The Dallas Music Scene: 1920s-1960s
By Alan Govenar and Jay Brakefield
4/5
()
About this ebook
Alan Govenar
Alan Govenar is an award-winning writer, poet, playwright, photographer, and filmmaker. He is director of Documentary Arts, a non-profit organization he founded to advance essential perspectives on historical issues and diverse cultures. Govenar is a Guggenheim Fellow and the author of more than thirty books, including Paradise in the Smallest Thing, Stoney Knows How: Life as a Tattoo Artist, Lightnin’ Hopkins, Untold Glory, Texas Blues, Stompin’ at the Savoy, Everyday Music, Texas in Paris, Osceola: Memories of a Sharecropper’s Daughter, and A Pillow on the Ocean of Time.
Read more from Alan Govenar
Lightnin' Hopkins: His Life and Blues Rating: 4 out of 5 stars4/5Boccaccio in the Berkshires Rating: 0 out of 5 stars0 ratingsDeep Ellum and Central Track: Where Cultures Converged Rating: 0 out of 5 stars0 ratingsSee That My Grave is Kept Clean: The World and Music of Blind Lemon Jefferson Rating: 0 out of 5 stars0 ratings
Related to The Dallas Music Scene
Related ebooks
Dylan at Newport, 1965: Music, Myth, and Un-Meaning Rating: 0 out of 5 stars0 ratingsBig Star: The story of rock's forgotten band Revised & Updated Edition Rating: 3 out of 5 stars3/5The Shakesouts Of Rock & Roll Rating: 0 out of 5 stars0 ratingsColumbus: The Musical Crossroads Rating: 0 out of 5 stars0 ratingsThe Music of Del Shannon Rating: 0 out of 5 stars0 ratingsRalph Peer and the Making of Popular Roots Music (Enhanced Edition) Rating: 5 out of 5 stars5/5Cover to Cover Rating: 0 out of 5 stars0 ratingsThe Levon Helm Midnight Ramble Rating: 5 out of 5 stars5/5Oklahoma City Music:: Deep Deuce and Beyond Rating: 0 out of 5 stars0 ratingsEncyclopedia of the Blues, 2nd Edition Rating: 4 out of 5 stars4/5Ryan Adams Rating: 3 out of 5 stars3/5Hidden History of Music Row Rating: 0 out of 5 stars0 ratingsSan Francisco Jazz Rating: 2 out of 5 stars2/5Pittsburgh Jazz Rating: 0 out of 5 stars0 ratingsThe Million Dollar Quartet Rating: 0 out of 5 stars0 ratingsChicago Blues Rating: 4 out of 5 stars4/5The Music of Johnny Rivers Rating: 0 out of 5 stars0 ratingsSwingin' the Blues - The Virtuosity of Eddie Durham Rating: 0 out of 5 stars0 ratingsHistoric Photos of New Orleans Jazz Rating: 0 out of 5 stars0 ratingsTransatlantic Roots Music: Folk, Blues, and National Identities Rating: 0 out of 5 stars0 ratingsLive from the Mississippi Delta Rating: 0 out of 5 stars0 ratingsMisHits of the 60's Volume 2 - American Artists Rating: 0 out of 5 stars0 ratingsBeatles Michiana A Travel Guide to Beatles Sites in Michigan and Indiana Rating: 0 out of 5 stars0 ratingsBoogie Chillun: The Reverend's Archives, Volume 4 Rating: 0 out of 5 stars0 ratingsAin't Got No Cigarettes: Memories of Music Legend Roger Miller Rating: 3 out of 5 stars3/5Rollin' 'n' Tumblin': The Reverend's Archives, Volume 2 Rating: 0 out of 5 stars0 ratingsSaturday Nights with Daddy at the Opry Rating: 4 out of 5 stars4/5Morrissey FAQ: All That's Left to Know About This Charming Man Rating: 4 out of 5 stars4/5Jimmy Page in Brazil Rating: 0 out of 5 stars0 ratingsMaking the Scene in the Garden State: Popular Music in New Jersey from Edison to Springsteen and Beyond Rating: 0 out of 5 stars0 ratings
