The Poetry of Bliss Carman - Volume XIX: Later Poems
By Bliss Carman
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William Bliss Carman was born in Fredericton, in New Brunswick on April 15th 1861. He was educated at Fredericton Collegiate School before moving to the University of New Brunswick, obtaining his B.A. there in 1881. As is common with so many writers his first published piece was for the University magazine and for Carman that was in 1879. After several years editing various magazines and periodicals Carman first published a poetry volume in 1893 with Low Tide on Grand Pré. There was no Canadian company prepared to publish and when an American company did so it went bankrupt. The following year was decidedly better. His partnership with the American poet Richard Hovey had given birth to Songs of Vagabondia. It was an immediate success. That success prompted the Boston firm, Stone & Kimball, to reissue Low Tide on Grand Pré and to hire Carman as the editor of its literary journal, The Chapbook. Carman brought out, in 1895, Behind the Arras, a somewhat more serious and philosophical work centered on the premise of a long meditation, using the speaker’s house and its many rooms, as a symbol of life and the choices to be made. In 1896 Carman met Mrs Mary Perry King, who rapidly became patron, adviser and sometime lover. She also became his writing collaborator on two verse dramas. In 1897 Carman published Ballad of Lost Haven, and in 1898, By the Aurelian Wall, the title poem itself was an elegy to John Keats and the book was a collection of formal elegies. As the century turned Carman was hard at work on a five-volume set of poetry "Pans Pipes”. The excellence of a number of these poems did much to install Carman as the most noted of Canadian Poets and eventually their own Poet Laureate. In 1912 the final work in the Vagabondia series was published. Richard Hovey had died in 1900 and so this last work was purely Carman’s. It has a distinct elegiac tone as if remembering the past works themselves. On October 28th, 1921 Carman was honored by the newly-formed Canadian Authors' Association where he was crowned Canada’s Poet Laureate with a wreath of maple leaves. William Bliss Carman died of a brain hemorrhage at the age of 68 in New Canaan on the 8th June, 1929.
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The Poetry of Bliss Carman - Volume XIX - Bliss Carman
The Poetry of Bliss Carman
Volume XIX - Later Poems
William Bliss Carman was born in Fredericton, in New Brunswick on April 15th 1861. He was educated at Fredericton Collegiate School before moving to the University of New Brunswick, obtaining his B.A. there in 1881. As is common with so many writers his first published piece was for the University magazine and for Carman that was in 1879.
After several years editing various magazines and periodicals Carman first published a poetry volume in 1893 with Low Tide on Grand Pré. There was no Canadian company prepared to publish and when an American company did so it went bankrupt.
The following year was decidedly better. His partnership with the American poet Richard Hovey had given birth to Songs of Vagabondia. It was an immediate success.
That success prompted the Boston firm, Stone & Kimball, to reissue Low Tide on Grand Pré and to hire Carman as the editor of its literary journal, The Chapbook.
Carman brought out, in 1895, Behind the Arras, a somewhat more serious and philosophical work centered on the premise of a long meditation, using the speaker’s house and its many rooms, as a symbol of life and the choices to be made.
In 1896 Carman met Mrs Mary Perry King, who rapidly became patron, adviser and sometime lover. She also became his writing collaborator on two verse dramas.
In 1897 Carman published Ballad of Lost Haven, and in 1898, By the Aurelian Wall, the title poem itself was an elegy to John Keats and the book was a collection of formal elegies.
As the century turned Carman was hard at work on a five-volume set of poetry Pans Pipes
. The excellence of a number of these poems did much to install Carman as the most noted of Canadian Poets and eventually their own Poet Laureate.
In 1912 the final work in the Vagabondia series was published. Richard Hovey had died in 1900 and so this last work was purely Carman’s. It has a distinct elegiac tone as if remembering the past works themselves.
On October 28th, 1921 Carman was honored by the newly-formed Canadian Authors' Association where he was crowned Canada’s Poet Laureate with a wreath of maple leaves.
