One Cup Chronicles: Tales Within a Tale of the Russian Underworld
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How far from reality can you travel in 15 minutes? The stories of One Cup Chronicles take the reader on a gritty, in-depth tour of the Russian underworld, all in the amount of time it takes to drink a single cup of coffee. Discover the dark secret of a famous philanthropist, watch the downfall of a world-renowned gambler, or come along for the ride as a pickpocket accidentally gets tangled up in a malicious scheme – all before your coffee gets cold.
Vladimir Ross
Ренуар изображал то, что видел.Я изображаю то, что понял...Фернан ЛежеЯ не романтизирую преступников и само явление преступности. И хотя каждое преступление есть зло, но... Говоря об уголовниках, я, в первую очередь, вывожу из тени то человеческое в них, которого подчас больше, чем в законопослушных гражданах, и которое нелепо затирается «полицейскими» авторами, но не забываю и о плохом. Сбрасывая с мафиозной идеологии флёр тупого примитивизма, которым усердно покрывают криминал коммерческие писаки, не имеющие и толики понимания о том, что они пишут, я стараюсь остаться объективным и твердо считаю: любой имеет право судить о чем-либо сам без подтекстовых направляющих социальной цензуры. Надеюсь, мне удалось выдержать нейтралитет и очень хочу, чтобы встречающаяся ирония увиделась вами просто как литературный прием и ни в коем случае не как средство свести личные счеты с теми, кто по ту сторону закона. Напротив, спасибо им.Уголовный мир существует не в рубриках криминальных хроник и годовых сводок пресслужб силовых ведомств, количество осужденных лишь малая его верхушка. Настоящая же преступность, подводная часть этого айсберга, всегда рядом с вами, но укрыта темными водами, незрима для человека постороннего. И желание помочь вам лучше понимать, наблюдать и видеть занимало среди прочих мотивов, побудивших к написанию, ничуть не менее значимое место.И наконец, последнее. Всё изложенное в моих работах — правда. На то вам моё авторское слово...
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One Cup Chronicles - Vladimir Ross
One Cup Chronicles © 2016, Vladimir Ross
All rights reserved. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system.
Author: Vladimir Ross
Contact: iqvin77@gmail.com
Cover, Nada Orlic
Translated by Paul Lucken
Editing, proofreading: Nicole Stepanek
ISBN: 9781370828340
Thank you very much for respecting the work of the author!
This ebook, including all its parts, is protected by copyright and must not be copied, reselled or shared without the permission of the author.
Contents
Prologue
One Cup Chronicles
The Hustler
Silver Absolution
The Queen’s Price
The Spade
The Questionnaire
Epilogue
About the Author
Interview
Prologue
My first audience, critics as they were, have been gracious friends. As it happens, the earliest reading of my work was in a little café on the East River Side. There we gathered on that first extraordinary Tuesday, drinking coffee. I, overcoming my own embarrassment, humbly read the tale about a gentleman immigrant from the collection of One Cup Chronicles.
Having lived through similar experiences themselves, the two criminal authorities turned out to be a first-rate audience and knowledgeable critics. Fact keeps with fact. For me their opinions were more precious than all of the sales on Amazon. Senya arrived a few years ago in the first wave of immigrants. He was content and spoke a simple English. With first-hand knowledge of the docks, he reasoned about American politics. He had managed to marry a full-blooded American woman, and it was no surprise that he wanted to put in his rusty two cents on the tale.
Valdemar, I say, this is nowhere near good enough! You write about the pickpocket as if he’s a dead soul. Enliven him. Nazar is a man who deserves praise, and you make him out to be a common bandit. In the past at the Kolyma work camps, I knew many such men, punks of a noble and honorable nature. A righteous kind of thief, not associating himself with just any sort of brigand.
Ignoring his nonsense, I felt no need to defend myself against what he said, and yet at home I quickly wrote out a part of the narrative in accordance with his comments.
Anastas was much less expressive. Expelled from his homeland of Greece by Greek criminals, carrying only that which was in his pockets, he found refuge in the United States, just outside the range of the Greek community. He usually just nodded and grinned and, when my story caught his imagination, rubbed the bridge of his nose. He always listened through until the end of the story. He was growing acquainted with our Senya, whom I had known already for thirty years. I didn’t know what the two of them had been occupying their time with, but the fact that they found time for a few cups of coffee and my ravings elevated them in my eyes, not because of anything concerning title or class. I am thankful for them. Perhaps it was because of them that the idea for the stories of One Cup Chronicles
came to fruition.
One Cup Chronicles
Tuesday rolled around once more. We always gathered around midday. I hurried out the door, knowing that they wouldn’t hesitate to start without me.
Near the café I already spotted Senya’s blue Cadillac and its perpetual companion, the driver with the face of a bull terrier. Anastas lived not too far away, so he usually went to the café on foot. But I knew that he was already sitting at a table with Senya and the two were already actively discussing some problem or other of Greek society. The rich aroma of coffee made me quicken my steps, and we were soon greeting one another with warm embraces.
Valdemar, my dear man, you’re late. It isn’t fit for an old criminal. Have you no respect?
Senya jibed.
Anastas, as he was wont to do, merely rubbed the bridge of his nose.
My friends, I apologize. Please forgive me; it won’t happen again. I was delayed by the ‘Hustler’ himself. I knew I had a highly respected critic to impress, and wished to put my best foot forward.
Senya grinned with delight. Either he was extremely thrilled to have been deemed a critic, or our friendship just brought him that much delight. After a moment his expression simply exuded a readiness to soak everything in, with the café and interesting moments of new history.
I rarely use clichés when writing new stories. I like to use plain histories in my work. Now and again I simply take realistic embellishments, whitewash them, and construct them into a paragraph. From this process have emerged a great number of stories. And believe you me, a good half of their foundation is in reality, but in unique areas that don’t cover the regular life of the common man. Plots such as this are simply reflected on. And I surely wouldn’t want to disguise my stories likewise.
Well that there is the ‘The Hustler’.
I knew of the sublime capabilities Senya and Anastas had in card games. I knew of the weekly battles of these two old friends. And because of this they were twice as interested as I was to receive my new story. As the coffee gradually added to my confidence, I turned the pages of my handwritten sheet, raised my eyes and, seeing the expressions of joy on the faces of my friends, set about reciting the story.
The Hustler
In the criminal underworld, money goes by many names. Some use the term dead presidents.
Others use less creative expressions – moolah, dough. One of the most distinctive names, however, is a rather practical description: bread. Along with the consumers of this bread, bread which is as necessary for life as its namesake, comes a game.
Alexei made his living as a gambler. It would be very difficult to find a game, no matter the rules, principles, or essences, with which Alexei was not completely familiar. A phenomenal memory and persistent lifelong training allowed him to easily