Entertainers and the Rich & Famous For You
Bad Mormon: A Memoir Rating: 4 out of 5 stars4/5The Good Neighbor: The Life and Work of Fred Rogers Rating: 4 out of 5 stars4/5The Stories We Tell: Every Piece of Your Story Matters Rating: 3 out of 5 stars3/5I'm Glad My Mom Died Rating: 4 out of 5 stars4/5As You Wish: Inconceivable Tales from the Making of The Princess Bride Rating: 4 out of 5 stars4/5Elvis and Me Rating: 4 out of 5 stars4/5Recovery: Freedom from Our Addictions Rating: 4 out of 5 stars4/5I Can't Make This Up: Life Lessons Rating: 4 out of 5 stars4/5The Magnolia Story (with Bonus Content) Rating: 4 out of 5 stars4/5Scrappy Little Nobody Rating: 4 out of 5 stars4/5Yes Please Rating: 4 out of 5 stars4/5Robin Rating: 4 out of 5 stars4/5Down the Rabbit Hole: Curious Adventures and Cautionary Tales of a Former Playboy Bunny Rating: 4 out of 5 stars4/5Whiskey in a Teacup: What Growing Up in the South Taught Me About Life, Love, and Baking Biscuits Rating: 4 out of 5 stars4/5Mommie Dearest Rating: 3 out of 5 stars3/5Trejo: My Life of Crime, Redemption, and Hollywood Rating: 4 out of 5 stars4/5Me: Elton John Official Autobiography Rating: 4 out of 5 stars4/5Radical Love: Learning to Accept Yourself and Others Rating: 5 out of 5 stars5/5Taste: My Life Through Food Rating: 4 out of 5 stars4/5Counting the Cost Rating: 4 out of 5 stars4/5Finding Me: An Oprah's Book Club Pick Rating: 4 out of 5 stars4/5Coreyography: A Memoir Rating: 4 out of 5 stars4/5The Woman in Me Rating: 4 out of 5 stars4/5Vanderbilt: The Rise and Fall of an American Dynasty Rating: 4 out of 5 stars4/5The Boys: A Memoir of Hollywood and Family Rating: 5 out of 5 stars5/5Capital Gaines: Smart Things I Learned Doing Stupid Stuff Rating: 3 out of 5 stars3/5Stories I Only Tell My Friends: An Autobiography Rating: 4 out of 5 stars4/5Confessions of a Prairie Bitch: How I Survived Nellie Oleson and Learned to Love Being Hated Rating: 4 out of 5 stars4/5Bowie: An Illustrated Life Rating: 4 out of 5 stars4/5The Mother of Black Hollywood: A Memoir Rating: 4 out of 5 stars4/5
Reviews for The Dallas Music Scene
1 rating0 reviews
Book preview
The Dallas Music Scene - Alan Govenar
Brakefield.
INTRODUCTION
Dallas’s rich history belies stereotypes. Since it was founded in 1841, the city has grappled with its image. It has been celebrated for its cotton, oil, banking, and real estate wealth, reviled as the site of the Kennedy assassination, and mythologized beyond recognition in the Dallas television series. But the legacy of Dallas is ultimately more complex than the way it has been represented in the popular media and includes slavery, the Ku Klux Klan, vibrant Jewish, Latino, Asian, and African American communities, a sprawling Arts District, and outstanding contributions to blues, jazz, and Western swing.
