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Clayfeld Holds On
Clayfeld Holds On
Clayfeld Holds On
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Clayfeld Holds On

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from “Clayfeld’s Farewell Epistle to Bob Pack”
 
            Beneath this mellow harvest moon,
I can still picture you—a boy content
just fishing with his father from a ledge
above a foaming stream. The flailing trout
you caught is packed in gleaming ice;
the pink stripe all along its side
is smeared across black shiny dots
that seem to shine with their own light.
            I’m sure that you can picture me
with equal vividness, and though we’re not
identical, there is a sense
in which I am inventing you
as much as you’re inventing me.
 
In Clayfeld Holds On, Robert Pack offers his readers a comprehensive portrait of his longtime protagonist Clayfeld, who is also Pack’s doppelgänger, his alternate self, enacting both the life that the poet has lived and the life he might have lived, given his proclivities and appetites. Poet and protagonist, taken together, are self and consciousness of self, the historical self and the embellished story of that literal self.
            Written with a masterly ear for rhythm, and interweaving narrative and lyrical passages, the poems recount Clayfeld’s formative memories while exploring concepts such as loyalty, generosity, commitment, as well as cosmic phenomena such as the big bang theory and black holes. Through all of this, Pack attempts to find purpose and meaning in an indifferent universe, and to explore the labyrinth of his own proliferating identity.
LanguageEnglish
Release dateOct 16, 2015
ISBN9780226303567
Clayfeld Holds On

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    Clayfeld Holds On - Robert Pack

    Clayfeld Holds On

    Selected Books by Robert Pack

    POETRY

    To Love That Well (2013)

    Laughter Before Sleep (2011)

    Still Here, Still Now (2008)

    Composing Voices (2005)

    Elk in Winter (2004)

    Rounding It Out (1999)

    Minding the Sun (1996)

    Fathering the Map (1993)

    Before It Vanishes (1989)

    Clayfeld Rejoices, Clayfeld Laments (1987)

    Inheritance (1986)

    Faces in a Single Tree (1984)

    Waking to My Name (1980)

    Keeping Watch (1976)

    Nothing but Light (1972)

    Home from the Cemetery (1969)

    Guarded by Women (1963)

    A Stranger’s Privilege (1959)

    The Irony of Joy (1955)

    LITERARY CRITICISM

    Willing to Choose: Volition & Storytelling in Shakespeare’s Major Plays (2007)

    Belief and Uncertainty in the Poetry of Robert Frost (2003)

    The Long View: Essays on the Discipline of Hope and Poetic Craft (1991)

    Affirming Limits: Essays on Morality, Choice, and Poetic Form (1985)

    Wallace Stevens: An Approach to His Poetry and Thought (1959)

    Clayfeld Holds On

    ROBERT PACK

    The University of Chicago Press

    Chicago and London

    ROBERT PACK is the Abernethy Professor of Literature and Creative Writing Emeritus at Middlebury College and Distinguished Senior Professor Emeritus of Humanities in the Honors College of the University of Montana, Missoula. He is the author of five prose works and nineteen previous books of poems, most recently Laughter before Sleep, also available from the University of Chicago Press.

    The University of Chicago Press, Chicago 60637

    The University of Chicago Press, Ltd., London

    © 2015 by The University of Chicago

    All rights reserved. Published 2015.

    Printed in the United States of America

    24 23 22 21 20 19 18 17 16 15 1 2 3 4 5

    ISBN-13: 978-0-226-30342-0 (paper)

    ISBN-13: 978-0-226-30356-7 (e-book)

    DOI: 10.7208/chicago/9780226303567.001.0001

    The author and the University of Chicago Press gratefully acknowledge the generous support of the Helene and Richard Rubin—Pearl Robinson Foundation toward the publication of this book.

    Library of Congress Cataloging-in-Publication Data

    Pack, Robert, 1929– author.

    Clayfeld holds on / Robert Pack.

    pages ; cm

    Poems.

    ISBN 978-0-226-30356-7 (ebook) — ISBN 978-0-226-30342-0 (pbk. : alk. paper)

    i. Title.

    ps3566.a28c536 2015

    811'.6 — dc23

    2015010510

    ♾ This paper meets the requirements of ANSI/NISO Z39.48-1992 (Permanence of Paper).

