A Houseboat on the Styx
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A Houseboat on the Styx is a fantasy novel written by John Kendrick Bangs in 1895.
The original full title was A House-Boat on the Styx: Being Some Account of the Divers Doings of the Associated Shades. The novel was first published by Harper Brothers in 1896.
The premise of the book is that everyone who has ever died (up to the time in which the book is set, which seems to be about the time of its publication) has gone to Styx, the river that circles the underworld.
The book begins with Charon, ferryman of the Styx being startled—and annoyed—by the arrival of a houseboat on the Styx. At first afraid that the boat will put him out of business, he later finds out that he is actually to be appointed the boat's janitor.
What follows are eleven more stories (for a total of twelve) which are set on the house boat. There is no central theme, and the purpose of the book appears to be as a literary thought experiment to see what would happen if various famous dead people were put in the same room with each other. Each chapter is a short story featuring various souls from history and mythology. In the twelfth chapter the house boat disappears, leading into the sequel, Pursuit of the Houseboat.
A Houseboat on the Styx appears to have no original fictional characters in it. All are borrowed—with varying degrees of licence—from either history or mythology.
Bangs' idea of setting people in the afterlife (called Bangsian fantasy after his name) is quite similar to a book called God Bless You, Dr. Kevorkian by Kurt Vonnegut.
Throughout the book, there is a running joke that Shakespeare didn't actually write any of his own plays, that they were actually ghostwritten by Sir Francis Bacon, Sir Walter Raleigh, and other contemporaries. Will always tries to change the subject quickly when authorship comes into conversation.
Heroes in Hell, the first book in a series of fantasy short story collections by various authors, has a similar, albeit more modern, theme.
Philip José Farmer's Riverworld series is similar in that the main characters are, for the most part, historical figures who are resurrected on a planet with one great river winding around it, and Farmer credited the book as one of his inspirations for the series.
The book was on the Publishers Weekly list of 10 best-selling novels in the US, 1896.
John Kendrick Bangs (May 27, 1862 – January 21, 1922) was an American author, humorist, editor and satirist.
He was born in Yonkers, New York. His father Francis Nehemiah Bangs was a lawyer in New York City, as was his brother, Francis S. Bangs.
He went to Columbia College from 1880 to 1883 where he became editor of Columbia's literary magazine, Acta Columbia, and contributed short anonymous pieces to humor magazines. After graduation in 1883 with a Bachelor of Philosophy degree in Political Science, Bangs entered Columbia Law School but left in 1884 to become Associate Editor of Life under Edward S. Martin. Bangs contributed many articles and poems to the magazine between 1884 and 1888. During this period, Bangs published his first books.
In 1888 Bangs left Life to work at Harper's Magazine, Harper's Bazaar and Harper's Young People, though he continued to contribute to Life. From 1889 to 1900 he held the title of Editor of the Departments of Humor for all three Harper's magazines and from 1899 to 1901 served as active editor of Harper's Weekly. Bangs also served for a short time (January–June 1889) as the first editor of Munsey's Magazine and became editor of the American edition of the Harper-owned Literature from January to November 1899.
John Kendrick Bangs
John Kendrick Bangs (1862–1922) was an American writer and editor best known for his works in the fantasy genre. Bangs began his writing career in the 1880s when he worked for a literary magazine at Columbia College. Later, he held positions at various publications such as Life, Harper's Bazaar and Munsey’s Magazine. Throughout his career he published many novels and short stories including The Lorgnette (1886), Olympian Nights (1902) and Alice in Blunderland: An Iridescent Dream (1907).
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Reviews for A Houseboat on the Styx
19 ratings3 reviews
- Rating: 1 out of 5 stars1/5This is going to sound rude but I just had a hard time with this format and was not a fan of the story. I gave up on this book, I try to do that as little as possible. Seemed like the author was so busy making witty quips about historical figures there was no actual story. Or at least I just never got to it.
