The Rope: "Then the moment of ecstatic freedom came. The peace, the end of the quest."
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About this ebook
Eugene Gladstone O'Neill was born on October 16, 1888 in a hotel bedroom in what is now Times Square, New York. Much of his childhood was spent in the comfort of books at boarding schools whilst his actor father was on the road and his Mother contended with her own demons. He spent only a year at University - Princeton - and various reasons have been given for his departure. However whatever his background and education denied or added to his development it is agreed amongst all that he was a playwright of the first rank and possibly America's greatest. His introduction of realism into American drama was instrumental in its development and paved a path for many talents thereafter. Of course his winning of both the Pulitzer Prize (4 times) and the Nobel Prize are indicative of his status. His more famous and later works do side with the disillusionment and personal tragedy of those on the fringes of society but continue to build upon ideas and structures he incorporated in his early one act plays. Eugene O'Neill suffered from various health problems, mainly depression and alcoholism. In the last decade he also faced a Parkinson's like tremor in his hands which made writing increasingly difficult. But out of such difficulties came plays of the calibre of The Iceman Cometh, Long Day's Journey Into Night, and A Moon for the Misbegotten. Eugene O'Neill died in Room 401 of the Sheraton Hotel on Bay State Road in Boston, on November 27, 1953, at the age of 65. As he was dying, he whispered his last words: "I knew it. I knew it. Born in a hotel room and died in a hotel room."
Eugene O'Neill
Eugene O’Neill was an American playwright and Nobel laureate. His poetically titled plays were among the first to introduce into the US the drama techniques of realism, earlier associated with international playwrights Anton Chekhov, Henrik Ibsen, and August Strindberg. The tragedy Long Day’s Journey into Night is often numbered on the short list of the finest US plays in the twentieth century, alongside Tennessee Williams’s A Streetcar Named Desire and Arthur Miller’s Death of a Salesman.
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The Rope - Eugene O'Neill
The Rope by Eugene O’Neill
Eugene Gladstone O'Neill was born on October 16, 1888 in a hotel bedroom in what is now Times Square, New York. Much of his childhood was spent in the comfort of books at boarding schools whilst his actor father was on the road and his Mother contended with her own demons. He spent only a year at University - Princeton - and various reasons have been given for his departure.
However whatever his background and education denied or added to his development it is agreed amongst all that he was a playwright of the first rank and possibly America's greatest. His introduction of realism into American drama was instrumental in its development and paved a path for many talents thereafter. Of course his winning of both the Pulitzer Prize (4 times) and the Nobel Prize are indicative of his status. His more famous and later works do side with the disillusionment and personal tragedy of those on the fringes of society but continue to build upon ideas and structures he incorporated in his early one act plays.
Eugene O'Neill suffered from various health problems, mainly depression and alcoholism. In the last decade he also faced a Parkinson's like tremor in his hands which made writing increasingly difficult. But out of such difficulties came plays of the calibre of The Iceman Cometh, Long Day's Journey Into Night, and A Moon for the Misbegotten.
Eugene O'Neill died in Room 401 of the Sheraton Hotel on Bay State Road in Boston, on November 27, 1953, at the age of 65. As he was dying, he whispered his last words: I knew it. I knew it. Born in a hotel room and died in a hotel room.
Index Of Contents
Characters
Scene
Eugene O’Neill – A Short Biography
Eugene O’Neill – A Concise Bibliography
CHARACTERS
ABRAHAM BENTLEY
ANNIE, his daughter
PAT SWEENEY, her husband
MARY, their child
LUKE BENTLEY, Abe's son by a second marriage
SCENE
The interior of an old barn situated on top of a high headland of the seacoast. In the rear, to the left, a stall in which lumber is stacked up. To the right of it, an open double doorway looking out over the ocean. Outside the doorway, the faint trace of what was once a road leading to the barn. Beyond the road, the edge of a cliff which rises sheer from the sea below. On the right of the doorway, three stalls with mangers and hay-rocks. The first of these is used as a woodbin and is half full of piled-up cordwood. Near this bin, a chopping block with an ax driven into the top of it.
The left section of the barn contains the hay loft, which extends at a height of about twelve feet from the floor as far to the right as the middle of the doorway. The loft is bare except for a few scattered mounds of dank-looking hay. From the edge of the loft, halfway from the door, a rope about five feet long with an open running noose at the end is hanging. A rusty plow and various other farming implements, all giving evidence of long disuse, are lying on the floor near the left wall. Farther forward an old cane-bottomed chair is set back against the wall.
In front of the stalls on the right stands a long, roughly constructed carpenter's table, evidently home-made. Saws, a lathe, a hammer, chisel, a keg containing nails and other tools of the carpentry trade are on the table. Two benches are placed, one in front, one to the left of