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Measure for Measure by William Shakespeare (Illustrated)
Measure for Measure by William Shakespeare (Illustrated)
Measure for Measure by William Shakespeare (Illustrated)
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Measure for Measure by William Shakespeare (Illustrated)

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This eBook features the unabridged text of ‘Measure for Measure’ from the bestselling edition of ‘The Complete Works of William Shakespeare’.

Having established their name as the leading publisher of classic literature and art, Delphi Classics produce publications that are individually crafted with superior formatting, while introducing many rare texts for the first time in digital print. The Delphi Classics edition of Shakespeare includes original annotations and illustrations relating to the life and works of the author, as well as individual tables of contents, allowing you to navigate eBooks quickly and easily.

eBook features:
* The complete unabridged text of ‘Measure for Measure’
* Beautifully illustrated with images related to Shakespeare’s works
* Individual contents table, allowing easy navigation around the eBook
* Excellent formatting of the textPlease visit www.delphiclassics.com to learn more about our wide range of titles
LanguageEnglish
PublisherPublishdrive
Release dateJul 17, 2017
ISBN9781786562944
Measure for Measure by William Shakespeare (Illustrated)
Author

William Shakespeare

William Shakespeare was born in April 1564 in the town of Stratford-upon-Avon, on England’s Avon River. When he was eighteen, he married Anne Hathaway. The couple had three children—an older daughter Susanna and twins, Judith and Hamnet. Hamnet, Shakespeare’s only son, died in childhood. The bulk of Shakespeare’s working life was spent in the theater world of London, where he established himself professionally by the early 1590s. He enjoyed success not only as a playwright and poet, but also as an actor and shareholder in an acting company. Although some think that sometime between 1610 and 1613 Shakespeare retired from the theater and returned home to Stratford, where he died in 1616, others believe that he may have continued to work in London until close to his death.

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    Measure for Measure by William Shakespeare (Illustrated) - William Shakespeare

    The Complete Works of

    WILLIAM SHAKESPEARE

    VOLUME 26 OF 74

    Measure for Measure

    Parts Edition

    By Delphi Classics, 2012

    Version 6

    COPYRIGHT

    ‘Measure for Measure’

    William Shakespeare: Parts Edition (in 74 parts)

    First published in the United Kingdom in 2017 by Delphi Classics.

    © Delphi Classics, 2017.

    All rights reserved.  No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of the publisher, nor be otherwise circulated in any form other than that in which it is published.

    ISBN: 978 1 78656 294 4

    Delphi Classics

    is an imprint of

    Delphi Publishing Ltd

    Hastings, East Sussex

    United Kingdom

    Contact: sales@delphiclassics.com

    www.delphiclassics.com

    William Shakespeare: Parts Edition

    This eBook is Part 26 of the Delphi Classics edition of William Shakespeare in 74 Parts. It features the unabridged text of Measure for Measure from the bestselling edition of the author’s Complete Works. Having established their name as the leading publisher of classic literature and art, Delphi Classics produce publications that are individually crafted with superior formatting, while introducing many rare texts for the first time in digital print. Our Parts Editions feature original annotations and illustrations relating to the life and works of William Shakespeare, as well as individual tables of contents, allowing you to navigate eBooks quickly and easily.

    Visit here to buy the entire Parts Edition of William Shakespeare or the Complete Works of William Shakespeare in a single eBook.

    Learn more about our Parts Edition, with free downloads, via this link or browse our most popular Parts here.

