Charles Dickens, A Very Peculiar History

By Fiona Macdonald

Taking a unique look at one of the most acclaimed and best-loved English writers of the nineteenth century, 'Charles Dickens, A Very Peculiar History' asks why, what, where, how and who the Dickens was Charles Dickens? Why did he keep a pet raven that pecked at his children's shins? Why did he have a tunnel built under the road in front of his country house? Was his dying corpse really carried from his mistress's house where he collapsed to his family home, so that he could die 'respectably'? Find out the answers to these questions and even more bizarre ones throughout the book, which features quirky stories and fascinating trivia about this singularly complex man and consummate artist.

• Language: English
• Publisher: Salariya
• Release date: Dec 20, 2011
• ISBN: 9781908759009

Book preview

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Quotes

‘Whatever the word ‘great’ means, Dickens was what it means.’

G. K. Chesterton, British writer, 1906

‘Little Dorrit is a more seditious book than Das Kapital.’

George Bernard Shaw, Irish writer, 1937

Putting Dickens on the Map

• Charles Dickens is born in Portsmouth, Hampshire on 7 February 1812.

• Dickens’s family moves to London in 1822 when his father is transferred there.

• Dickens marries Catherine Hogarth, who was born in Edinburgh in 1836. He is awarded the freedom of the city – a great honour – in 1841.

• The whole Dickens family takes the first of many jolly summer holidays in Broadstairs, Kent, in 1837.

• Dickens visits schools in north-east England in 1838. He is outraged by bad conditions – especially at Bowes Hall, County Durham – and features them in his next novel, Nicholas Nickleby.

• Dickens’s trip to Yarmouth, on the windswept Norfolk coast, in 1849, inspires many scenes in his semi-autobiographical novel David Copperfield.

• Coketown, the industrial milltown in Hard Times, published in 1854, is partially based on 19th-century Preston, Lancashire.

• In 1856, Dickens purchases Gad’s Hill Place in Higham, Kent.

• In Manchester, Dickens performs in a play opposite actress Ellen (Nelly) Ternan, and falls in love with her, 1857.

• Dickens and Nelly narrowly escape death in a railway accident at Staplehurst in 1865.

Introduction

Why the Dickens?

Dickens was never modest. And why should he have been? Although born in obscure and relatively humble circumstances, he became far and away the most successful author of his age. By the time he died, relatively young (58), in 1870, he had become one of the two best-known writers in the English language – ever. The other was, of course, Shakespeare – by Dickens’s time already enthroned as the English literary hero.

However, as Dickens knew very well, his own works were read, enjoyed – and understood – by many more people than Shakespeare’s. (The same is still true today. A survey in 2011 named Dickens as Britain’s favourite author. Peculiarly, it was conducted for a company selling spirits, although Dickens himself complained (in Bleak House) that ‘Gin-drinking is the great vice of England.’) His readers came from all social backgrounds, and from all around the world.

A national treasure

And, while Shakespeare’s works were admired, Dickens’s were loved and treasured. As he himself declared, he aimed to become, through cheap, mass-produced editions of his books, ‘a permanent inmate of many English homes’. And he succeeded. Although few families still have neat, matching sets of Dickens’s novels on their shelves, almost everyone will have seen a version of at least one of his works at the cinema or on TV. All of Dickens’s novels, even the last, unfinished, The Mystery of Edwin Drood, have been filmed at least once; many of them several times. The most popular is Oliver Twist.

Dickens’s works have also inspired stage plays, musicals, most famously Oliver!, comic books and even a theme park (‘Dickens World’, at Chatham, Kent – once described in The Guardian newspaper as ‘Disney gone to the dark side’, and boasting a children’s soft-play area called – yes, really – ‘Fagin’s Den’). Dickens’s works have even been accused (if that is the right word) of inventing Christmas.

Happy Christmas?

Almost overnight, Dickens’s short story A Christmas Carol, written in 1843 specially to cash in on publishers’ peak sales season just before the annual Christmas holiday, created a powerful new ‘tradition’. In many ways, it is still followed today. The ‘Dickensian’ Christmas became a season of exuberant, often excessive, consumption, as well as a time for sentiment, family reunion and once-a-year private charity. None of these, critics said, made adequate recompense for the exploitation of workers by employers, or the many other forms of social injustice that operated for the rest of the year in Victorian England.

Dickens had an amazing facility with words. At the peak of his powers he was writing at least two novels at once, together with many other shorter pieces. He also delighted in wordplay (think Sam Weller in The Pickwick Papers), in idiosyncratic ways of talking (from the gnomic ‘Barkis is willin’, to the downright sinister ‘my dears’ of Fagin), and in inventing extraordinary names for his characters. Many of these have found an enduring place in the English lexicon – almost all of us know what is meant by an ‘artful dodger’ or a ‘scrooge’. And we know exactly what a man named ‘Gradgrind’ will be like.

Many of Dickens’s phrases – from ‘not to put too fine a point on it’ to ‘accidents will happen’ – have also entered the international English-speaking consciousness. Even single words, used by Dickens, can have a powerful resonance. Try this test with your friends: if you shout out ‘More!?’ in a tone of outrage mingled with surprise, what image comes into their minds?

A critical reception

It is only fair to add that, since Dickens died, his works have also attracted perhaps more than their fair share of parody or even ridicule. Today, BBC Radio’s surreal Bleak Expectations attracts a devoted cult following, though few modern comments are perhaps so cruel as Oscar Wilde’s clever put-down: ‘One would have to have a heart of stone to read the death of Little Nell… without laughing.’ But times change. When The Old Curiosity Shop (of which Nell is, of course, the tragic heroine) was reaching its conclusion, in 1841, over 6,000 people crowded onto the dockside in New York, desperate to read the final instalment. They shouted out to the sailors: ‘Does Little Nell die?’

The baroque energy of Dickens’s writing found a parallel in his own life story. Having despaired of his own future prospects aged 12, he seized his second chance when it came, worked incredibly hard, put the past firmly behind him and reinvented himself as a world-renowned celebrity. He fathered ten children (at least), had two parallel private lives, and met almost everyone worth knowing in mid-19th-century England – from Queen Victoria to Hans Christian Andersen. He loved amateur dramatics, practical jokes, seaside holidays, long walks, tidiness, ‘bling’ jewellery, horse-riding (on his orders, his favourite horse was shot when he died), pet dogs and garishly over-elaborate waistcoats. He made a fortune, but spent a lot of it helping his exceedingly feckless family. His favourite flower was the humble red geranium.

You can’t win them all…

‘We do not believe in the permanence of his reputation… Our children will wonder what their ancestors could have meant by putting Dickens at the head of the novelists of his day.’

The Saturday Review, 1858

A tale of two centuries

In the year 2012, the world celebrates the 200th birthday of a man who could boast – with complete truthfulness – that his life and works had been ‘amazing’. Thanks to years of patient scholarship and loving preservation, almost every detail of Dickens’s life, and a very great many of the words he wrote, have been put on public display. So, if we ask (and it’s extremely hard to avoid the temptation), ‘WHAT the Dickens?’ (the phrase is originally from Shakespeare’s The Merry Wives of Windsor, act 3, scene 2), we can be fairly sure of finding an answer. However, in