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Story Sensei Heroine's Journey Worksheet: Story Sensei, #2
Story Sensei Heroine's Journey Worksheet: Story Sensei, #2
Story Sensei Heroine's Journey Worksheet: Story Sensei, #2
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Story Sensei Heroine's Journey Worksheet: Story Sensei, #2

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Make your character's story arc resonate more emotionally with readers.

What is the Heroine's Journey?

Joseph Campbell originally wrote about the Hero's Journey in his book, The Hero With a Thousand Faces, as a psychological analysis of the classical myth formula. Maureen Murdock took Campbell's work, her own psychology experience, and other psychoanalytical writings and world myths to develop The Heroine's Journey for women.

Often, a male and female character will respond differently to conflict in a story because culture and time period will affect a character differently due to gender. As a result, their internal story arcs will differ according to gender, also.

Whether in romances or women's fiction, often a heroine's story arc is more about internal awakening as opposed to the "quest" style of the Hero's Journey. This makes the Heroine's Journey a good template for a heroine's story arc.

If readers comment that there's "something off" with a character's story arc, the Heroine's Journey applied to a heroine will often make her story more psychologically resonant and satisfying for a reader.

How this worksheet can help you:

This worksheet consists of the Heroine's Journey explained in detail, questions for you to answer about your heroine, and examples to explain each stage of the Heroine's Journey. It will guide you in an easy way toward applying the Heroine's Journey structure for your heroine.

This worksheet will help you:

—Create a more emotionally resonant internal arc for your heroine

—Or change up your hero's internal journey with one of self-discovery by applying the Heroine's Journey to his story arc

—Fix and strengthen disjointed character development

—Manipulate and strengthen story pacing

—Keep a character's internal arc in a forward-moving motion rather than stagnating

—Build the internal arc toward the "Black Moment" crisis

—Draw the internal arc full circle in a way that will satisfy readers

—Use the Heroine's Journey even in a romance where there's also a hero taking up 50% of the book

—Double-check that the external events in the story are fueling and forwarding the character's internal arc

—Revise a synopsis or a completed manuscript

Please note: this tool is not meant to replace a synopsis because it doesn't focus as strongly on the external events and conflicts in the story—it's more focused on the internal events and internal conflicts of your heroine.

This worksheet was created by utilizing the compilation of information on the Heroine's Journey derived not only from Maureen Murdock's book, but also other psychology writings and an understanding of Joseph Campbell's original Hero's Journey. This newly revised edition includes extra examples for each stage of the Heroine's Journey and more detail on previous examples.

Are you unsure why your heroine's emotional story doesn't strike the right chord with readers? This worksheet will help set you on the right track.

LanguageEnglish
PublisherCamy Tang
Release dateDec 5, 2014
ISBN9781507044704
Story Sensei Heroine's Journey Worksheet: Story Sensei, #2
Author

Camy Tang

Camy Tang writes romance with a kick of wasabi. She used to be a biologist, but now she is a staff worker for her church youth group and leads a worship team for Sunday service. On her blog, she ponders frivolous things like knitting, dumb dogs (namely, hers), coffee-geek husbands, the writing journey, Asiana, and anything else that comes to mind. And on her Facebook page, the silliness is unleashed. Join her online!

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    Story Sensei Heroine's Journey Worksheet - Camy Tang

    Story Sensei Heroine’s Journey worksheet

    by

    Camy Tang

    INTRODUCTION

    I was asked to describe my Heroine’s Journey many times and I even taught several workshops on it at writer’s conferences, so I decided to write a more detailed worksheet on the subject. I read about the Heroine’s Journey from several books and compiled what I learned here in one place. This is the same worksheet I myself use for my own novels.

    Why the Heroine’s Journey?

    Sometimes the story arc of a female character will differ from the traditional Hero’s Journey because culture and time period will affect the character in accordance with her gender. This will create specific psychological differences in how a male and female character will respond to conflict in a story.

    Joseph Campbell’s original book is based on the writings of psychoanalysts and the world myths. The Hero With a Thousand Faces is a psychological analysis of the classical myth formula that breaks down the myths into a basic structure, showing the psychological power of the hero archetype and the Hero’s Journey.

    Maureen Murdock took Campbell’s work, her own psychology experience, and other psychoanalytical writings and world myths to develop The Heroine’s Journey for women. This makes it a perfect template for heroines, whether in romances or women’s fiction, because often a heroine’s story arc is more about internal awakening as opposed to the quest style of the Hero’s Journey.

    The purpose of this worksheet

    This worksheet is based on one I designed for myself to help me deepen my heroine’s character. I will use this worksheet for every heroine I write about, even if it’s a romance where there’s also a hero taking up 50% of the book (I’ll usually do a Hero’s Journey worksheet for him in addition to the Heroine’s Journey worksheet for the heroine).

    Doing this worksheet enables me to double-check that the events in the story match up with how events should unfold in the Heroine’s Journey, which helps me with story pacing. The worksheet also helps me to structure the heroine’s internal arc so that it’s as deeply emotional as it can be and also psychologically resonant with readers.

    This worksheet is a tool I use to help revise my synopsis or my completed manuscript. It’s not meant to replace a synopsis because it doesn’t focus as strongly on the external events and conflicts in the story—it’s

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