Anders Zorn: 300 Plates
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- Rating: 5 out of 5 stars5/5Well worth the read. Zorn’s technique and use of emotion in his work has touched my soul.
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Anders Zorn - Maria Peitcheva
Anders Zorn:
300 Plates
By Maria Peitcheva
First Edition
*****
Anders Zorn: 300 Plates
*****
Copyright © 2015 by Maria Peitcheva
Foreword
Anders Leonard Zorn (1860 –1920) was one of Sweden’s foremost artists who obtained international success as a painter, sculptor and printmaker in etching. His incisive ability to depict the individual character of his model is famous. The model's surroundings were important; Zorn believed that a portrait should be painted in an environment that was natural for the model. An artificial studio environment was not to his taste. The international esteem Zorn received was not based solely on his paintings but he was an exquisite etcher as well. He had worked with this technique since 1882. He had developed his abilities and was now highly accomplished. Zorn produced 289 etchings, a number of which are very well known, among them the portrait of Ernest Renan (1892), August Rodin (1906) and August Strindberg (1910). Zorn admired and collected the etched works of Rembrandt and considered him to be his artistic forefather in this particular medium.
Zorn was born in Yvraden, a hamlet in the village of Utmeland in the parish of Mora, Dalarna, and was raised on his grandparents' farm in Yvraden. He studied until the age of twelve in the school at Mora Strand before progressing in the autumn of 1872 to a secondary grammar school in Enköping.
From 1875–1880 Zorn studied at Royal Swedish Academy of Arts in Stockholm, Sweden. He traveled extensively to London, Paris, the Balkans, Spain, Italy and the United States, becoming an international success as one of the most acclaimed painters of his era. While his early works were often