The Princess
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Alfred Tennyson, 1st Baron Tennyson, was born on the 6th of August 1809 and was Poet Laureate of Great Britain and Ireland during much of Queen Victoria's reign and still remains a popular poet throughout the world. Much of his work is instantly recognisable and within a few words he distils perhaps the very essence of being English with such phrases as ", "'Tis better to have loved and lost / Than never to have loved at all" and "Theirs not to reason why, / Theirs but to do and die". His poems vividly capture and enthral and amongst their number are "Break, Break, Break", "The Charge of the Light Brigade", "Tears, Idle Tears" and "Crossing the Bar". He died, mourned by an entire Nation on the 6th of October, 1892. In this volume we bring you one of his longer poems The Princess. Rightly regarded as a classic even by his own immense standards.
Alfred, Lord Tennyson
Alfred, Lord Tennyson (1809-1892) was a British poet. Born into a middle-class family in Somersby, England, Tennyson began writing poems with his brothers as a teenager. In 1827, he entered Trinity College, Cambridge, joining a secret society known as the Cambridge Apostles and publishing his first book of poems, a collection of juvenile verse written by Tennyson and his brother Charles. He was awarded the Chancellor’s Gold Medal in 1829 for his poem “Timbuktu” and, in 1830, published Poems Chiefly Lyrical, his debut individual collection. Following the death of his father in 1831, Tennyson withdrew from Cambridge to care for his family. His second volume of poems, The Lady of Shalott (1833), was a critical and commercial failure that put his career on hold for the next decade. That same year, Tennyson’s friend Arthur Hallam died from a stroke while on holiday in Vienna, an event that shook the young poet and formed the inspiration for his masterpiece, In Memoriam A.H.H. (1850). The poem, a long sequence of elegiac lyrics exploring themes of loss and mourning, helped secure Tennyson the position of Poet Laureate, to which he was appointed in 1850 following the death of William Wordsworth. Tennyson would hold the position until the end of his life, making his the longest tenure in British history. With most of his best work behind him, Tennyson continued to write and publish poems, many of which adhered to the requirements of his position by focusing on political and historical themes relevant to the British royal family and peerage. An important bridge between Romanticism and the Pre-Raphaelites, Tennyson remains one of Britain’s most popular and influential poets.
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The Princess - Alfred, Lord Tennyson
The Princess - A Classic Poem by Alfred, Lord Tennyson
Poetry is a fascinating use of language. With almost a million words at its command it is not surprising that these Isles have produced some of the most beautiful, moving and descriptive verse through the centuries. In this series we look at the world through the eyes and minds of our most gifted poets to bring you a unique poetic guide to their lives.
Alfred Lord Tennyson is regarded by many as the supreme Victorian Poet. For succeeding generations there are the childhood memories of classic remembered fragments such as ‘Break, Break, Break’, and ‘Half A League, Half A League’.
Born on August 6th 1809 Somersby, Lincolnshire, he was the fourth of twelve children.
Tennyson was a student at Louth Grammar School, then attended Scaitcliffe School, Englefield Green and King Edward VI Grammar School, Louth. He entered Trinity College, Cambridge in 1827 and published his first poetry book that year; Poems by Two Brothers.
In 1829, he was awarded the Chancellor's Gold Medal at Cambridge for one of his first pieces, Timbuctoo
. The following year he published his collection, Poems Chiefly Lyrical.
In the spring of 1831, Tennyson's father died, requiring him to eave Cambridge before taking his degree. He returned to the rectory and shared responsibility for his widowed mother and siblings.
In 1833, Tennyson published a book of poetry, which included his well-known poem, The Lady of Shalott. This volume met with such heavy criticism that Tennyson did not publish again for 10 years, although he continued to write.
In 1842, while living in London, Tennyson published two volumes of Poems. The first was a re-issue, the second was made up of new poems. They met with immediate success. Poems from this collection, such as Locksley Hall, Tithonus, and Ulysses have met lasting respect.
The Princess: A Medley, a satire on women's education, came out in 1847. W. S. Gilbert later adapted and parodied the piece twice: in The Princess (1870) and in Princess Ida (1884). Here, in this volume, we bring you the beautiful poem ‘The Princess’.
It was in 1850 that Tennyson reached the pinnacle of his career, finally publishing his masterpiece, In Memoriam A.H.H., dedicated to his great friend Hallam. Later the same year he was appointed Poet Laureate, succeeding William Wordsworth. That same year on 13 June, Tennyson married Emily Sellwood, whom he had known since childhood, in the village of Shiplake. They had two sons, Hallam and Lionel.
After Wordsworth's death in 1850, and Samuel Rogers' refusal, Tennyson was appointed to the position of Poet Laureate, which he held until his own death in 1892, by far the longest tenure of any laureate before or since.
