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The Beast: Riding the Rails and Dodging Narcos on the Migrant Trail
Rating: 4 out of 5 stars
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About this ebook
An Economist and Financial Times “Best Book of the Year”
“Harrowing” true stories from two years of immersion reporting on the migrant trail from Chiapas to Arizona—an “honorable successor to enduring works like George Orwell’s The Road to Wigan Pier” (New York Times)
One day a few years ago, 300 migrants were kidnapped between the remote desert towns of Altar, Mexico, and Sasabe, Arizona. A local priest got 120 released, many with broken ankles and other marks of abuse, but the rest vanished. Óscar Martínez, a young writer from El Salvador, was in Altar soon after the abduction, and his account of the migrant disappearances is only one of the harrowing stories he garnered from two years spent traveling up and down the migrant trail from Central America and across the US border. More than a quarter of a million Central Americans make this increasingly dangerous journey each year, and each year as many as 20,000 of them are kidnapped.
Martínez writes in powerful, unforgettable prose about clinging to the tops of freight trains; finding respite, work and hardship in shelters and brothels; and riding shotgun with the border patrol. Illustrated with stunning full-color photographs, The Beast is the first book to shed light on the harsh new reality of the migrant trail in the age of the narcotraficantes.
“Harrowing” true stories from two years of immersion reporting on the migrant trail from Chiapas to Arizona—an “honorable successor to enduring works like George Orwell’s The Road to Wigan Pier” (New York Times)
One day a few years ago, 300 migrants were kidnapped between the remote desert towns of Altar, Mexico, and Sasabe, Arizona. A local priest got 120 released, many with broken ankles and other marks of abuse, but the rest vanished. Óscar Martínez, a young writer from El Salvador, was in Altar soon after the abduction, and his account of the migrant disappearances is only one of the harrowing stories he garnered from two years spent traveling up and down the migrant trail from Central America and across the US border. More than a quarter of a million Central Americans make this increasingly dangerous journey each year, and each year as many as 20,000 of them are kidnapped.
Martínez writes in powerful, unforgettable prose about clinging to the tops of freight trains; finding respite, work and hardship in shelters and brothels; and riding shotgun with the border patrol. Illustrated with stunning full-color photographs, The Beast is the first book to shed light on the harsh new reality of the migrant trail in the age of the narcotraficantes.
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The Beast: Riding the Rails and Dodging Narcos on the Migrant Trail Rating: 5 out of 5 stars5/5A History of Violence: Living and Dying in Central America Rating: 4 out of 5 stars4/5The Beast: Riding the Rails and Dodging Narcos on the Migrant Trail Rating: 4 out of 5 stars4/5
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Reviews for The Beast
Rating: 4 out of 5 stars
4/5
1 rating1 review
- Rating: 4 out of 5 stars4/5This book presents itself with a cover photo of a migrant on a freight car and says it's about "riding the rails". True enough, the book starts out in Guatemala and Honduras with the migrants working themselves into southern Mexico to start the migration up to the U.S. Like the non-documentary film, Sin Nombre, it does an excellent job of explaining why so many people feel compelled to flee their homelands and confront so many serious obstacles to reach America. The first part of the book could have been the basis for the film's screenplay. It's that similar. Both the book and the movie state very clearly that it's as much, if not more, of a factor of how untenable the existence is in Central America for migrants as it is how much America offers. Yet, about midway through the book, the author shifts focus to the vast Mexican border and the million and one obstacles that migrants face in crossing over into America. The U.S. Border Patrol is, in many respects, the least of those obstacles. This book covers the migrant experience is great depth. The feature that most distinguishes this book, however, is that this is almost entirely first person reporting. The author and a companion photographer place themselves throughout, in the midst of the migrants, their families, and those supporting or conflicting or merely observing those same migrants. This is not an historians perspective, nor that of a reporter showing up at an event and then rushing off to write a story. This is journalistic immersion. The reader will respect and admire what the author has done to tell this story. I very much look forward to reading his next work.