- Rating: 3 out of 5 stars3/5The first in the Houseboat series, followed by Pursuit of the Houseboat and The Encchanted Typewriter. Moderately funny but episodic; on the whole I prefer Pursuit.
- Rating: 4 out of 5 stars4/5An exceedingly pleasant, diverting book that probably can't be written anymore, because not enough people are well educated enough to appreciate it. The shades of the imminent dead converse and debate in their private club on the title vessel. Participants include a very defensive Shakespeare, Sir Walter Raleigh, Socrates, Confucius, Baron von Munchhausen (with his constant tall tales), Samuel Johnson and his inevitable Boswell, and others. Women are excluded from the vessel and the club, but reside on the shore--Queen Elizabeth and Socrates' wife prominent among them. The conversations are quite funny at times, and usually interesting. The author is wise to keep the proceedings short, however, as this type of thing can't be extended ad infinitum. Very enjoyable.
Book preview
A Houseboat on the Styx - John Kendrick Bangs
A Houseboat on the Styx
John Kendrick Bangs
First Published: 1895
The original text for this book is in the public domain.
Cover and added text are copyright © 2017 Midwest Journal Press. All Rights Reserved.
Table of Contents
CHARON MAKES A DISCOVERY
A DISPUTED AUTHORSHIP
WASHINGTON GIVES A DINNER
HAMLET MAKES A SUGGESTION
THE HOUSE COMMITTEE DISCUSS THE POETS
SOME THEORIES, DARWINIAN AND OTHERWISE
A DISCUSSION AS TO LADIES' DAY
A DISCONTENTED SHADE
AS TO COOKERY AND SCULPTURE
STORY-TELLERS' NIGHT
AS TO SAURIANS AND OTHERS
THE HOUSE-BOAT DISAPPEARS
ABOUT JOHN KENDRICK BANGS
BONUS
CHARON MAKES A DISCOVERY
Charon, the Ferryman of renown, was cruising slowly along the Styx one pleasant Friday morning not long ago, and as he paddled idly on he chuckled mildly to himself as he thought of the monopoly in ferriage which in the course of years he had managed to build up.
It's a great thing,
he said, with a smirk of satisfaction—it's a great thing to be the go-between between two states of being; to have the exclusive franchise to export and import shades from one state to the other, and withal to have had as clean a record as mine has been. Valuable as is my franchise, I never corrupted a public official in my life, and—
Here Charon stopped his soliloquy and his boat simultaneously. As he rounded one of the many turns in the river a singular object met his gaze, and one, too, that filled him with misgiving. It was another craft, and that was a thing not to be tolerated. Had he, Charon, owned the exclusive right of way on the Styx all these years to have it disputed here in the closing decade of the Nineteenth Century? Had not he dealt satisfactorily with all, whether it was in the line of ferriage or in the providing of boats for pleasure-trips up the river? Had he not received expressions of satisfaction, indeed, from the most exclusive families of Hades with the very select series of picnics he had given at Charon's Glen Island? No wonder, then, that the queer-looking boat that met his gaze, moored in a shady nook on the dark side of the river, filled him with dismay.
Blow me for a landlubber if I like that!
he said, in a hardly audible whisper. And shiver my timbers if I don't find out what she's there for. If anybody thinks he can run an opposition line to mine on this river he's mightily mistaken. If it comes to competition, I can carry shades for nothing and still quaff the B. & G. yellow-label benzine three times a day without experiencing a financial panic. I'll show 'em a thing or two if they attempt to rival me. And what a boat! It looks for all the world like a Florentine barn on a canal-boat.
Charon paddled up to the side of the craft, and, standing up in the middle of his boat, cried out,
Ship ahoy!
