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Fighting for Peace (Frames Series), eBook: Your Role in a Culture Too Comfortable with Violence
Fighting for Peace (Frames Series), eBook: Your Role in a Culture Too Comfortable with Violence
Fighting for Peace (Frames Series), eBook: Your Role in a Culture Too Comfortable with Violence
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Fighting for Peace (Frames Series), eBook: Your Role in a Culture Too Comfortable with Violence

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There are lots of questions we must ask ourselves when we talk about violence, and our role in perpetuating it or in creating peace. Why are we, as Christians, more comfortable with violence in our movies than sex? What does it mean that Jesus called us to love our enemies? How can we, in our churches, cultivate a peace that might reshape society? Do we create it by constantly protesting violence? By preaching? By rethinking our foreign policy? By somehow making peace cool?


Join Tyler Wigg-Stevenson and Carol Howard Merritt as they tackle these tough questions and others in this Barna Frame. Violence is a tough, timely topic, and one that we, as the Church, have the chance to transform.

LanguageEnglish
PublisherZondervan
Release dateJan 7, 2014
ISBN9780310433460
Fighting for Peace (Frames Series), eBook: Your Role in a Culture Too Comfortable with Violence

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    Fighting for Peace (Frames Series), eBook - Barna Group

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    ZONDERVAN

    Fighting for Peace

    Copyright © 2013 by Barna Group

    This title is also available as a Zondervan ebook.

    Visit www.zondervan.com/ebooks.

    This title is also available in a Zondervan audio edition.

    Visit www.zondervan.fm.

    Requests for information should be addressed to:

    Zondervan, Grand Rapids, Michigan 49530

    ISBN 978-0-310-43345-3 (softcover)

    EPub Edition © DECEMBER, 2013: ISBN 978-0-310-43343-9

    All Scripture quotations, unless otherwise indicated, are taken from The Holy Bible, New International Version®, NIV®. Copyright © 1973, 1978, 1984, 2011 by Biblica, Inc.™ Used by permission. All rights reserved worldwide.

    Any Internet addresses (websites, blogs, etc.) and telephone numbers in this book are offered as a resource. They are not intended in any way to be or imply an endorsement by Zondervan, nor does Zondervan vouch for the content of these sites and numbers for the life of this book.

    All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means — electronic, mechanical, photocopy, recording, or any other — except for brief quotations in printed reviews, without the prior permission of the publisher.

    Published in association with the literary agency of The Fedd Agency, Inc, 401 Ranch Road 620 South, Suite 350c, Austin, TX 78734.

    Cover design and interior graphics: Amy Duty

    Interior design: Kate Mulvaney

    Printed in the United States of America

    13 14 15 16 17 18 /DCI/ 18 17 16 15 14 13 12 11 10 9 8 7 6 5 4 3 2 1

    CONTENTS

    Why You Need Frames

    Before You Read

    Infographics

    Framework BY BARNA GROUP

    The Frame BY TYLER WIGG-STEVENSON

    The Frame BY CAROL HOWARD MERRITT

    Re/Frame BY STEPHAN JOUBERT

    After You Read

    Share This Frame

    About the Research

    About Barna Group

    Thanks

    Notes

    WHY YOU NEED FRAMES

    These days, you probably find yourself with less time than ever.

    Everything seems like it’s moving at a faster pace — except your ability to keep up.

    Somehow, you are weighed down with more obligations than you have ever had before.

    Life feels more complicated. More complex.

    If you’re like most people, you probably have lots of questions about how to live a life that matters. You feel as though you have more to learn than can possibly be learned. But with smaller chunks of time and more sources of information than ever before, where can you turn for real insight and livable wisdom?

    Barna Group has produced this series to examine the complicated issues of life and to help you live more meaningfully. We call it FRAMES — like a good set of eyeglasses that help you see the world more clearly . . . or a work of art perfectly hung that invites you to look more closely . . . or a building’s skeleton, the part that is most essential to its structure.

    The FRAMES Season 1 collection provides thoughtful and concise, data-driven and visually appealing insights for anyone who wants a more faith-driven and fulfilling life. In each FRAME we couple new cultural analysis from our team at Barna with an essay from leading voices in the field, providing information and ideas for you to digest in a more easily consumed number of words.

    After all, it’s a fast-paced world, full of words and images vying for your attention. Most of us have a number of half-read or read someday books on our shelves. But each FRAME aims to give you the essential information and real-life application behind one of today’s most crucial trends in less than one-quarter the length of most books. These are big ideas in small books — designed so you truly can read less but know more. And the infographics and ideas in this FRAME are intended for share-ability. So read it, then find someone to frame with these ideas, and keep the conversation going (see Share This Frame on page 89).

    Furthermore, each FRAME brings a distinctly Christian point of view to today’s trends. In times of uncertainty, people look for guides. And we believe the Christian community is trying to make sense of the dramatic social changes happening around us.

    Over the past thirty years, Barna Group has built a reputation as a trusted analyst of religion and culture. We offer cultural discernment for the Christian community by thoughtful analysts who care enough to tell the truth about what’s really happening in today’s society.

    So sit back, but not for long. With FRAMES we invite you to read less and know more.

    DAVID KINNAMAN

    FRAMES, executive producer

    president / Barna Group

    ROXANNE STONE

    FRAMES, general editor

    vice president / Barna Group

    Learn more at www.barnaframes.com.

    Frames

    BEFORE YOU READ

    • What is the very first image that comes to mind when you think of the word violence? Reflect on that image — why is

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