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The Cinema Makers: Public Life and the Exhibition of Difference in South-Eastern and Central Europe Since the 1960s
The Cinema Makers: Public Life and the Exhibition of Difference in South-Eastern and Central Europe Since the 1960s
The Cinema Makers: Public Life and the Exhibition of Difference in South-Eastern and Central Europe Since the 1960s
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The Cinema Makers: Public Life and the Exhibition of Difference in South-Eastern and Central Europe Since the 1960s

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The Cinema Makers investigates how cinema spectators in southeastern and central European cities became cinema makers through such practices as squatting in existing cinema spaces, organizing cinema "events," writing about film, and making films themselves. Drawing on a corpus of interviews with cinema activists in Germany, Austria, and the former Yugoslavia, Anna Schober compares the activities and artistic productions they staged in cities such as Vienna, Cologne, Munich, Berlin, Hamburg, Ljubljana, Belgrade, Novi Sad, Subotica, Zagreb, and Sarajevo. The resulting study illuminates the differences and similarities in the development of political culture—and cinema’s role in that development—in European countries with pluralist-democratic, one-party socialist, and post-socialist traditions.

 
LanguageEnglish
Release dateMar 19, 2013
ISBN9781783200696
The Cinema Makers: Public Life and the Exhibition of Difference in South-Eastern and Central Europe Since the 1960s
Author

Anna Schober

Anna Schober is professor of Visual Culture at Alpen-Adria-University Klagenfurt. She studied history, art history and political sciences in Vienna, Frankfurt/ Main and Colchester. She received her Ph.D. (in 2001) as well as her postdoctoral habilitation (in 2009) in Contemporary History at the University of Vienna and was guest researcher at several international institutions such as Verona University, Justus-Liebig-University Gissen, the International Research Center for Cultural Studies in Vienna and the Jan van Eyck Academy in Maastricht. Her work explores the history and aesthetics of the public sphere. It focuses on visual culture (art and in particular popular visual culture, for example film and cinema), transnationality and concepts of diversity. Currently she directs the research project Everybody: A Transnational Iconography (funded by the Deutsche Forschungsgemeinschaft) Anna Schober's writings have appeared in Afterimage, Performance Research, Gender Forum, International Journal of Media and Cultural Politics, Zeitschrift für Kulturphilosophie (among others). She is the author of Blue Jeans. Vom Leben in Stoffen und Bildern (Campus Verlag) and Ironie, Montage, Verfremdung. Ästhetische Taktiken und die politische Gestalt der Demokratie (Wilhelm Fink Verlag). The Cinema Makers: Public Life and the Exhibition of Difference in South-Eastern and Central Europe since the 1960s is published by Intellect.

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