Origami Flowers
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About this ebook
This well-illustrated guide combines two popular Japanese traditions — the art of ikebana, or flower arrangement, and origami, the ancient practice of paperfolding. With the help of easy-to-follow directions, beginners and experts alike will not only be able to create their own charming floral displays, they'll also be able to make the stems, leaves, and even vases for holding a variety of captivating blossoms.
Following a brief but fascinating history of origami and explanations of the symbols used throughout the book, you're immediately introduced to a variety of attractive, easy-to-fold models — among them a wheat stalk, a water lily, an iris, a lily with a white center, and a five-petaled balloon flower. Successive chapters present increasingly complex designs. A number of them, such as a cherry blossom, a sixteen-petaled chrysanthemum, a daffodil and narcissus, an accordion-pleated leaf, and a swirl rose, will challenge even longtime folders. But clear instructions and the many illustrations that accompany every model ensure your successful completion of each project. A final chapter devoted to flower arrangement shows you how to put all you've learned to good use.
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Reviews for Origami Flowers
7 ratings2 reviews
- Rating: 4 out of 5 stars4/5This isn't your basic origami book. It shows you how to make some pretty sophisticated flowers with leaves and stems, make paper vases for them and arrange them in ikebana style. This was too advanced for my current level of origami (attentive novice)
- Rating: 5 out of 5 stars5/5cool
Book preview
Origami Flowers - James Minoru Sakoda
Stalk
Chapter 1
A Bit of History
Early Flowers
Flowers have never been very popular in traditional origami and still play a minor part of the repertoire of many expert folders. The traditional bases generally have not lent themselves to folding attractive flowers. A flower made from a bird base has only four petals which are too long and are better suited for a star or wings for birds. The frog base, which is more difficult to fold, provides a more suitable foundation for a flower, and produces the four petal lily or iris with four short points in the center. As I will show later these short points can be changed into white squares to provide a white center cluster. Another base for a traditional flower, the water lily, is the triple blintz fold which involves folding in the corners to the center three times and produces twelve points. The points folded in the back side need to be brought to the front, but unless the paper is strong and soft the move is likely to tear the paper. The square petals also need additional work to make them into attractive petals.
Later Flowers
It is only when one gets into innovative works does one find more attractive flowers. The best source for flowers is Toshie Takahama’s flower book, Hana no Origami (Flower Origami, undated, Yuki Shobo, Tokyo) and Kurashi o Kazaru Origami (Origami to Decorate One’s Life, 1969, Makosha, Tokyo). Her style contrasts with mine in that she, like many other Japanese folders, is more liberal about cutting, adding pieces to make the center of the flower or to add layers of petals and to avoid difficult folds. She names her flowers and makes an effort to match them with appropriate leaves. From time to time in Nippon Origami Association’s monthly magazine, Origami, there are instructions and displays of origami flowers. In the April, 1990 and October, 1990 issues of Origami are instructions and displays of mass of flowers in a basket and others arranged beautifully on paper and framed as a picture. These are by Keiji Kitamura. I have also seen a couple of efforts to show the lovely form of the rose, a challenge to any folder. There is one in the February, 1992 issue by Akiko Yamanishi. In Top Origami by Toshie Takahama and Kunihiko Kasahara, (1985, Sanrio Company, Tokyo) there is a beautiful rose by Toshikazu Kawasaki.
The Origami Scene
A relatively easy method of displaying folded flowers is to arrange flowers, folded stems and leaves on paper or cardboard to make a framed picture. This approach to origami display was developed by Mrs. Kyo Araki of Kyoto and reported in her Kyo-Origami , (1973, Koseisya-Koseikaku, Tokyo). Among the scenes of Kyoto, there are people, including colorful dancing girls, temples, trees and also flowers and plants. The origami scene has become a popular method of displaying origami and very elaborate pictures are shown at exhibits. The advantage of the flat picture is that it is a relatively simple matter to fold a stem and leaves from narrow strips of paper and connect them to each other and to flowers by pasting them to a sheet of paper or cardboard. A limitation is that everything needs to be folded flat.
Display in a Vase
A more difficult approach is to provide an upright stem to which folded flowers and leaves are attached and the stem placed in some kind of vase. This method is desirable for flowers which are three-dimensional in nature. A common technique to accomplish this is to use artificial flower making methods, which are well known. A stiff wire is used as a stem and green tape is used to attach leaves to the stem as well as to wrap the wire to give it body. The wire can be inserted into the bottom of the flower if there is a hole or a slit. Mrs. Takahama, who used this method trimmed the end of the lily to provide a hole for the stem to enter. The green tape served to hold the flower firmly to the wire stem. This solved the problem of holding the flower upright in a vase as was done with real, imitation or dried flowers.
The objection to the use of wire and tape, of course, was that they were not made of paper. A second approach to making a stem, which used an ancient household technique, was to take a narrow strip of paper and roll it diagonally into a twine called Koyori. The flowers and leaves were attached to it with paste. This method was used by Yoshihide and Sumiko Momotani in Origami, Imeji to Sosaku (1975, Sogensha, Tokyo).
The Origami Stem
Perhaps the most ambitious attempt to attach flowers and leaves to a stem of folded paper using folding techniques only was made by David Collier (See Eric Kenneway’s Complete Origami, 1987, St. Martin Press, New York City). Westerners, more often than Japanese, are likely to be purists about allowing cutting and pasting. A square sheet (about six inches?) was cut into fourths, one was discarded, one was cut in half to make a stem and two leaves. Two leaves were first