Man on the Run
4.5/5
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About this ebook
Pursued by the police, a desperate man fights to stay free -- and stay alive.
It's raining hard when the man leaps off the train. He lands safely and creeps into town, praying he will find someplace to hide. It's nearly daylight, and the police are not far behind. He breaks into an unoccupied seaside cottage, and is overjoyed to find coffee, whiskey, and cigarettes. But before the fugitive can relax, the doorknob rattles. The police are at the door.
Russell Foley, third mate on an oil tanker, is not a cop killer. But the night before he got into a fight with a police detective, and a few hours later the cop was found stabbed to death. Unable to explain himself, he bolts, hoping to evade the police and somehow find the real killer. But for a man who cannot stop running, justice can be a hard thing to find.
Charles Williams
Charles Williams (1909–1975) was one of the preeminent authors of American crime fiction. Born in Texas, he dropped out of high school to enlist in the US Merchant Marine, serving for ten years before leaving to work in the electronics industry. At the end of World War II, Williams began writing fiction while living in San Francisco. The success of his backwoods noir Hill Girl (1951) allowed him to quit his job and write fulltime. Williams’s clean and somewhat casual narrative style distinguishes his novels—which range from hard-boiled, small-town noir to suspense thrillers set at sea and in the Deep South. Although originally published by pulp fiction houses, his work won great critical acclaim, with Hell Hath No Fury (1953) becoming the first paperback original to be reviewed by legendary New York Times critic Anthony Boucher. Many of his novels were adapted for the screen, such as Dead Calm (published in 1963) and Don’t Just Stand There! (published in 1966), for which Williams wrote the screenplay. Williams died in California in 1975.
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Reviews for Man on the Run
4 ratings1 review
- Rating: 5 out of 5 stars5/5Man on the Run was originally published in 1958. It involves an often- used pulp motif of a man on the run from the police for a murder he did not commit. In typical pulp fashion, as he tries to figure out what happened and who was responsible, the evidence against him increases and the quagmire he finds himself in gets deeper and deeper.
While it is plot-wise not that remarkable, Williams was a master craftsman at storytelling and gives us a quality story that is easy to read, intense, hard-to-put-down, and just plain good reading. You can feel the intensity and the fear as Foley evades the police time and time again and he gets deeper and deeper in over his head, all alone, freezing, with nowhere to turn. And, even when he finds a friend, he has to wonder what the friend’s real motives are. Really enjoyed this one. Williams is just a terrific writer.