, and a partner in a leading acting company, he became both prosperous and well-known. Even without knowing everything about his life, fans of Shakespeare have imagined and reimagined him according to their own tastes, just as we see with the 19th-century portrait of Shakespeare wooing his wife at the top of this page.
William Shakespeare was probably born on about April 23, 1564, the date that is traditionally given for his birth. He was John and Mary Shakespeare's oldest surviving child; their first two children, both girls, did not live beyond infancy. Growing up as the big brother of the family, William had three younger brothers, Gilbert, Richard, and Edmund, and two younger sisters: Anne, who died at seven, and Joan.
Their father, John Shakespeare, was a leatherworker who specialized in the soft white leather used for gloves and similar items. A prosperous businessman, he married Mary Arden, of the prominent Arden family. John rose through local offices in Stratford, becoming an alderman and eventually, when William was five, the town bailiff—much like a mayor. Not long after that, however, John Shakespeare stepped back from public life; we don't know why.
Shakespeare, as the son of a leading Stratford citizen, almost certainly attended Stratford's grammar school. Like all such schools, its curriculum consisted of an intense emphasis on the Latin classics, including memorization, writing, and acting classic Latin plays. Shakespeare most likely attended until about age 15.
For several years after Judith and Hamnet's arrival in 1585, nothing is known for certain of Shakespeare's activities: how he earned a living, when he moved from Stratford, or how he got his start in the theater.
Following this gap in the record, the first definite mention of Shakespeare is in 1592 as an established London actor and playwright, mocked by a contemporary as a Shake-scene.
The same writer alludes to one of Shakespeare's earliest history plays, Henry VI, Part 3, which must already have been performed. The next year, in 1593, Shakespeare published a long poem, Venus and Adonis. The first quarto editions of his early plays appeared in 1594. For more than two decades, Shakespeare had multiple roles in the London theater as an actor, playwright, and, in time, a business partner in a major acting company, the Lord Chamberlain's Men (renamed the King's Men in 1603). Over the years, he became steadily more famous in the London theater world; his name, which was not even listed on the first quartos of his plays, became a regular feature—clearly a selling point—on later title pages.
Shakespeare prospered financially from his partnership in the Lord Chamberlain's Men (later the King's Men), as well as from his writing and acting. He invested much of his wealth in real-estate purchases in Stratford and bought the second-largest house in town, New Place, in 1597.
Among the last plays that Shakespeare worked on was The Two Noble Kinsmen, which he wrote with a frequent collaborator, John Fletcher, most likely in 1613. He died on April 23, 1616—the traditional date of his birthday, though his precise birthdate is unknown. We also do not know the cause of his death. His brother-in-law had died a week earlier, which could imply infectious disease, but Shakespeare's health may have had a longer decline.
The memorial bust of Shakespeare at Holy Trinity Church in Stratford is considered one of two authentic likenesses, because it was approved by people who knew him. (The bust in the Folger's Paster Reading Room, shown at left, is a copy of this statue.) The other such likeness is the engraving by Martin Droeshout in the 1623 First Folio edition of Shakespeare's plays, produced seven years after his death by his friends and colleagues from the King's Men.
PERSONS REPRESENTED.
KING OF FRANCE.
THE DUKE OF FLORENCE.
BERTRAM, Count of Rousillon.
LAFEU, an old Lord.
PAROLLES, a follower of Bertram.
Several young French Lords, that serve with Bertram in the
Florentine War.
Steward, Servant to the Countess of Rousillon.
Clown, Servant to the Countess of Rousillon.
A Page, Servant to the Countess of Rousillon.
COUNTESS OF ROUSILLON, Mother to Bertram.
HELENA, a Gentlewoman protected by the Countess.
An old Widow of Florence.
DIANA, daughter to the Widow.
VIOLENTA, neighbour and friend to the Widow.
MARIANA, neighbour and friend to the Widow.
Lords attending on the KING; Officers; Soldiers, &c., French and Florentine.
SCENE: Partly in France, and partly in Tuscany.
ACT I.
SCENE 1. Rousillon. A room in the COUNTESS'S palace.
[Enter BERTRAM, the COUNTESS OF ROUSILLON, HELENA, and LAFEU, all in black.]
COUNTESS.
In delivering my son from me, I bury a second husband.
BERTRAM.
And I in going, madam, weep o'er my father's death anew;
but I must attend his majesty's command, to whom I am now in ward, evermore in subjection.
LAFEU.
You shall find of the king a husband, madam;--you, sir, a father: he that so generally is at all times good, must of necessity hold his virtue to you; whose worthiness would stir it up where it wanted, rather than lack it where there is such abundance.
COUNTESS.
What hope is there of his majesty's amendment?
LAFEU.
He hath abandoned his physicians, madam; under whose practices he hath persecuted time with hope; and finds no other advantage in the process but only the losing of hope by time.
COUNTESS.
This young gentlewoman had a father--O, that 'had!' how
sad a passage 'tis!--whose skill was almost as great as his honesty; had it stretched so far, would have made nature
immortal, and death should have play for lack of work. Would, for the king's sake, he were living! I think it would be the death of the king's disease.
LAFEU.
How called you the man you speak of, madam?
COUNTESS.
He was famous, sir, in his profession, and it was his great right to be so--Gerard de Narbon.
LAFEU.
He was excellent indeed, madam; the king very lately spoke
of him admiringly and mourningly; he was skilful enough to have liv'd still, if knowledge could be set up against mortality.
BERTRAM.
What is it, my good lord, the king languishes of?
LAFEU.
A fistula, my lord.
BERTRAM.
I heard not of it before.
LAFEU.
I would it were not notorious.--Was this gentlewoman the
daughter of Gerard de Narbon?
COUNTESS.
His sole child, my lord, and bequeathed to my overlooking. I have those hopes of her good that her education promises; her
dispositions she inherits, which makes fair gifts fairer; for where an unclean mind carries virtuous qualities,