Attila: "The Sword is in his heart, — the Sword of God!"
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About this ebook
Robert Laurence Binyon, CH, was born on August 10th, 1869 in Lancaster in Lancashire, England to Quaker parents, Frederick Binyon and Mary Dockray. He studied at St Paul's School, London before enrolling at Trinity College, Oxford, to read classics. Binyon’s first published work was Persephone in 1890. As a poet, his output was not prodigious and, in the main, the volumes he did publish were slim. But his reputation was of the highest order. When the Poet Laureate, Alfred Austin, died in 1913, Binyon was considered alongside Thomas Hardy and Rudyard Kipling for the post which was given to Robert Bridges. Binyon played a pivotal role in helping to establish the modernist School of poetry and introduced imagist poets such as Ezra Pound, Richard Aldington and H.D. (Hilda Doolittle) to East Asian visual art and literature. Most of his career was spent at The British Museum where he produced many books particularly centering on the art of the Far East. Moved and shaken by the onset of the World War I and its military tactics of young men slaughtered to hold or gain a few yards of shell-shocked mud Binyon wrote his seminal poem For the Fallen. It became an instant classic, turning moments of great loss into a National and human tribute. After the war, he returned to the British Museum and wrote numerous books on art; especially on William Blake, Persian and Japanese art. In 1931, his two volume Collected Poems appeared and in 1933, he retired from the British Museum. Between 1933 and 1943, Binyon published his acclaimed translation of Dante's Divine Comedy in an English version of terza rima. During the Second World War Binyon wrote another poetic masterpiece 'The Burning of the Leaves', about the London Blitz. Robert Laurence Binyon died in Dunedin Nursing Home, Bath Road, Reading, on March 10th, 1943 after undergoing an operation.
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Attila - Laurence Binyon
Attila by Laurence Binyon
A TRAGEDY IN FOUR ACTS
Robert Laurence Binyon, CH, was born on August 10th, 1869 in Lancaster in Lancashire, England to Quaker parents, Frederick Binyon and Mary Dockray.
He studied at St Paul's School, London before enrolling at Trinity College, Oxford, to read classics.
Binyon’s first published work was Persephone in 1890. As a poet, his output was not prodigious and, in the main, the volumes he did publish were slim. But his reputation was of the highest order. When the Poet Laureate, Alfred Austin, died in 1913, Binyon was considered alongside Thomas Hardy and Rudyard Kipling for the post which was given to Robert Bridges.
Binyon played a pivotal role in helping to establish the modernist School of poetry and introduced imagist poets such as Ezra Pound, Richard Aldington and H.D. (Hilda Doolittle) to East Asian visual art and literature. Most of his career was spent at The British Museum where he produced many books particularly centering on the art of the Far East.
Moved and shaken by the onset of the World War I and its military tactics of young men slaughtered to hold or gain a few yards of shell-shocked mud Binyon wrote his seminal poem For the Fallen. It became an instant classic, turning moments of great loss into a National and human tribute.
After the war, he returned to the British Museum and wrote numerous books on art; especially on William Blake, Persian and Japanese art.
In 1931, his two volume Collected Poems appeared and in 1933, he retired from the British Museum.
Between 1933 and 1943, Binyon published his acclaimed translation of Dante's Divine Comedy in an English version of terza rima.
During the Second World War Binyon wrote another poetic masterpiece 'The Burning of the Leaves', about the London Blitz.
Robert Laurence Binyon died in Dunedin Nursing Home, Bath Road, Reading, on March 10th, 1943 after undergoing an operation.
Index of Contents
The Persons
Time
Place
ATTILA
ACT I
Scene I
ACT II
Scene I
Scene II
ACT III
Scene I
Scene II
ACT IV
Scene I
Laurence Binyon – A Short Biography
Laurence Binyon – A Concise Bibliography
The Persons
ATTILA, King of the Huns.
HERNAK, a boy, Attila's youngest son.
ONEGESIUS, a Greek, Attila's favourite counsellor.
SIGISMUND, a Burgundian, foster-brother of Ildico.
MESSALLA, }
LAETUS, } Roman Envoys
RORIK, }
BURBA, }Huns of Attila's bodyguard.
ESLA, }
An Egyptian SOOTHSAYER
CHABAS, a Greek Refugee.
ARDARIC } Subject Kings of the Goths and Gepids.
VALAMIR }
ZERCON, a Moorish Dwarf.
HUNS, BURGUNDIANS, etc.
KERKA, Wife of Attila.
ILDICO, a Burgundian Princess.
CUNEGONDE, GISLA, and other women attendant on Ildico.
TIME: 453 a.d.
PLACE: A city of the Burgundians, conquered by Attila, in the valley of the Upper Danube.
ATTILA
ACT I
SCENE I
Part of a town of the Burgundians, occupied by ATTILA. A gate left, in a wall abutting on which, at the back, is the front of the house of ILDICO. At the right the colonnade of a large building, Attila's headquarters. Beyond it an open rampart.
Dawn. A comet in the sky, fading as the light increases. Within the colonnade ESLA and a group of armed HUNS; in the space beyond a few MEN and WOMEN, cloaked against the cold airy come and go, with terrified glances at the comet. SIGISMUND leans against one of the further pillars. CHABAS lurks in the background. On the rampart a stationary figure, the SOOTHSAYER, watches the sky.
Enter from the left RORIK and BURBA, with two other HUNS.
ESLA
All night it has so streamed, like a great torch
Blown by the wind.
BURBA
And now outglares the dawn.
Rorik, I like it not.
RORIK
Quake in your flesh!
It shall not fright me from my appetite.
These prodigies perturb a hungry soul.
Eat, eat and drink!
[The HUNS sit down to drink and dice, CHABAS comes forward, cringing.
CHABAS
Speak for me to the King,
Sirs! I have lent him moneys. I am lost.
The King forgets a poor man has his needs.
RORIK
Here 's pay for you!
[Strikes him.
BURBA
And usury too. Out, rat!
[CHABAS, driven off, goes toward SIGISMUND.
RORIK [Lifting his cup to the comet]
To Attila's splendor!
BURBA [Holding RORIK’S arm]
No, you drink our doom.
CHABAS
Ten talents! Listen, my lord Sigismund!
SIGISMUND [Turning his back]
Ten talents! Will that buy back liberty
For my lost land?
RORIK
Is that a mortal man
Or rooted effigy that stands and stares
On this dishevelled star?
BURBA
A man, but who
I know not.
ESLA
Tis the Egyptian.
BURBA
The Soothsayer?
The master of magicians?
ESLA
Half the night
He has watched this witch-fire burning, motionless.
Look now, he turns.
RORIK
Come, let us question him. —
O man of dreams and auguries, who read
Fate's crooked signs and characters, pronounce
This apparition's meaning.
HUNS
Ay, what means it?
BURBA
Famine, I fear.
RORIK
Some prodigy of luck.
ESLA
For Attila what means it? Good or ill?
SOOTHSAYER
Is not great Attila King over kings?
ESLA
But this hangs over Attila. Speak out.
SOOTHSAYER
You men of war, why seek to deal with powers
Who forge their ends behind the enacted scene?
Play your