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Primavera Poems by Four Authors - Manmohan Ghose
The Project Gutenberg EBook of Primavera, by
Stephen Phillips, Laurence Binyon, Manmohan Ghose and Arthur Shearly Cripps
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org
Title: Primavera
Poems by Four Authors
Author: Stephen Phillips, Laurence Binyon, Manmohan Ghose and Arthur Shearly Cripps
Release Date: September 4, 2006 [EBook #19170]
Language: English
*** START OF THIS PROJECT GUTENBERG EBOOK PRIMAVERA ***
Produced by Barbara Tozier, Bill Tozier, Sankar Viswanathan,
and the Online Distributed Proofreading Team at
http://www.pgdp.net
PRIMAVERA: POEMS
BY FOUR AUTHORS
PORTLAND MAINE PUBLISHED
BY THOMAS B MOSHER AT XLV
EXCHANGE STREET MDCCCC
PREFACE
Primavera: Poems, by Four Authors. Oxford:
Published by B. H. Blackwell, Broad Street.
MDCCCXC. (Fcap 8vo, pp. 43.)
Such is the title of a little 'book of verses' that at the time found favour in the eyes of a few discerning critics, and then, apparently, was forgotten. As originally issued its dark brown paper wrapper was adorned with a simple but effective woodcut design by Mr. Selwyn Image, which we have reproduced on our first half-title. Even more fortunate has been the discovery of a signed review in the pages of the Academy for August 9, 1890, by the late John Addington Symonds. As a preface nothing could be better. And in this connexion the lines which we prefix from Guarini are also singularly appropriate. For these songs of Youth are still worth while; they thrill and fill us as of yesterday with their haunting sense of vanished love, of
'Joy, whose hand is ever at his lips
Bidding adieu.'
PREFACE
This little book was written by four friends, three of them under-graduates at Oxford, and all of them penetrated with the spirit of the higher culture of our time. The poems, it is clear, have been carefully selected; and, it is probable, have been diligently polished. There is not one which is not remarkable for delicacy of style and conscious aiming after excellence in art. Whether these qualities promise well for future achievement and development is a question open to debate. But there can be no doubt that in Primavera we possess another of those tiny verse-books like Ionica, or Mr. Percy
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