Tennyson continued writing into his eighties. He died on 6 October 1892 at Aldworth, aged 83. He was buried at Westminster Abbey.
Many of his poems are also available on audiobooks from our sister company Portable Poetry. Many samples are at our youtube channel http://www.youtube.com/user/PortablePoetry?feature=mhee They can be purchased from iTunes, Amazon and other digital stores. Among the readers are Richard Mitchley and Ghizela Rowe
THE PRINCESS
PROLOGUE
Sir Walter Vivian all a summer's day
Gave his broad lawns until the set of sun
Up to the people: thither flocked at noon
His tenants, wife and child, and thither half
The neighbouring borough with their Institute
Of which he was the patron. I was there
From college, visiting the son, the son
A Walter too, with others of our set,
Five others: we were seven at Vivian-place.
And me that morning Walter showed the house,
Greek, set with busts: from vases in the hall
Flowers of all heavens, and lovelier than their names,
Grew side by side; and on the pavement lay
Carved stones of the Abbey-ruin in the park,
Huge Ammonites, and the first bones of Time;
And on the tables every clime and age
Jumbled together; celts and calumets,
Claymore and snowshoe, toys in lava, fans
Of sandal, amber, ancient rosaries,
Laborious orient ivory sphere in sphere,
The cursed Malayan crease, and battle-clubs
From the isles of palm: and higher on the walls,
Betwixt the monstrous horns of elk and deer,
His own forefathers' arms and armour hung.
And 'this' he said 'was Hugh's at Agincourt;
And that was old Sir Ralph's at Ascalon:
A good knight he! we keep a chronicle
With all about him' which he brought, and I
Dived in a hoard of tales that dealt with knights,
Half-legend, half-historic, counts and kings
Who laid about them at their wills and died;
And mixt with these, a lady, one that armed
Her own fair head, and sallying through the gate,
Had beat her foes with slaughter from her walls.
'O miracle of women,' said the book,
'O noble heart who, being strait-besieged
By this wild king to force her to his wish,
Nor bent, nor broke, nor shunned a soldier's death,
But now when all was lost or seemed as lost
Her stature more than mortal in the burst
Of sunrise, her arm lifted, eyes on fire
Brake with a blast of trumpets from the gate,
And, falling on them like a thunderbolt,
She trampled some beneath her horses' heels,
And some were whelmed with missiles of the wall,
And some were pushed with lances from the rock,
And part were drowned within the whirling brook:
O miracle of noble womanhood!'
So sang the gallant glorious chronicle;
And, I all rapt in this, 'Come out,' he said,
'To the Abbey: there is Aunt Elizabeth
And sister Lilia with the rest.' We went
(I kept the book and had my finger in it)
Down through the park: strange was the sight to me;
For all the sloping pasture murmured, sown
With happy faces and with holiday.
There moved the multitude, a thousand heads:
The patient leaders of their Institute
Taught them with facts. One reared a font of stone
And drew, from butts of water on the slope,
The fountain of the moment, playing, now
A twisted snake, and now a rain of pearls,
Or steep-up spout whereon the gilded ball
Danced like a wisp: and somewhat lower down
A man with knobs and wires and vials fired
A cannon: Echo answered in her sleep
From hollow fields: and here were telescopes
For azure views; and there a group of girls
In circle waited, whom the electric shock
Dislinked with shrieks and laughter: round the lake
A little clock-work steamer paddling plied
And shook the lilies: perched about the knolls
A dozen angry models jetted steam:
A petty railway ran: a fire-balloon
Rose gem-like up before the dusky groves
And dropt a fairy parachute and past:
And there through twenty posts of telegraph
They flashed a saucy message to and fro
Between the mimic stations; so that sport
Went hand in hand with Science; otherwhere
Pure sport; a herd of boys with clamour bowled
And stumped the wicket; babies rolled about
Like tumbled fruit in grass; and men and maids
Arranged a country dance, and flew through light
And shadow, while the twangling violin
Struck up with Soldier-laddie, and overhead
The broad ambrosial aisles of lofty lime
Made noise with bees and breeze from end to end.
Strange was the sight and smacking of the time;
And long we gazed, but satiated at length
Came to the ruins. High-arched and ivy-claspt,
Of finest Gothic lighter than a fire,
Through one wide chasm of time and frost they gave
The park, the crowd, the house; but all within
The sward was trim as any garden lawn:
And here we lit on Aunt Elizabeth,
And Lilia with the rest, and lady friends
From neighbour seats: and there was Ralph himself,
A broken statue propt against the wall,
As gay as any. Lilia, wild with sport,
Half child half woman as she was, had wound
A scarf of orange round the stony helm,
And robed the shoulders in a rosy silk,
That made the old warrior from his ivied nook
Glow like a sunbeam: near his tomb a feast
Shone, silver-set; about it lay the guests,
And there we joined them: then the maiden Aunt
Took this fair day for text,