How to Make Lingerie - With Information on Stitches, Embroidery and Fastenings
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- Rating: 1 out of 5 stars1/5Not completely useless, but the drawings are not very good and in the book view - it's not clear which text goes with which illustration.
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How to Make Lingerie - With Information on Stitches, Embroidery and Fastenings - Isabel Horner
LINGERIE
THOUGH the making of lingerie is not, technically speaking, dressmaking, the well-dressed woman will naturally see that her invisible garments are as dainty and shapely as her visible ones. However smart and becoming in themselves her frocks may be, their effect can be spoiled completely by being worn over badly-fitting lingerie. Paper patterns for underwear are modelled with as much care as those for upper garments, and should be selected quite as thoughtfully. Also, just as much care should be taken in their fitting and making, although the actual workmanship is simpler than in dressmaking, and a smaller equipment is needed.
MATERIALS
These should be light in weight and dainty in weave, though at the same time strong in texture and dye, in order to withstand the rigours of the laundry—unless, as so many women do, you wash your own lingerie; and even then some strain is unavoidable. So, when buying your materials, test them by pulling gently in both directions, and be sure that they are guaranteed fadeless, and also, in the case of woollens, unshrinkable. For best
wear at its most luxurious there are georgette and ninon; when something less ephemeral is desired, silk, crêpe-de-chine, satin and rayon are available. (A good satin wears remarkably well, and is not really extravagant when its cost is balanced against its good qualities. Many a bridal gown of shimmering ivory satin has ended its career twenty years later as nighties
and knicks
!) For everyday wear lawns and cottons, either white or coloured, plain or patterned, are suitable, and may be most attractive. Broadly speaking, at the present time coloured fabrics are more favoured than white ones, though there are still many fastidious women who are faithful to fine white linen lawn trimmed with a little satin stitch embroidery or broderie anglaise, and perhaps a few real lace medallions. Others with similar tastes, though lighter purse, may use fine nainsook for everyday at least, with good crêpe-de-chine for slips and knickers. (Passée frocks of satin and crêpe-de-chine, either plain or patterned, can always be cut down into these garments.)
STITCHES
All stitching should be firm, in order to resist the strain of wear and washing; yet at the same time it should be as light as is consistent with strength, for clumsy stitching and coarse thread will prevent the effect of daintiness which is so desirable. Therefore strong but fine thread should be used in sewing, and both it and the size of the needles should be in keeping with the nature of the fabric. For all materials other than cottons fine sewing silk is unsurpassed, as it is more elastic than cotton, and therefore will not break so easily under strain. For white lawn or nainsook the thread may be no. 100, the needle no. 10 or 12, and the machine needle no. 11 or 12; for the same materials coloured mercerised matching cotton should be used, no. 40 or 50, with the same needles as before. For finer materials threads and needles should be proportionately finer, and, of course, sewing cotton or silk should always match in colour.
Some people consider hand sewing essential to the best class of work; but really, if the machining is done well and with a small stitch, there is no reason why the seams, at least, should not be done by machine, thus saving time and labour. Open seams, even with neatened turnings, are taboo; for, besides being untidy, they will not stand the strain of repeated washing. The seams most in use for thin fabrics are the French seam and the French fell, and in both of these the raw edges are enclosed. Run-and-fell seams are used only for the firmer materials, for which either of