An Account of Some Strange Disturbances in Aungier Street (Cryptofiction Classics - Weird Tales of Strange Creatures)

By J. Sheridan Le Fanu

This early work by J. Sheridan Le Fanu was originally published in 1853 and we are now republishing it with a brand new introductory biography as part of our Cryptofiction Classics series. 'An Account of Some Strange Disturbances in Aungier Street' is a short story about strange occurrences in a house where a judge had once hung himself and now monsters of the night roam its halls. Joseph Thomas Sheridan Le Fanu was born in Dublin in 1814. His was a literary family of Huguenot origins; both his grandmother Alicia Sheridan Le Fanu and his great-uncle Richard Brinsley Sheridan were playwrights, and his niece Rhoda Broughton would go on to become a successful novelist. At his peak, le Fanu was the leading ghost-story writer of the nineteenth century, and he is now seen as central to the development of the genre in the Victorian era. The Cryptofiction Classics series contains a collection of wonderful stories from some of the greatest authors in the genre, including Ambrose Bierce, Arthur Conan Doyle, Robert Louis Stevenson, and Jack London. From its roots in cryptozoology, this genre features bizarre, fantastical, and often terrifying tales of mythical and legendary creatures. Whether it be giant spiders, werewolves, lake monsters, or dinosaurs, the Cryptofiction Classics series offers a fantastic introduction to the world of weird creatures in fiction.

• Language: English
• Publisher: Read Books Ltd.
• Release date: Feb 17, 2015
• ISBN: 9781473399730

Book preview

An Account of Some Strange

Disturbances in Aungier Street

By J. Sheridan Le Fanu

A Cryptofiction Classic

Copyright © 2013 Read Books Ltd.

This book is copyright and may not be

reproduced or copied in any way without

the express permission of the publisher in writing

British Library Cataloguing-in-Publication Data

A catalogue record for this book is available

from the British Library

Introduction

The genre of cryptofiction has grown up in the shadow of its older brothers, science fiction and fantasy. While the latter two continue to move towards the mainstream of literary tastes – as evidenced by reaction to modern series such as Neal Stephenson’s The Baroque Cycle and George R. R. Martin’s A Song of Ice and Fire – many readers have probably never even heard of cryptofiction. Odd, when one considers that some of the most famous authors in the Western tradition have dabbled in cryptofiction, and that even today works of cryptofiction frequently feature on bestseller lists.

Cryptofiction takes its name from another, non-literary practice: cryptozoology. Cryptozoology is generally regarded as a pseudoscience by mainstream scientists, relying as it does upon anecdotal, often unverifiable evidence. However, it still boasts many enthusiasts, and continues to exert considerable artistic allure. Focused on the search for animals whose existence has not been established – who are literally kryptos, Greek for hidden – cryptozoology traces its roots to the work of the 19th-century Dutch zoologist Anthonie Cornelis Oudemans (1858-1943). Oudemans’ 1892 work, The Great Sea Serpent, was a collected study of global sea serpent sightings, which hypothesised that all these serpents might stem from a previously unknown species of giant seal.

Around the same time that Oudemans’ work came to prominence, cryptozoology experienced its early crossovers with the fiction of the day. Following in the footsteps of Jules Verne’s famous Twenty Thousand Leagues Under the Sea (1870) – which featured a mysterious giant sea monster – the 1890s saw an explosion of cryptofictional short stories, such as Rudyard Kipling’s A Matter of Fact (1892) and H. G. Wells’ The Sea Raiders (1896). Into the 20th-century, Arthur Conan Doyle’s The Lost World (1912) centred on an expedition to a plateau of the Amazon basin where prehistoric animals continued to thrive, and Edgar Rice Burroughs’ The Land That Time Forgot (1924) picked up a similar theme, featuring not just dinosaurs but also Neanderthals. Less than a decade later, a prehistoric ape took centre stage in the 1933 film King Kong.

The fifties witnessed what was probably the heyday of cryptozoology. It was in 1955 that Belgian-French zoologist Bernard Heuvelmans – known as the father of cryptozoology – published his On the Track of Unknown Animals, in which he both coined the field’s name and mapped out its intellectual boundaries. Four years later, Willy Ley’s popular Exotic Zoology (1959)

Reviews for An Account of Some Strange Disturbances in Aungier Street (Cryptofiction Classics - Weird Tales of Strange Creatures)

[brone_2 · Rating: 4 out of 5 stars]

Good Irish Horror short story