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The Poetry of John Lucas Tupper: "These witnesses in dumb array? No— all must go or all must stay"
The Poetry of John Lucas Tupper: "These witnesses in dumb array? No— all must go or all must stay"
The Poetry of John Lucas Tupper: "These witnesses in dumb array? No— all must go or all must stay"
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The Poetry of John Lucas Tupper: "These witnesses in dumb array? No— all must go or all must stay"

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John Lucas Tupper was born at some point between 1823 and 1824, there are no more precise details recorded. The family business was that of printers and stationers. His father, George Frederic Tupper, who was trained as a lithographic draftsman, owned his own firm, and his two older sons, George and Alexander, worked there. Tupper's brother undertook the first printing of The Germ (The Pre-Raphaelite magazine) and, subsequently, its publication (largely, one suspects, to provide their brother with a means of publishing his writings.) Tupper was a student at the Royal Academy and supported himself with his work at Guy’s Hospital between 1849 and 1863, initially as an anatomical draftsman. He attempted a career as a sculptor and showed eleven portrait medallions at the annual Royal Academy Exhibitions between 1854 and 1868, and received a commission for his most important sculpture, the "Linnaeus," in 1856. In 1863 Tupper left Guy's Hospital to become a drawing teacher at the University of London. From 1865 until his death, he served as drawing master for geometrical or scientific drawing at Rugby, which ensured the financial security for him to pursue his artistic endeavours. While at Rugby he wrote The True Story of Mrs Stowe (about Byron), and Hiatus, or the Void in Modern Education under the name "Outis," meaning "no man." In 1871 he published an article on Woolner in the Portfolio. He married Annie Amelia French and they had two children, one of whom, Holman, he named after his friend William Holman Hunt, who was his son’s godfather. Whilst Tupper was not a major figure in the Pre-Raphaelites, he was certainly influential and his poetry was admired by many. Tupper was the only member of the Pre-Raphaelite circle with interests in both art and science and in the course of his career he published poetry, art criticism, book reviews, and a treatise on art education. After a period of ill health John Lucas Tupper died on 29th September 1879.

LanguageEnglish
Release dateFeb 21, 2017
ISBN9781787374652
The Poetry of John Lucas Tupper: "These witnesses in dumb array? No— all must go or all must stay"

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    Book preview

    The Poetry of John Lucas Tupper - John Lucas Tupper

    The Poetry of John Lucas Tupper

    John Lucas Tupper was born at some point between 1823 and 1824, there are no more precise details recorded.

    The family business was that of printers and stationers. His father, George Frederic Tupper, who was trained as a lithographic draftsman, owned his own firm, and his two older sons, George and Alexander, worked there. Tupper's brother undertook the first printing of The Germ (The Pre-Raphaelite magazine) and, subsequently, its publication (largely, one suspects, to provide their brother with a means of publishing his writings.)

    Tupper was a student at the Royal Academy and supported himself with his work at Guy’s Hospital between 1849 and 1863, initially as an anatomical draftsman.  He attempted a career as a sculptor and showed eleven portrait medallions at the annual Royal Academy Exhibitions between 1854 and 1868, and received a commission for his most important sculpture, the Linnaeus, in 1856.

    In 1863 Tupper left Guy's Hospital to become a drawing teacher at the University of London.  From 1865 until his death, he served as drawing master for geometrical or scientific drawing at Rugby, which ensured the financial security for him to pursue his artistic endeavours. While at Rugby he wrote The True Story of Mrs Stowe (about Byron), and Hiatus, or the Void in Modern Education under the name Outis, meaning no man. In 1871 he published an article on Woolner in the Portfolio.

    He married Annie Amelia French and they had two children, one of whom, Holman, he named after his friend William Holman Hunt, who was his son’s godfather. 

    Whilst Tupper was not a major figure in the Pre-Raphaelites, he was certainly influential and his poetry was admired by many.  

    Tupper was the only member of the Pre-Raphaelite circle with interests in both art and science and in the course of his career he published poetry, art criticism, book reviews, and a treatise on art education.

    After a period of ill health John Lucas Tupper died on 29th September 1879.

    Index of Contents

    Prefatory Notice by W. M. Rossetti 

    In Childhood 

    Wind-Notes 

    Sunrise

    Dying 

    A Warm February 

    A Death in the Family

    A Silent Lyre 

    Eden After Sixty Centuries 

    What the Sun sees 

    A Vision of Linnseus 

    To—The Fairies Feed on Scent

    Renovation

    In the Garden

    To—No Word of Question Would I Ask

    A Witch of Rhine

    Tardy Spring

    A Woman's Beauty

    A Good-bye

    Idols

    An Epidemic

    Lights and Shadows

    Aliens

    Night

    A Thrush's Song

    Skylarks

    In a Wood

    A Night-Lay

    Forget me Not

    Crime's Blight

    Separation

    Seaside

    A Quiet Evening

    Progress of the Species

    A Grotesque

    Circumstances Alter Cases

    Browning's Sordello

    The One Thing Known

    The Debit Side 

    Things Unperceived and Uses Undiscerned

    To my Friend Holman Hunt

    To Frederic Stephens

    My Dream —

    Unachieved 

    An Evening Fantasy 

    Kit's Cotty-House, Kent 

    Twilight 

    A Thrush's Message 

    Of such is the Kingdom of Heaven  

    Rain 

    Rue Tronchet, Paris

    To the Cuckoo 

    To a Skylark 

    Sub Jove 

    To a Nightingale 

    If I knew!

    Women's Rights

    To Annie

    Notes by W, M. Rossetti 

    PREFATORY NOTICE

    Books and writings about the Pre-Rraphaelite Brotherhood, which was established in the autumn of 1848, are by this time tolerably numerous. Among them, here and there, occurs the name of John Lucas Tupper, and some faint suggestion of who he was and what he did. The time seems to have come at last for impressing his name more definitely upon the public memory, and for indicating — and indeed, I think, proving — that he was a man with a very considerable poetic gift of his own, and highly deserving of explicit and honourable record.

    I will only cite one testimony to John Tupper’s claims as a poet. In the book which I published in 1895 — Dante Gabriel Rossetti, his Family Letters, with a Memoir — occurs a note to the following effect: There was a little lyric of Tupper's on the Garden of Eden in ruinous decay, of which Dante Rossetti thought very highly. He compared it to Ebenezer Jones's lyric, ‘When the world is burning’; and said that, had it been the writing of Edgar Poe, it would have enjoyed world-wide celebrity.

    John Lucas Tupper was born in London in or about 1826. It

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