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Merz Structure No. 2 Burnt by Children at Play
Merz Structure No. 2 Burnt by Children at Play
Merz Structure No. 2 Burnt by Children at Play
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Merz Structure No. 2 Burnt by Children at Play

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In 1981 Jake Kennedy accidentally burnt down an abandoned house. Years later as an adult, he read a story about how Kurt Schwitters' "interior house-sculpture" ("Merz Structure No. 2") was destroyed in 1951 after some children playing with matches accidentally burnt the building down. This sad 'unmaking,' so similar in nature to his own haunting experience, became the inspiration for Merz Structure No. 2 Burnt by Children at Play, a collection of experimental poetry that explores the dynamic, if often unsettling, relationship between making and unmaking, bliss and pain, utterance and silence.

As diverse in form as they are in artistic/cultural references, the poems of Merz Structure No. 2 invoke an endless bounty of characters: the poet remembers Harold Ramis; Kafka summons the courage to tell his dad where to go; another tornado razes another small town; Yorick returns to run balls-out into the sea; Louise Bourgeois smashes a tea cup against one of her sculptures.

Readers who connect with Phil Hall’s artistic investigations in Killdeer and Lisa Robertson's clear-eyed take on humanity in Magenta Soul Whip will enjoy Kennedy's feeling examination of loss in Merz Structure No. 2 Burnt by Children at Play.
LanguageEnglish
PublisherBookThug
Release dateApr 1, 2015
ISBN9781771661140
Merz Structure No. 2 Burnt by Children at Play

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    Book preview

    Merz Structure No. 2 Burnt by Children at Play - Jake Kennedy

    Lent

    Cezanne’s Still-Life with Skull, Candlestick, & Book

    Poor Yorick would speak a speech

    about fucking and how to run balls-out

    into the sea; how the rose once moved

    this way and that in the breeze

    and how the pages were always turning toward

    the better future (and they were)

    or something quantifiable like that

    with memory’s stagecraft

    here stupefying all vanities—

    A Brief History of the Cemeteries of Huron County, Ontario

    the rapids try to wake the barge

    to at least one common fact

    just as the grass

    affects sea-ish poses atop the bodies

    this—all of this—results

    as the final final lulling

      •

    after the lapse

    when resolutions have been, well, resolved

    and even the darkness gives up

    to a density of beige

    the mason’s patchwork

    keeps a claim on delusion

    praise

    that

      •

    quantities of restless light

    on top of the river

    at once startled and then never

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