    WILLIAM SHAKESPEARE

    IN 74 VOLUMES

    Parts Edition Contents

    The Plays

    1, Henry  VI, Part 2

    2, Henry  VI, Part 3

    3, Henry  VI, Part 1

    4, Richard  III

    5, The Comedy of Errors

    6, Titus Andronicus

    7, Taming of the Shrew

    8, The Two Gentlemen of Verona

    9, Love’s Labour’s Lost

    10, Romeo and Juliet

    11, Richard II

    12, A Midsummer Night’s Dream

    13, King John

    14, The Merchant of Venice

    15, Henry IV, Part I

    16, Henry IV, Part II

    17, Much Ado About Nothing

    18, Henry V

    19, Julius Caesar

    20, As You Like It

    21, Twelfth Night

    22, Hamlet

    23, The Merry Wives of Windsor

    24, Troilus and Cressida

    25, All’s Well that Ends Well

    26, Measure for Measure

    27, Othello

    28, King Lear

    29, Macbeth

    30, Antony and Cleopatra

    31, Coriolanus

    32, Timon of Athens

    33, Pericles

    34, Cymbeline

    35, The Winter’s Tale

    36, The Tempest

    37, Henry  VIII

    38, The Two Noble Kinsmen

    The Lost Plays

    39, The Lost Plays

    The Sources

    40, The Plays’ Sources

    The Apocryphal Plays

    41, Arden of Faversham

    42, The Birth of Merlin

    43, King Edward  III

    44, Locrine

    45, The London Prodigal

    46, The Puritan

    47, The Second Maiden’s Tragedy

    48, Sir John Oldcastle

    49, Thomas Lord Cromwell

    50, A Yorkshire Tragedy

    51, Sir Thomas More

    52, Fair Em

    53, Mucedorus

    54, The Merry Devil of Edmonton

    55, Edmund Ironside

    56, Thomas of Woodstock

    57, Vortigern and Rowena

    The Adaptations

    58, Tales from Shakespeare by Charles and Mary Lamb

    The Poetry

    59, The Sonnets

    60, Venus and Adonis

    61, The Rape of Lucrece

    62, The Passionate Pilgrim

    63, The Phoenix and the Turtle

    64, A Lover’s Complaint

    The Apocryphal Poetry

    65, To the Queen

    66, A Funeral Elegy for Master William Peter

    67, Sonnets to Sundry Notes of Music

    The Criticism

    68, The Criticism

    The Biographies

    69, Some Account of the Life of Mr. William Shakespear by Nicholas Rowe

    70, Shakespeare: His Life, Art, and Characters by Henry Norman Hudson

    71, Life of William Shakespeare by Sir Sidney Lee

    72, Shakespeare’s Lost Years in London by Arthur Acheson

    73, The People for Whom Shakespeare Wrote by Charles Dudley Warner

    Resources

    74, Resources

    www.delphiclassics.com

    Measure for Measure

    This problem comedy is believed to have been written in 1603 or 1604. The play deals with issues of mercy, justice, and truth and their relationship to pride and humility. A virtuous maiden is given the ultimatum of surrendering her chastity in return for saving her brother’s life, thus revealing the play’s controversial and problematic dilemma.  The plot deals with Vincentio, the Duke of Vienna, who makes it known that he intends to leave the city on a diplomatic mission. He leaves the government in the hands of a strict judge, Angelo.

    The play draws on two distinct sources. The original is The Story of Epitia, a story from Cinthio’s Hecatommithi, first published in 1565.  Shakespeare was familiar with this book as it contains the original source for Othello. Cinthio also published the same story in a play version with some small differences, which Shakespeare may have been aware of.

    Shakespeare’s main source text for this play is available via this link.

    The First Folio, published in 1623

    Claudio and Isabella by William Holman Hunt, 1850

    CONTENTS

    Dramatis Personæ

    Act I. Scene I.

    Act I. Scene II.

    Act I. Scene III.

    Act I. Scene IV.

    Act II. Scene I.

    Act II. Scene II.

    Act II. Scene III.

    Act II. Scene IV.

    Act III. Scene I.

    Act III. Scene II.

    Act IV. Scene I.

    Act IV. Scene II.

    Act IV. Scene III.

    Act IV. Scene IV.

    Act IV. Scene V.

    Act IV. Scene VI.

    Act V. Scene I.

    The cast of the 2004 production of the play at Shakespeare’s Globe theatre

    Dramatis Personæ

    VINCENTIO, the Duke.

    ANGELO, Lord Deputy in the Duke’s absence.

    ESCALUS, an Ancient Lord, joined with Angelo in the deputation.

    CLAUDIO, a young Gentleman.

    LUCIO, a Fantastic.

    Two other like Gentlemen.

    VARRIUS, a Gentleman attending on the Duke.

    PROVOST.

    THOMAS, PETER, two Friars.

    A Justice.

    ELBOW, a simple Constable.

    FROTH, a foolish Gentleman.

    POMPEY, Tapster to Mistress Overdone.

    ABHORSON, an Executioner.

    BARNARDINE, a dissolute Prisoner.

    ISABELLA, sister to Claudio.

    MARIANA, betrothed to Angelo.

    JULIET, beloved of Claudio.

    FRANCISCA, a Nun.

    MISTRESS OVERDONE, a Bawd.

    Lords, Officers, Citizens, Boy, and Attendants.

    SCENE. — Vienna.

    Act I. Scene I.

    An Apartment in the DUKE’S Palace.

    Enter DUKE, ESCALUS, Lords, and Attendants.

    Duke.  Escalus.

    Escal.  My lord?

    Duke.  Of government the properties to unfold,   5

    Would seem in me to affect speech and discourse,

    Since I am put to know that your own science

    Exceeds, in that, the lists of all advice

    My strength can give you: then no more remains,

    But that, to your sufficiency, as your worth is able,   10

    And let them work. The nature of our people,

    Our city’s institutions, and the terms

    For common justice, you’re as pregnant in,

    As art and practice hath enriched any

    That we remember. There is our commission,  [Giving it.   15

    From which we would not have you warp. Call hither,

    I say, bid come before us Angelo.  [Exit an Attendant.

    What figure of us think you he will bear?

    For you must know, we have with special soul

    Elected him our absence to supply,   20

    Lent him our terror, drest him with our love,

    And given his deputation all the organs

    Of our own power: what think you of it?

    Escal.  If any in Vienna be of worth

    To undergo such ample grace and honour,   25

    It is Lord Angelo.

    Duke.        Look where he comes.

    Enter ANGELO.

    Ang.  Always obedient to your Grace’s will,

    I come to know your pleasure.   30

    Duke.        Angelo,

    There

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