The Reporter Who Made Himself King
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About this ebook
Richard Harding Davis was born on April 18, 1864. He was a journalist of some renown. He was the first American war correspondent to cover the Spanish-American War, the Second Boer War, and the First World War. His writing greatly assisted the political career of Theodore Roosevelt and he also played a major role in the evolution of the American magazine. His works of fiction are also very enjoyable, his journalistic training pushing the narrative and characters throughout the book.
Richard Harding Davis
Richard Davis was born and educated in Melbourne and now lives in Queensland. He was encouraged in his writing by Alan Marshall, Ivan Southall and later, Nobel prize-winning author Patrick White. Richard pursued a successful career in commerce before taking up full-time writing in 1997. Since then his published works have included three internationally acclaimed biographies of musicians: Geoffrey Parsons - Among Friends (ABC Books), Eileen Joyce: A Portrait (Fremantle Press) and Anna Bishop - The Adventures of an Intrepid Prima Donna (Currency Press). The latest in this series is Wotan’s Daughter - The Life of Marjorie Lawrence.
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The Reporter Who Made Himself King - Richard Harding Davis
THE REPORTER WHO MADE HIMSELF KING
By Richard Harding Davis
The Old Time Journalist will tell you that the best reporter is the one who works his way up. He holds that the only way to start is as a printer’s devil or as an office boy, to learn in time to set type, to graduate from a compositor into a stenographer, and as a stenographer take down speeches at public meetings, and so finally grow into a real reporter, with a fire badge on your left suspender, and a speaking acquaintance with all the greatest men in the city, not even excepting Police Captains.
That is the old time journalist’s idea of it. That is the way he was trained, and that is why at the age of sixty he is still a reporter. If you train up a youth in this way, he will go into reporting with too full a knowledge of the newspaper business, with no illusions concerning it, and with no ignorant enthusiasms, but with a keen and justifiable impression that he is not paid enough for what he does. And he will only do what he is paid to do.
Now, you cannot pay a good reporter for what he does, because he does not work for pay. He works for his paper. He gives his time, his health, his brains, his sleeping hours, and his eating hours, and sometimes his life, to get news for it. He thinks the sun rises only that men may have light by which to read it. But if he has been in a newspaper office from his youth up, he finds out before he becomes a reporter that this is not so, and loses his real value. He should come right out of the University where he has been doing campus notes
for the college weekly, and be pitchforked out into city work without knowing whether the Battery is at Harlem or Hunter’s Point, and with the idea that he is a Moulder of Public Opinion and that the Power of the Press is greater than the Power of Money, and that the few lines he writes are of more value in the Editor’s eyes than is the column of advertising on the last page, which they are not.
After three years—it is sometimes longer, sometimes not so long—he finds out that he has given his nerves and his youth and his enthusiasm in exchange for a general fund of miscellaneous knowledge, the opportunity of personal encounter with all the greatest and most remarkable men and events that have risen in those three years, and a great fund of resource and patience. He will find that he has crowded the experiences of the lifetime of the ordinary young business man, doctor, or lawyer, or man about town, into three short years; that he has learned to think and to act quickly, to be patient and unmoved when everyone else has lost his head, actually or figuratively speaking; to write as fast as another man can talk, and to be able to talk with authority on matters of which other men do not venture even to think until they have read what he has written with a copy-boy at his elbow on the night previous.
It is necessary for you to know this, that you may understand what manner of man young Albert Gordon was.
Young Gordon had been a reporter just three years. He had left Yale when his last living relative died, and had taken the morning train for New York, where they had promised him reportorial work on one of the innumerable Greatest New York Dailies. He arrived at the office at noon, and was sent back over the same road on which he had just come, to Spuyten Duyvil, where a train had been wrecked and everybody of consequence to suburban New York killed. One of the old reporters hurried him to the office again with his copy,
and after he had delivered that, he was sent to the Tombs to talk French to a man in Murderers’ Row, who could not talk anything else, but who had shown some international skill in the use of a jimmy. And at eight, he covered a flower-show in Madison Square Garden; and at eleven was sent over the Brooklyn Bridge in a cab to watch a fire and make guesses at the losses to the insurance companies.
He went to bed at one, and dreamed of shattered locomotives, human beings lying still with blankets over them, rows of cells, and banks of beautiful flowers nodding their heads to the tunes of the brass band in the gallery. He decided when he awoke the next morning that he had entered upon a picturesque and exciting career, and as one day followed another, he became more and more convinced of it, and more and more devoted to it. He was twenty then, and he was now twenty-three, and in that time had become a great reporter, and had been to Presidential conventions in Chicago, revolutions in Hayti, Indian outbreaks on the Plains, and