In the 1870s, the coming of two railroads created Deep Ellum, where whites and blacks mingled relatively freely despite the looming threat of racism and discrimination. During Deep Ellum’s 1920s heyday, it was alive with the sounds of theater orchestras and guitar-playing street singers such as Blind Lemon Jefferson, who influenced countless other musicians and became the first male country blues artist to make commercially successful records. During the 1930s, a makeshift studio at 508 Park Avenue produced more than 800 recordings by artists ranging from Western swing pioneer Bob Wills to Mississippi bluesman Robert Johnson and Mexican conjunto performers Lolo Cavazos and José Almeida. From the late 1940s to the mid-1960s, the popular weekly live broadcast Big D
Jamboree featured country artists and rockers such as Elvis Presley, Carl Perkins, and Gene Vincent.
This book focuses on the foundation on which the Dallas Music Scene has been built. Deep Ellum, 508 Park, and the Big D
Jamboree set the stage on which Texas music has flourished. Musicians such as Jimmie and Stevie Ray Vaughan and Doyle Bramhall fused rock and blues in Dallas nightclubs in the 1960s, while blues flourished in black South Dallas. The 1969 Texas International Music Festival, in suburban Lewisville, became known as the Texas Woodstock. Deep Ellum languished, but its 1980s rebirth produced bands such as New Bohemians and the Butthole Surfers. The area continues to wax and wane, and some of the 1980s clubs have been reborn in the 21st century in a city where historic musical forms coexist with new rock and hip-hop.
One
DEEP ELLUM
In the early 1870s, a new business district sprang up at a railroad crossing a mile east of downtown Dallas. The area came to be called Deep Ellum: Deep
because of its distance from the courthouse square, Ellum
for the colloquial pronunciation of Elm by rural blacks and Eastern European Jews. Anglo merchants and Jews established businesses along Elm Street, which became the central corridor to downtown. African Americans created a commercial strip along Central Track, the section of the Houston & Texas Central line that stretched north from Elm Street to the black community known as Freedmantown and later as North Dallas. The racial climate in Deep Ellum/Central Track was relatively relaxed, while much of Dallas was rigidly segregated and the city was ruled by the Ku Klux Klan in the 1920s. Blacks bought goods in white-owned stores and hocked them in nearby pawnshops, which served as banks and sold everything from jewelry to clothing.
Black-owned theaters featured vaudeville and showcased the burgeoning African American film industry. The renowned black actor and filmmaker Spencer Williams lived in Dallas for nearly a decade. The best-known blues musician to perform in Deep Ellum was the guitarist and singer Blind Lemon Jefferson, who played on the street and, in March 1925, became one of the first country bluesmen to record. Other musicians included songster Huddie Lead Belly
Ledbetter, holy blues
master Blind Willie Johnson, barrelhouse blues pianist Alex Moore, and seminal jazz musician Buster Smith. Deep Ellum was an incubator of blues and jazz that helped to shape the course of American popular music.
The 1930s saw the first of many recordings of Deep Elm Blues,
by the Shelton brothers, and the emergence of hot fiddle bands and Western swing, performed by musicians as varied as the Light Crust Doughboys, Bob Wills, and Roy Newman. Many white musicians were influenced by black music and were eager to cash in on Deep Ellum’s notoriety. With the Great Depression, the area went into a long decline. The death of its best-known pawnbroker, Rubin Honest Joe
Goldstein, in 1972 marked the end of an era.
A postcard view looking east from the 1400 block of Elm Street (above), toward Deep Ellum, includes a familiar sight in the late 19th and early 20th centuries: wagons laden with cotton. Dallas at that time was the world’s largest inland cotton market. Visible at right in the 1920s postcard view of the 1900 block of Elm (below) is a portion of the sign of the Melba Theatre, part of Dallas’s Theater Row.
The Melba was demolished in 1976. The Majestic, a few doors down, is the only remnant of the strip of glittering movie palaces that was once a Dallas landmark.
Blind Lemon Jefferson, born in 1893 in the small East Texas farming community of Couchman, became a familiar sight at the corner of Elm Street and Central Track in the 1920s. At the urging of blues pianist Sammy Price, African American record merchant R.T. Ashford got Jefferson a contract with Paramount, a Wisconsin-based record label. Jefferson recorded in Chicago and