    Contents

    Bob Pack’s lnvocation to Clayfeld

    Clayfeld’s Encounter by the Sea

    Clayfeld Encompasses a Paradox

    Clayfeld Beholds a Miracle

    Clayfeld Attends a Seder

    Clayfeld Admonishes the Bard

    Clayfeld Defines Sublimity

    Clayfeld Goes Birding

    A Blue Heron Appears to Clayfeld

    Clayfeld’s Kidney

    Clayfeld Observes a Herd of Elk

    Clayfeld Organizes His Jokes

    Confronting Clayfeld

    Clayfeld among the Fireflies

    Clayfeld Takes Flight

    Clayfeld Listens to the Aspens

    Paean for a Turtle

    Clayfeld Encircled

    Clayfeld Unresolved

    Clayfeld’s Vampire Fantasy

    Clayfeld on Jury Duty

    Clayfeld Throws His Hat into the Ring

    Clayfeld’s Reversal

    Clayfeld Reading by the Fire

    Clayfeld Grieves for Annie

    Clayfeld’s Inheritance

    Clayfeld Addresses His Father

    Drifting and Gliding

    Clayfeld’s Interpretation

    Clayfeld Thinks about Women

    Clayfeld’s Pride

    Clayfeld Bedeviled

    Clayfeld’s Cogito

    Clayfeld’s Inspiration

    Clayfeld Contends with Entropy

    Star-Crossed Clayfeld

    Clayfeld in the Rain

    Clayfeld’s Injury

    Humming in the Air

    Clayfeld Embellishes a Willow Tree

    Clayfeld’s Farewell Epistle to Bob Pack

    Epilogue: Swan River in October

    Epilogue: Abundance

    Clayfeld Holds On

    Bob Pack’s Invocation to Clayfeld

    By listening to what you say about

    ephemerality and love,

    I memorize your memories of what

    in fact occurred, but also I’m enhanced

    by your far-ranging fantasies, which have

    a substance of their own and thus

    possess the power to affect my life.

    The pleasure that you take adds to my own

    when you evoke the twistings of desire,

    a sheep clothed in the body of a wolf,

    through innuendoes and equivocations,

    not to be evasive, only to be

    accurate about uncertainty

    of motivation and intent—

    as when a photon beam is flashed

    through two small slits in an obstructing wall

    behind which a reflecting screen displays

    what the experimenter sees: the pattern

    of a wave or else a particle,

    with double meanings like a pun.

    Might not that unpredictability

    apply to you and me—each one of us

    the other’s plausible alternative,

    although each double thought remains

    a rumination of my own?

    The waterfall you hiked to in your youth

    exists without someone’s observing it,

    but the pale girl who walked with you

    through brambles up the mountainside,

    who shared your rapture as the spume

    composed a rainbow of its own, she might

    be a composite of some other girls

    you loved—or maybe you invented her

    out of a wish, a dream, a reverie.

    I need your fantasies so I

    can witness my own life as if

    it were a story in a gilded book,

    replete with sorrows, disappointments,

    foolishness, but still a comedy

    affirming laughter aged perspective brings

    of how lust lights the way to love.

    Ah! love, redeeming love, although

    at bottom bodily, first sexual,

    yet reaching out to humankind—

    such love sought always to emerge in you

    as if Be fruitful, multiply!

    was a commandment to conceive

    your self-proliferating self anew.

    Clayfeld, my doppelgänger, as I’m yours—

    quadruple if you count the two of us

    as one—go forth with widened eyes

    among proliferating bear grass like

    a constellation in the spangled woods,

    and journey where your heart revives

    the need to reinvent yourself.

    The waterfall, composed of molecules,

    quarks indivisible, is also

    an epiphany incarnate

    in the airy ambience of words evoking

    your own covenant with Nature,

    represented as a girl reposing on

    a lichen-softened ledge, her forehead gleaming

    with the waterfall’s transparent spray—

    a girl whose name you might remember

    and hold dear. Perhaps you can recall

    the shimmer of her hair, her heated cheeks,

    the leaf-entangled light that glistened

    on her shoulders as you kissed her

    and, without constraint, she put her arms around

    your neck, returning your uncertain kiss.

    And so your memory, though improvised,

    completes what might have been, and so

    the past can be doubly restored

    by apprehending my own finite self,

    aware of its own finitude,

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