There was no answer, and the Ferryman hailed her again. Receiving no response to his second call, he resolved to investigate for himself; so, fastening his own boat to the stern-post of the stranger, he clambered on board. If he was astonished as he sat in his ferry- boat, he was paralyzed when he cast his eye over the unwelcome vessel he had boarded. He stood for at least two minutes rooted to the spot. His eye swept over a long, broad deck, the polish of which resembled that of a ball-room floor. Amidships, running from three- quarters aft to three-quarters forward, stood a structure that in its lines resembled, as Charon had intimated, a barn, designed by an architect enamoured of Florentine simplicity; but in its construction the richest of woods had been used, and in its interior arrangement and adornment nothing more palatial could be conceived.
What's the blooming thing for?
said Charon, more dismayed than ever. If they start another line with a craft like this, I'm very much afraid I'm done for after all. I wouldn't take a boat like mine myself if there was a floating palace like this going the same way. I'll have to see the Commissioners about this, and find out what it all means. I suppose it'll cost me a pretty penny, too, confound them!
A prey to these unhappy reflections, Charon investigated further, and the more he saw the less he liked it. He was about to encounter opposition, and an opposition which was apparently backed by persons of great wealth—perhaps the Commissioners themselves. It was a consoling thought that he had saved enough money in the course of his career to enable him to live in comfort all his days, but this was not really what Charon was after. He wished to acquire enough to retire and become one of the smart set. It had been done in that section of the universe which lay on the bright side of the Styx, why not, therefore, on the other, he asked.
I'm pretty well connected even if I am a boatman,
he had been known to say. With Chaos for a grandfather, and Erebus and Nox for parents, I've just as good blood in my veins as anybody in Hades. The Noxes are a mighty fine family, not as bright as the Days, but older; and we're poor—that's it, poor—and it's money makes caste these days. If I had millions, and owned a railroad, they'd call me a yacht-owner. As I haven't, I'm only a boatman. Bah! Wait and see! I'll be giving swell functions myself some day, and these upstarts will be on their knees before me begging to be asked. Then I'll get up a little aristocracy of my own, and I won't let a soul into it whose name isn't mentioned in the Grecian mythologies. Mention in Burke's peerage and the Elite directories of America won't admit anybody to Commodore Charon's house unless there's some other mighty good reason for it.
Foreseeing an unhappy ending to all his hopes, the old man clambered sadly back into his ancient vessel and paddled off into the darkness. Some hours later, returning with a large company of new arrivals, while counting up the profits of the day Charon again caught sight of the new craft, and saw that it was brilliantly lighted and thronged with the most famous citizens of the Erebean country. Up in the bow was a spirit band discoursing music of the sweetest sort. Merry peals of laughter rang out over the dark waters of the Styx. The clink of glasses and the popping of corks punctuated the music with a frequency which would have delighted the soul of the most ardent lover of commas, all of which so overpowered the grand master boatman of the Stygian Ferry Company that he dropped three oboli and an American dime, which he carried as a pocket-piece, overboard. This, of course, added to his woe; but it was forgotten in an instant, for some one on the new boat had turned a search-light directly upon Charon himself, and simultaneously hailed the master of the ferry- boat.
Charon!
cried the shade in charge of the light. Charon, ahoy!
Ahoy yourself!
returned the old man, paddling his craft close up to the stranger. What do you want?
You,
said the shade. The house committee want to see you right away.
What for?
asked Charon, cautiously.
I'm sure I don't know. I'm only a member of the club, and house committees never let mere members know anything about their plans. All I know is that you are wanted,
said the other.
Who are the house committee?
queried the Ferryman.
Sir Walter Raleigh, Cassius, Demosthenes, Blackstone, Doctor Johnson, and Confucius,
replied the shade.
Tell 'em I'll be back in an hour,
said Charon, pushing off. I've got a cargo of shades on board consigned to various places up the river. I've promised to get 'em all through to-night, but I'll put on a couple of extra paddles—two of the new arrivals are working their passage this trip—and it won't take as long as usual. What boat is this, anyhow?
"The Nancy Nox, of