In Flanders Fields
By Brian Busby
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About this ebook
Few people alive today had direct experience of the First World War, and yet it seems embedded in the collective consciousness of the combatant nations as a warning to future generations of the futility of military conflict. Our awareness of the terror, loneliness and desperate hope endured by the men who fought this war we owe to the quality of the art that came out of it, not least the poetry. Despite the passage of time, its ability to move and inspire us remains undimmed, as this superb new compilation richly demonstrates.
Selected from the work of soldiers killed in action - starting with Rupert Brooke in 1915 and ending with the tragic loss of Wilfred Owen seven days before the Armistice - the poems capture a broad range of emotions, contemplations and states of mind, ranging from anthems about the brutality of war to wistful evocations of home and loved ones left behind.
This collection showcases some of the best poetry to emerge from the conflict and stands as a worthy memorial to the collective talent and sacrifice of those who gave their lives.
Brian Busby
Brian Busby is a literary historian, independent scholar, and writer. He has written two books: Character Parts and A Gentleman of Pleasure. He is also the editor of In Flanders Fields and Other Poems of the First World War and War Poems.
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In Flanders Fields - Brian Busby
INTRODUCTION
The poetry contained in this book was composed by men who died in the First World War. A few entered the conflict never having written verse. Many died without seeing their work in print. Most would, no doubt, have never considered themselves poets at all; yet that is how they are remembered nine decades later.
John McCrae, whose poem 'In Flanders Fields' lends its title to this book, holds a unique position amongst these poets; he entered the conflict as a war veteran, having served as a commissioned officer in the Boer War.
McCrae wrote only two poems during his second war, 'The Anxious Dead' and 'In Flanders Fields', the latter becoming the best known, most enduring of the conflict. It is believed to have been inspired by the death of his friend Alexis Helmer. A Canadian lieutenant, Helmer was killed during the Second Battle of Ypres, the result of a direct hit by a German shell. His gathered remains were buried the same day, McCrae conducting a service at which he recited memorized passages from the Church of England's 'Order for the Burial of the Dead'.
The popularity of 'In Flanders Fields' brought greater attention to McCrae's poetry, particularly those few poems inspired by military life and death. One of these poems, 'The Unconquered Dead', is the only verse not written during the First World War included in this anthology.
A collection of McCrae's poetry, the only one, was published a year after his death. In this respect, McCrae is anything but unique amongst the war poets. Over seventy collections of English language poems, each the work of a single fallen soldier, appeared during the war and in the months that followed. They were published and, in all but a few cases, soon went out of print. For the most part, these are works of voices never again heard, except in collections such as this.
It was the 'War to End All Wars' and, although so very many wars have followed, the conflict remains unique for the great verse it inspired and the number of great poets it killed. Of course, not all the war poets died in the conflict. Siegfied Sassoon and Robert Graves served, survived, and continued to write for much of the twentieth century. Their impressive bodies of work raise the issue of what was lost to the realm of literature. What, one wonders, would have been Wilfred Owen's place in the post-war world? Speculation such as this is, without question, a fool's game, but one can't help but picture the poet as one of the century's great men of letters; indeed, it is difficult to imagine otherwise. Certainly the death of Isaac Rosenberg was a loss not only to poetry, but to the world of art. And what of the effect the war had on those who survived; men like Canada's W.W.E. Ross, who returned home forever transformed by the trenches, the shelling and the gas?
What follows is a long procession of voices silenced by the war, beginning with Rupert Brooke and R.W. Sterling, both of whom died on 23 April 1915. The union brought by the date of their respective deaths is in no way unusual; at least seven published poets, W.N. Hodgson, J.W. Streets and Alexander Robertson among them, were killed on 1 July 1916, the first day of the Battle of the Somme. The cortège ends with Wilfred Owen, the war's greatest poet, killed by machine-gun fire just seven days before the end of the conflict. It is said that his parents received the news of his death to the sound of church bells ringing in celebration of the Armistice.
BRIAN BUSBY
April 2005
1914
I. Peace
Now, God be thanked Who has matched us with His hour,
And caught our youth, and wakened us from sleeping,
With hand made sure, clear eye, and sharpened power,
To turn, as swimmers into cleanness leaping,
Glad from a world grown old and cold and weary,
Leave the sick hearts that honour could not move,
And half-men, and their dirty songs and dreary,
And all the little emptiness of love!
Oh! we, who have known shame, we have found release there,
Where there's no ill, no grief, but sleep has mending,
Naught broken save this body, lost but breath;
Nothing to shake the laughing heart's long peace there
But only agony, and that has ending;
And the worst friend and enemy is but Death.
II. Safety
Dear! of all happy in the hour, most blest
He who has found our hid security,
Assured in the dark tides of the world at rest,
And heard our word, 'Who is so safe as we?'
We have found safety with all things undying,
The winds, and morning, tears of men and mirth,
The deep night, and birds singing, and clouds flying,
And sleep, and freedom, and the autumnal earth.
We have built a house that is not for Time's throwing.
We have gained a peace unshaken by pain for ever.
War knows no