New York Aces: The First 75 Years
By Mark Rucker
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About this ebook
Mark Rucker
Mark Rucker, author of Brooklyn Dodgers and a pictorial researcher for the Ken Burns film Baseball, is a baseball historian and active member of the Society for American Baseball Research. He operates Transcendental Graphics and the Rucker Archive, providing historical images and information for projects worldwide.
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New York Aces - Mark Rucker
INTRODUCTION
New York City was the baseball city in 19th-century America. If not the birthplace of baseball, New York was the point from which the game was broadcast in every direction in an explosion of popularity following the Civil War. The best of ballplayers came to the city to play, among them a cast of pitchers to make any manager envious.
As the game developed, leagues were formed, the business of baseball was stabilized, and New York was always right in the center of the action. There is, however, a mysterious anomaly that occurred in the Victorian era, between 1877 and 1882. It was during those years that New York had no professional baseball team. The old Mutuals folded after the 1876 season, about the time that Boss Tweed’s New York political machine hit the skids. Tweed and his cohorts had owned the New York Mutual Base Ball Club—more for profit than fun. They were famous for working with gamblers to rig a game or a series, even though many of their players were of the highest caliber. The National League was founded in 1876, but after the inaugural season, it was not until 1883 that another club representing the nation’s largest city entered into the fray.
The pitching styles invented in the New York City area changed the game’s history. Jim Creighton, from Brooklyn in the late 1850s, was the first to pitch fastballs with a wrist snap, essentially producing what we call a slider today. Much controversy surrounded the new pitch, but journalist and Father of Baseball
Henry Chadwick deemed it legal. Not many years after that, Arthur Candy
Cummings began to throw a curveball, which was fully acceptable in the league. At the same time, a number of other pitchers were also experimenting with this new idea, so the true inventor
of the curveball has yet to be determined. The Giants, as New York’s 1883 entry in the National League was called, soon became a powerhouse, hiring the finest pitchers in the country to play for them. Future Hall of Famers were on every roster in the 1880s, with Tim Keefe, Mickey Welch, Monte Ward, and Amos Rusie surrounded by other talent, making the hard-hitting Giants dominant into the early 1900s.
In the 20th century, the talent pool kept changing, but the quality did not. After John Mugsy
McGraw came to town in 1902, things changed in New York for decades. Hard-nosed Mugsy McGraw—at first a player, and later a player-manager and manager—was a strong leader who had a keen eye for talent. Christy Mathewson, Iron Man McGinnity, Rube Marquard all won more than 200 games in the majors, and each played a part in many pennant victories for McGraw’s Giants. He managed the team for an astonishing 30 years, from 1902 to 1932, winning 10 pennants along the way.
Meanwhile, across the East River in the Bronx, the Yankees had been making lots of noise since the arrival of Babe Ruth in 1920. The Yanks—originally named the Highlanders because they played on a hilltop in northern Manhattan—had really gone nowhere until that big deal was made to acquire Ruth from the Boston Red Sox. After this addition of hitting prowess, Yankees management began to pay more attention to the club’s pitching. In 1921, they added Waite Hoyt to their roster, while Carl Mays won 27 that year, and the Yankees won their first pennant. New York moundsmen were strong throughout the long run the Yankees constructed, dominating the American League for two decades. Although it was the hitters who grabbed most of the headlines in the Big Apple, the pitching was effective and exciting for New York