No Way Home: A Cuban Dancer’s Story
3/5
()
Currently unavailable
Currently unavailable
Carlos Acosta
Carlos Acosta was born in Havana in 1973 and is a retired ballet dancer and director of the Birmingham Royal Ballet. He performed with ballet companies all over the world, predominantly the Royal Ballet in London, England and the Bolshoi Ballet in Moscow. He choreographed a ballet called Tocororo based on his childhood and his ascent to ballet stardom, which debuted in England in 2003 and has been performed worldwide. No Way Home is his first book.
Read more from Carlos Acosta
No Way Home: A Dancer's Journey from the Streets of Havana to the Stages of the World Rating: 3 out of 5 stars3/5Pig's Foot: A Novel Rating: 3 out of 5 stars3/5
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Reviews for No Way Home
13 ratings2 reviews
- Rating: 2 out of 5 stars2/5This was not written very well but the events are interesting enough to keep one engaged.
- Rating: 3 out of 5 stars3/5I’ve always had a thing for the underdog. I mean, honestly, who hasn’t at one point or another in their lives? I put this book on my TBR list a few years ago, and only recently did the notification pop up that it was available in my library (granted, I wasn’t looking too hard when I was in GA, but I digress…).I’m really torn on this book, because I really, desperately, want to admire what Carlos Acosta, and his family, sacrificed for him to achieve his status in the world today. I think what makes it hard to fully admire this is because the hard work is so downplayed in this memoir, and instead, the delinquency, the disrespect for his parents, the disregard for the world of ballet is brought to the forefront, cheapening the effect of what could have been a very, very powerful story.So, rather than focus on the work, on detailing the hours of sweat, speaking of the performances and the struggles within the world of ballet, Carlos Acosta instead, focuses solely on the struggles in his outer world. Now, granted, they were struggles no one should have to deal with. His family frequently was in need of food, and Cuba is definitely not a paradise on earth. His descriptions of his hometown, and the nature surrounding it were lush and I felt like I could envision what he was trying to paint for me … but then he would move back to these, semi-dramatic moments that just distracted from the story.The other issue I had with the story is the massive rise of ego – from virtually nothing at the beginning until I felt like I was being choked with it at the end. That could be his youth (he was only 25 at the time of this memoir), but it left me with a distaste for the person he’d become.I’d only recommend this book if you are a fan, or a ballet enthusiast. Otherwise, pass this memoir by and go read his Wikipedia entry.