Looking Through Lace: Looking Through Lace, #1
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As the only woman on the first contact team, xenolinguist Toni Donato expected her assignment on Christmas would be to analyze the secret women's language -- but then the chief linguist begins to sabotage her work. What is behind it? Why do the men and women have separate languages in the first place? What Toni learns turns everything she thought they knew on its head.
Originally published in Asimov's in 2003, "Looking Through Lace" was a finalist for the Tiptree and Sturgeon awards. The Italian translation won the Premio Italia for best work of speculative fiction in translation in 2007.
Ruth Nestvold
A former assistant professor of English in the picturesque town of Freiburg on the edge of the Black Forest, Ruth Nestvold has given up theory for imagination. The university career has been replaced by a small software localization business, and the Black Forest by the parrots of Bad Cannstatt, where she lives with her fantasy, her family, her books and no cats in a house with a turret. Her short fiction has appeared in numerous markets, including Asimov's, F&SF, Baen's Universe, Strange Horizons, Scifiction, and Gardner Dozois's Year's Best Science Fiction. Her fiction has been nominated for the Nebula, Tiptree, and Sturgeon Awards. In 2007, the Italian translation of her novella "Looking Through Lace" won the "Premio Italia" award for best international work. Her novel Flamme und Harfe appeared in translation with the German imprint of Random House, Penhaligon, in 2009 and has since been translated into Dutch and Italian.
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Looking Through Lace - Ruth Nestvold
Praise for Looking Through Lace
:
... 'Looking Through Lace' by Ruth Nestvold [is] an intelligent, complex story illustrating the difficulties of learning and understanding the nuances and intricacies of an alien language and culture, particularly one so similar to our own that we persist in viewing it (wrongly) on our terms.... The reason ... why there are so many differences between the languages of both men and women are logical and well thought out, and the final revelation about the true nature of the relationship between the women and the men comes as a nice twist.
- Phil Friel in Tangent Online
Two strong stories stand out from the rest of the fiction. Ruth Nestvold’s 'Looking Through Lace' rests on a relatively simple reversal or secret, but the rest of it is solidly written and convincing. The main character is a young female xenolinguist named Toni — she is called to a planet named Christmas to study the Mejan culture. Nestvold presents a neat puzzle, and she takes the time to present it just-so.
- James Schellenberg in Challenging Destiny
'Looking Through Lace' by Ruth Nestvold is terrific science fiction. I want to read more of this writer's stories. The valuing/devaluing of 'women's work' is a theme here that is told well: not trite, not heavy, making a valid point while showing me an alien culture that was captivating from the first moment. It all worked.
- Andi Shechter in January Magazine
Looking Through
Lace
Ruth Nestvold
Copyright 2003, 2011 by Ruth Nestvold
Cover design by Lou Harper.
Image credit: NASA, ESA, the Hubble SM4 ERO Team, and The Hubble Heritage Team (STScI/AURA)
First Ebook Edition 2011
This is a work of fiction. Names, characters, businesses, places, events and incidents are either the products of the author’s imagination or used in a fictitious manner. Any resemblance to actual persons, living or dead, or actual events is purely coincidental.
All rights reserved. No part of this book may be reproduced in any form without permission from the author, except in the case of a reviewer, who may quote passages in critical articles or in a review. This ebook is licensed for your personal enjoyment. Thank you for respecting the author's work.
LOOKING THROUGH LACE
1
Toni came out of the jump groggy and with a slight headache, wishing the Allied Interstellar Research Association could afford passage on Alcubierre drive ships — even if they did collapse an unconscionable amount of space in their wake. For a moment, she couldn't remember what the job was this time. She sat up and rubbed her eyes while the voice on the intercom announced that they would be arriving at the Sagittarius Transit Station in approximately one standard hour.
Sagittarius. Now she remembered. The women's language. Suddenly she felt much more awake. For the first time, she was on her way to join a first contact team, and she had work to do. She got up, washed her face in cold water at the basin in her compartment (at least AIRA could afford private compartments), and turned on the console again, calling up the files she had been sent when given her assignment to Christmas.
List vids,
she said. It was time she checked her theoretical knowledge against the real thing again. Just over three weeks she'd had to learn the Megan language, one week on Admetos after getting her new assignment and two weeks in transit. From the transit station, it would be another week before she finally set foot on the planet. Even with the latest memory enhancements, it was a daunting challenge. A month to learn a new language and its intricacies. A month to try to get a feel for a culture where women had their own language which they never spoke with men.
That had been her lucky break. Toni was the only female xenolinguist in this part of the galaxy with more than a year's experience. And suddenly she found herself promoted from grunt, compiling grammars and dictionaries, to first contact team.
She scrolled through the list of vids. This time, she noticed a title which hadn't caught her attention before.
Play ‘Unknown Mejan water ritual.’
To judge by the AIC date, it had to be a video from one of the early, pre-contact-team probes. Not to mention the quality, which was only sporadically focused. The visuals were mostly of the bay of Edaru, and the audio was dominated by the sound of water lapping the shore.
But what she could see and hear was fascinating. A fearful young hominid male, tall and gracile, his head shaved and bowed, was being led out by two guards to the end of a pier. A small crowd followed solemnly. When they arrived at the end, another man stepped forward and, in the only words Toni could make out clearly, announced that Sentalai’s shame would be purged. (Assuming, of course, that what had been deciphered of the men's language to this point was correct.)
The older man then motioned for the younger man to remove his clothes, fine leather garments such as those worn by the richer of the Edaru clans, and when he was naked, the two guards pushed him into the water.
Three women behind them conferred briefly. Then one of the three stepped forward and flung a length of lace after the young man.
Toni stared as the crowd on the pier walked back to shore. She could see no trace of the man who had been thrown in the water. According to her materials, the Mejan were excellent swimmers, growing up nearly as much in the water as out, and it should have been easy for him to swim back to the pier. But for some reason he hadn't.
It reminded her of nothing so much as an execution.
2
The entry bay of the small space station orbiting Christmas was empty and sterile, with none of the personal details that a place accumulated with time, the details that made it lived-in rather than just in use. Toni was glad she would soon be moving to the planet's surface. Blank walls were more daunting than an archaic culture and an unknown language anytime.
Two men were there to meet her, and neither one was the team xenolinguist.
The elder of the two stepped forward, his hand outstretched. "Welcome to the Penthesilea, Dr. Donato."
Thank you, Captain Ainsworth. It's a pleasure to meet you. And please, call me Toni.
Ainsworth smiled but didn't