William Bliss Carman died of a brain hemorrhage at the age of 68 in New Canaan on the 8th June, 1929.
Oh, well the world is dreaming
Under the April moon,
Her soul in love with beauty,
Her senses all a-swoon!
Pure hangs the silver crescent
Above the twilight wood,
And pure the silver music
Wakes from the marshy flood.
O Earth, with all thy transport,
How comes it life should seem
A shadow in the moonlight,
A murmur in a dream?
Index of Contents
VESTIGIA
A REMEMBRANCE
THE SHIPS OF YULE
THE SHIPS OF SAINT JOHN
THE GARDEN OF DREAMS
GARDEN MAGIC
IN GOLD LACQUER
APRILIAN
GARDEN SHADOWS
IN THE DAY OF BATTLE
TREES
THE GIVERS OF LIFE
A FIRESIDE VISION
A WATER COLOR
THRENODY FOR A POET
DUST OF THE STREET
TO A YOUNG LADY ON HER BIRTHDAY
THE GIFT
THE CRY OF THE HILLBORN
A MOUNTAIN GATEWAY
MORNING IN THE HILLS
A WOODPATH
WEATHER OF THE SOUL
HERE AND NOW
THE ANGEL OF JOY
THE HOMESTEAD
THE STARRY MIDNIGHT WHISPERS
A LYRIC
APRIL NOW IN MORNING CLAD
NIKE
THE ENCHANTED TRAVELLER
SPRING'S SARABAND
TRIUMPHALIS
NOW THE LENGTHENING TWILIGHTS HOLD
THE SOUL OF APRIL
AN APRIL MORNING
EARTH VOICES
RESURGAM
EASTER EVE
NOW IS THE TIME OF YEAR
THE REDWING
THE RAINBIRD
LAMENT
UNDER THE APRIL MOON
THE FLUTE OF SPRING
SPRING NIGHT
BLOODROOT
DAFFODIL'S RETURN
NOW THE LILAC TREE'S IN BUD
WHITE IRIS
THE TREE OF HEAVEN
PEONY
THE URBAN PAN
THE SAILING OF THE FLEETS
'TIS MAY NOW IN NEW ENGLAND
IN EARLY MAY
FIREFLIES
THE PATH TO SANKOTY
OFF MONOMOY
IN ST GERMAIN STREET
PAN IN THE CATSKILLS
A NEW ENGLAND JUNE
THE TENT OF NOON
CHILDREN OF DREAM
ROADSIDE FLOWERS
THE GARDEN OF SAINT ROSE
THE WORLD VOICE
SONGS OF THE GRASS
THE CHORISTERS
THE WEED'S COUNSEL
THE BLUE HERON
WOODLAND RAIN
SUMMER STORM
DANCE OF THE SUNBEAMS
THE CAMPFIRE OF THE SUN
SUMMER STREAMS
THE GOD OF THE WOODS
AT SUNRISE
AT TWILIGHT
MOONRISE
THE QUEEN OF NIGHT
NIGHT LYRIC
THE HEART OF NIGHT
PEACE
THE OLD GRAY WALL
TE DEUM
IN OCTOBER
BY STILL WATERS
LINES FOR A PICTURE
THE DESERTED PASTURE
AUTUMN
NOVEMBER TWILIGHT
THE GHOSTYARD OF THE GOLDENROD
BEFORE THE SNOW
WINTER
A WINTER PIECE
WINTER STREAMS
WINTER TWILIGHT
THE TWELFTH NIGHT STAR
A CHRISTMAS EVE CHORAL
CHRISTMAS SONG
THE WISE MEN FROM THE EAST
THE SENDING OF THE MAGI
THE ANGELS OF MAN
AT THE MAKING OF MAN
ST. MICHAEL'S STAR
THE DREAMERS
EL DORADO
ON THE PLAZA
A PAINTER'S HOLIDAY
MIRAGE
THE WINGED VICTORY
THE GATE OF PEACE
EPILOGUE
BLISS CARMAN – AN APPRECIATION
BLISS CARMAN – A SHORT BIOGRAPHY
BLISS CARMAN – A CONCISE BIBLIOGRAPHY
LATER POEMS
Vestigia
I took a day to search for God,
And found Him not. But as I trod
By rocky ledge, through woods untamed,
Just where one scarlet lily flamed,
I saw His footprint in the sod.
