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The Fourth Lost Tale of Mercia: Athelward the Historian
The Fourth Lost Tale of Mercia: Athelward the Historian
The Fourth Lost Tale of Mercia: Athelward the Historian
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The Fourth Lost Tale of Mercia: Athelward the Historian

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“The Lost Tales of Mercia” is a series of ten short stories set in England near the end of the Viking Age. These swashbuckling tales educate and entertain simultaneously. In this tale, Lord Athelward, an ealdorman who also wants to write history, finds his peace of mind disturbed when a strange woman named Golde and her young son Eadric show up on his doorstep with a ridiculous proposal.

LanguageEnglish
PublisherJayden Woods
Release dateJun 29, 2010
ISBN9781452324234
The Fourth Lost Tale of Mercia: Athelward the Historian
Author

Jayden Woods

Jayden Woods is the author's pen name. Jayden is a graduate of the University of Southern California's Writing for Screen and Television program. She lived and worked in Los Angeles for five years before leaving Hollywood to pursue her passion of writing prose and novels. Her published works include the various Tales of Mercia and the related "Sons of Mercia" trilogy, beginning with "Eadric the Grasper."

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    Book preview

    The Fourth Lost Tale of Mercia - Jayden Woods

    The Fourth Lost Tale of Mercia:

    Athelward the Historian

    Jayden Woods

    Smashwords Edition

    Copyright 2010 Jayden Woods

    Edited by Malcolm Pierce

    *

    Read the Lost Tales in any order you’d like, before or after reading the novel Eadric the Grasper, or completely alone as quick glimpses into an ancient world. For more news and updates on the Sons of Mercia series, visit www.jaydenwoods.com.

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    There, are, indeed, some notices of antiquity, written in the vernacular tongue after the manner of a chronicle, and arranged according to the years of our Lord. By means of these alone, the times succeeding [Bede] have been rescued from oblivion : for of [Athelward], a noble and illustrious man, who attempted to arrange these chronicles in Latin, and whose intention I could applaud if his language did not disgust me, it is better to be silent.

    —William of Malmesbury, Chronicle of the Kings of England, Preface

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    HAMPSHIRE, WESSEX

    993 A.D.

    The intruder entered quietly, but Athelward recognized the footsteps of his dearest servant right away. The servant knew better than to interrupt the ealdorman in the middle of his work, so this must be an emergency. But if this was an emergency, why didn’t the servant say something? Silent or not, his presence wreaked irreparable damage. Athelward could not focus on his writing when someone loomed close enough to see over his shoulder, nor when such trivial questions plagued his mind as why the servant entered in the first place. Already, he felt himself slipping from his own stream of thought: a stream consisting of the dazzling rapids of history swirling in harmony with the sophisticated currents of the Latin language.

    Athelward’s quill quivered with his growing frustration, then at last fell aside. It was too late now; his focus had been dashed upon the rocks and left to dry. Through gritted teeth, he said, What is it?

    There is a woman here to see you, my lord. She seeks your aid. The Celtic servant, Drustan, seemed entirely undaunted by his master’s mood. Very little phased Drustan, who had

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