Then suddenly, all unaware,
Far off in the deep shadows, where
A solitary hermit thrush
Sang through the holy twilight hush―
I heard His voice upon the air.
And even as I marvelled how
God gives us Heaven here and now,
In a stir of wind that hardly shook
The poplar leaves beside the brook―
His hand was light upon my brow.
At last with evening as I turned
Homeward, and thought what I had learned
And all that there was still to probe―
I caught the glory of His robe
Where the last fires of sunset burned.
Back to the world with quickening start
I looked and longed for any part
In making saving Beauty be....
And from that kindling ecstasy
I knew God dwelt within my heart.
A Remembrance
Here in lovely New England
When summer is come, a sea-turn
Flutters a page of remembrance
In the volume of long ago.
Soft is the wind over Grand Pré,
Stirring the heads of the grasses,
Sweet is the breath of the orchards
White with their apple-blow.
There at their infinite business
Of measuring time forever,
Murmuring songs of the sea,
The great tides come and go.
Over the dikes and the uplands
Wander the great cloud shadows,
Strange as the passing of sorrow,
Beautiful, solemn, and slow.
For, spreading her old enchantment
Of tender ineffable wonder,
Summer is there in the Northland!
How should my heart not know?
The Ships of Yule
When I was just a little boy,
Before I went to school,
I had a fleet of forty sail
I called the Ships of Yule;
Of every rig, from rakish brig
And gallant barkentine,
To little Fundy fishing boats
With gunwales painted green.
They used to go on trading trips
Around the world for me,
For though I had to stay on shore
My heart was on the sea.
They stopped at every port to call
From Babylon to Rome,
To load with all the lovely things
We never had at home;
With elephants and ivory
Bought from the King of Tyre,
And shells and silk and sandal-wood
That sailor men admire;
With figs and dates from Samarcand,
And squatty ginger-jars,
And scented silver amulets
From Indian bazaars;
With sugar-cane from Port of Spain,
And monkeys from Ceylon,
And paper lanterns from Pekin
With painted dragons on;
With cocoanuts from Zanzibar,
And pines from Singapore;
And when they had unloaded these
They could go back for more.
And even after I was big
And had to go to school,
My mind was often far away
Aboard the Ships of Yule.
The Ships of Saint John
Where are the ships I used to know,
That came to port on the Fundy tide
Half a century ago,
In beauty and stately pride?
In they would come past the beacon light,
With the sun on gleaming sail and spar,
Folding their wings like birds in flight
From countries strange and far.
Schooner and brig and barkentine,
I watched them slow as the sails were furled,
And wondered what cities they must have seen
On the other side of the world.
Frenchman and Britisher and Dane,
Yankee, Spaniard and Portugee,
And many a home ship back again
With her stories of the sea.
Calm and victorious, at rest
From the relentless, rough sea-play,
The wild duck on the river's breast
Was not more sure than they.
The creatures of a passing race,
The dark spruce forests made them strong,
The sea's lore gave them magic grace,
The great winds taught them song.
And God endowed them each with life―
His blessing on the craftsman's skill―
To meet the blind unreasoned strife
And dare the risk of ill.
Not mere insensate wood and paint
Obedient to the helm's command,
But often restive as a saint
Beneath the Heavenly hand.
All the beauty and mystery
Of life were there, adventure bold,
Youth, and the glamour of the sea
And all its sorrows old.
And many a time I saw them go
Out on the flood at morning brave,
As the little tugs had them in tow,
And the sunlight danced on the wave.
There all day long you could hear the sound
Of the caulking iron, the ship's bronze bell,
And the clank of the capstan going round
As the great tides rose and fell.
The sailors' songs, the Captain's shout,
The boatswain's whistle piping shrill,
And the roar as the anchor